Articles liés à In Pursuit of the Proper Sinner
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Book by George Elizabeth
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Extrait :
Julian Britton was a man who knew that his life thus far had amounted to nothing. He bred his dogs, he managed the crumbling ruin that was his family's estate, and daily he tried to lecture his father away from the bottle. That was the extent of it. He hadn't been a success at anything save pouring gin down the drain, and now, at twenty-seven years of age, he felt branded by failure. But he couldn't allow that to affect him tonight. Tonight he had to prevail.
He began with his appearance, giving himself a ruthless scrutiny in his bedroom's cheval glass. He straightened the collar of his shirt and flicked a piece of lint from his shoulder. He stared at his face and schooled his features into the expression he wanted them to wear. He should look completely serious, he decided. Concerned, yes, because concern was reasonable. But he shouldn't look conflicted. And certainly he shouldn't look ripped up inside and wondering how he came to be where he was, at this precise moment, with his world a shambles.
As to what he was going to say, two sleepless nights and two endless days had given Julian plenty of time to rehearse what remarks he wished to make when the appointed hour rolled round. Indeed, it was in elaborate but silent fantasy conversations—tinged with no more worry than was enough to suggest that he had nothing personal invested in the matter—that Julian had spent most of the past two nights and two days that had followed Nicola Maiden's unbelievable announcement. Now, after forty-eight hours engaged in endless colloquies within his own skull, Julian was eager to get on with things, even if he had no assurance that his words would bring the result he wanted.
He turned from the cheval glass and fetched his car keys from the top of the chest of drawers. The fine sheen of dust that usually covered its walnut surface had been removed. This told Julian that his cousin had once again submitted to the cleaning furies, a sure sign that she'd met defeat yet another time in her determined course of sobering up her uncle.
Samantha had come to Derbyshire with just that intention eight months previously, an angel of mercy who'd one day shown up at Broughton Manor with the mission of reuniting a family torn asunder for more than three decades. She hadn't made much progress in that direction, however, and Julian wondered how much longer she was going to put up with his father's bent towards the bottle.
"We've got to get him off the booze, Julie," Samantha had said to him only that morning. "You must see how crucial it is at this point."
Nicola, on the other hand, knowing his father eight years and not merely eight months, had long been of a live-and-let-live frame of mind. She'd said more than once, "If your dad's choice is to drink himself silly, there's nothing you can do about it, Jules. And there's nothing that Sam can do either." But then, Nicola didn't know how it felt to see one's father slipping ever more inexorably towards debauchery, absorbed in intensely inebriated delusions about the romance of his past. She, after all, had grown up in a home where how things seemed was identical to how things actually were. She had two parents whose love never wavered, and she'd never suffered the dual desertion of a flower-child mother flitting off to "study" with a tapestry-clad guru the night before one's own twelfth birthday and a father whose devotion to the bottle far exceeded any attachment he might have displayed towards his three children. In fact, had Nicola ever once cared to analyse the differences in their individual upbringing, Julian thought, she might have seen that every single one of her bloody decisions--
At that he brought his thoughts up short. He would not head in that direction. He could not afford to head in that direction. He could not afford to let his mind wander from the task that was immediately at hand.
"Listen to me." He grabbed his wallet from the chest and shoved it into his pocket. "You're good enough for anyone. She got scared shitless. She took a wrong turn. That's the end of it. Remember that. And remember that everyone knows how good the two of you always were together."
He had faith in this fact. Nicola Maiden and Julian Britton had been part of each other's life for years. Everyone who knew them had long ago concluded that they belonged together. It was only Nicola who, it appeared, had never come to terms with this fact.
"I know that we were never engaged," he'd told her two nights previously in response to her declaration that she was moving away from the Peaks permanently and would only be back for brief visits henceforth. "But we've always had an understanding, haven't we? I wouldn't be sleeping with you if I wasn't serious about... Come on, Nick. Damn it, you know me."
It wasn't the proposal of marriage he'd planned on making to her, and she hadn't taken it as such. She'd said bluntly, "Jules, I like you enormously. You're terrific, and you've been a real friend. And we get on far better than I've ever got on with any other bloke."
"Then you see--"
"But I don't love you," she went on. "Sex doesn't equate to love. It's only in films and books that it does."
He'd been too stunned at first to speak. It was as if his mind had become a blackboard and someone had taken a rubber to it before he had a chance to make any notes. So she'd continued.
She would, she told him, go on being his girlfriend in the Peak District if that's what he wanted. She'd be coming to see her parents now and again, and she'd always have time--and be happy, she said--to see Julian as well. They could even continue as lovers whenever she was in the area if he wished. That was fine by her. But as to marriage? They were too different as people, she explained.
"I know how much you want to save Broughton Manor," she'd said. "That's your dream, and you'll make it come true. But I don't share that dream, and I'm not going to hurt either you or myself by pretending I do. That's not fair on anyone."
Which was when he finally repossessed his wits long enough to say bitterly, "It's the God damn money. And the fact I've got none, or at least not enough to suit your tastes."
"Julian, it isn't. Not exactly." She'd turned from him briefly, giving a long sigh. "Let me explain."
He'd listened for what had seemed like an hour, although she'd likely spoken ten minutes or less. At the end, after everything had been said between them and she'd climbed out of the Rover and disappeared into the dark gabled porch of Maiden Hall, he'd driven home numbly, shell-shocked with grief, confusion, and surprise, thinking No, she couldn't . . . she can't mean No. After Sleepless Night Number One, he'd come to realise--past his own pain--how great was the need for him to take action. He'd phoned, and she'd agreed to see him. She would always, she said, be willing to see him.
He gave a final glance in the mirror before he left the room, and he treated himself to a last affirmation: "You were always good together. Keep that in mind."
He slipped along the dim upstairs passage of the manor house and looked into the small room that his father used as a parlour. His family's increasingly straitened financial circumstances had effected a general retreat from all the larger rooms downstairs that had slowly been made uninhabitable as their various antiques, paintings, and objets d'art were sold to make ends meet. Now the Brittons lived entirely on the house's upper floor. There were abundant rooms for them, but they were cramped and dark.
Jeremy Britton was in the parlour. As it was half past ten, he was thoroughly blotto, head on his chest and a cigarette burning down between his fingers. Julian crossed the room and removed the fag from his father's hand. Jeremy didn't stir.
Julian cursed quietly, looking at him: at the promise of intelligence, vigour, and pride completely eradicated by the addiction. His father was going to burn the place down someday, and there were times--like now--when Julian thought that complete conflagration might be all for the best. He crushed out Jeremy's cigarette and reached into his shirt pocket for the packet of Dunhills. He removed it and did the same with his father's lighter. He grabbed up the gin bottle and left the room.
He was dumping the gin, cigarettes, and lighter into the dustbins at the back of the manor house when he heard her speak.
"Caught him at it again, Julie?"
He started, looked about, but failed to see her in the gloom. Then she rose from where she'd been sitting: on the edge of the drystone wall that divided the back entrance of the manor from the first of its overgrown gardens. An untrimmed wisteria--beginning to lose its leaves with the approach of autumn--had sheltered her. She dusted off the seat of her khaki shorts and sauntered over to join him.
"I'm beginning to think he wants to kill himself," Samantha said in the practical manner that was her nature. "I just haven't come up with the reason why."
"He doesn't need a reason," Julian said shortly. "Just the means."
"I try to keep him off the sauce, but he's got bottles everywhere." She glanced at the dark manor house that rose before them like a fortress in the landscape. "I do try, Julian. I know it's important." She looked back at him and regarded his clothes. "You're looking very smart. I didn't think to dress up. Was I supposed to?"
Julian returned her look blankly, his hands moving to his chest to pat his shirt, searching for something that he knew wasn't there.
"You've forgotten, haven't you?" Samantha said. She was very good at making intuitive leaps.
Julian waited for elucidation.
"The eclipse," she said.
"The eclipse?" He thought about it. He c...
Revue de presse :
He began with his appearance, giving himself a ruthless scrutiny in his bedroom's cheval glass. He straightened the collar of his shirt and flicked a piece of lint from his shoulder. He stared at his face and schooled his features into the expression he wanted them to wear. He should look completely serious, he decided. Concerned, yes, because concern was reasonable. But he shouldn't look conflicted. And certainly he shouldn't look ripped up inside and wondering how he came to be where he was, at this precise moment, with his world a shambles.
As to what he was going to say, two sleepless nights and two endless days had given Julian plenty of time to rehearse what remarks he wished to make when the appointed hour rolled round. Indeed, it was in elaborate but silent fantasy conversations—tinged with no more worry than was enough to suggest that he had nothing personal invested in the matter—that Julian had spent most of the past two nights and two days that had followed Nicola Maiden's unbelievable announcement. Now, after forty-eight hours engaged in endless colloquies within his own skull, Julian was eager to get on with things, even if he had no assurance that his words would bring the result he wanted.
He turned from the cheval glass and fetched his car keys from the top of the chest of drawers. The fine sheen of dust that usually covered its walnut surface had been removed. This told Julian that his cousin had once again submitted to the cleaning furies, a sure sign that she'd met defeat yet another time in her determined course of sobering up her uncle.
Samantha had come to Derbyshire with just that intention eight months previously, an angel of mercy who'd one day shown up at Broughton Manor with the mission of reuniting a family torn asunder for more than three decades. She hadn't made much progress in that direction, however, and Julian wondered how much longer she was going to put up with his father's bent towards the bottle.
"We've got to get him off the booze, Julie," Samantha had said to him only that morning. "You must see how crucial it is at this point."
Nicola, on the other hand, knowing his father eight years and not merely eight months, had long been of a live-and-let-live frame of mind. She'd said more than once, "If your dad's choice is to drink himself silly, there's nothing you can do about it, Jules. And there's nothing that Sam can do either." But then, Nicola didn't know how it felt to see one's father slipping ever more inexorably towards debauchery, absorbed in intensely inebriated delusions about the romance of his past. She, after all, had grown up in a home where how things seemed was identical to how things actually were. She had two parents whose love never wavered, and she'd never suffered the dual desertion of a flower-child mother flitting off to "study" with a tapestry-clad guru the night before one's own twelfth birthday and a father whose devotion to the bottle far exceeded any attachment he might have displayed towards his three children. In fact, had Nicola ever once cared to analyse the differences in their individual upbringing, Julian thought, she might have seen that every single one of her bloody decisions--
At that he brought his thoughts up short. He would not head in that direction. He could not afford to head in that direction. He could not afford to let his mind wander from the task that was immediately at hand.
"Listen to me." He grabbed his wallet from the chest and shoved it into his pocket. "You're good enough for anyone. She got scared shitless. She took a wrong turn. That's the end of it. Remember that. And remember that everyone knows how good the two of you always were together."
He had faith in this fact. Nicola Maiden and Julian Britton had been part of each other's life for years. Everyone who knew them had long ago concluded that they belonged together. It was only Nicola who, it appeared, had never come to terms with this fact.
"I know that we were never engaged," he'd told her two nights previously in response to her declaration that she was moving away from the Peaks permanently and would only be back for brief visits henceforth. "But we've always had an understanding, haven't we? I wouldn't be sleeping with you if I wasn't serious about... Come on, Nick. Damn it, you know me."
It wasn't the proposal of marriage he'd planned on making to her, and she hadn't taken it as such. She'd said bluntly, "Jules, I like you enormously. You're terrific, and you've been a real friend. And we get on far better than I've ever got on with any other bloke."
"Then you see--"
"But I don't love you," she went on. "Sex doesn't equate to love. It's only in films and books that it does."
He'd been too stunned at first to speak. It was as if his mind had become a blackboard and someone had taken a rubber to it before he had a chance to make any notes. So she'd continued.
She would, she told him, go on being his girlfriend in the Peak District if that's what he wanted. She'd be coming to see her parents now and again, and she'd always have time--and be happy, she said--to see Julian as well. They could even continue as lovers whenever she was in the area if he wished. That was fine by her. But as to marriage? They were too different as people, she explained.
"I know how much you want to save Broughton Manor," she'd said. "That's your dream, and you'll make it come true. But I don't share that dream, and I'm not going to hurt either you or myself by pretending I do. That's not fair on anyone."
Which was when he finally repossessed his wits long enough to say bitterly, "It's the God damn money. And the fact I've got none, or at least not enough to suit your tastes."
"Julian, it isn't. Not exactly." She'd turned from him briefly, giving a long sigh. "Let me explain."
He'd listened for what had seemed like an hour, although she'd likely spoken ten minutes or less. At the end, after everything had been said between them and she'd climbed out of the Rover and disappeared into the dark gabled porch of Maiden Hall, he'd driven home numbly, shell-shocked with grief, confusion, and surprise, thinking No, she couldn't . . . she can't mean No. After Sleepless Night Number One, he'd come to realise--past his own pain--how great was the need for him to take action. He'd phoned, and she'd agreed to see him. She would always, she said, be willing to see him.
He gave a final glance in the mirror before he left the room, and he treated himself to a last affirmation: "You were always good together. Keep that in mind."
He slipped along the dim upstairs passage of the manor house and looked into the small room that his father used as a parlour. His family's increasingly straitened financial circumstances had effected a general retreat from all the larger rooms downstairs that had slowly been made uninhabitable as their various antiques, paintings, and objets d'art were sold to make ends meet. Now the Brittons lived entirely on the house's upper floor. There were abundant rooms for them, but they were cramped and dark.
Jeremy Britton was in the parlour. As it was half past ten, he was thoroughly blotto, head on his chest and a cigarette burning down between his fingers. Julian crossed the room and removed the fag from his father's hand. Jeremy didn't stir.
Julian cursed quietly, looking at him: at the promise of intelligence, vigour, and pride completely eradicated by the addiction. His father was going to burn the place down someday, and there were times--like now--when Julian thought that complete conflagration might be all for the best. He crushed out Jeremy's cigarette and reached into his shirt pocket for the packet of Dunhills. He removed it and did the same with his father's lighter. He grabbed up the gin bottle and left the room.
He was dumping the gin, cigarettes, and lighter into the dustbins at the back of the manor house when he heard her speak.
"Caught him at it again, Julie?"
He started, looked about, but failed to see her in the gloom. Then she rose from where she'd been sitting: on the edge of the drystone wall that divided the back entrance of the manor from the first of its overgrown gardens. An untrimmed wisteria--beginning to lose its leaves with the approach of autumn--had sheltered her. She dusted off the seat of her khaki shorts and sauntered over to join him.
"I'm beginning to think he wants to kill himself," Samantha said in the practical manner that was her nature. "I just haven't come up with the reason why."
"He doesn't need a reason," Julian said shortly. "Just the means."
"I try to keep him off the sauce, but he's got bottles everywhere." She glanced at the dark manor house that rose before them like a fortress in the landscape. "I do try, Julian. I know it's important." She looked back at him and regarded his clothes. "You're looking very smart. I didn't think to dress up. Was I supposed to?"
Julian returned her look blankly, his hands moving to his chest to pat his shirt, searching for something that he knew wasn't there.
"You've forgotten, haven't you?" Samantha said. She was very good at making intuitive leaps.
Julian waited for elucidation.
"The eclipse," she said.
"The eclipse?" He thought about it. He c...
The multi-faceted surprise ending to the taut, suspenseful plot is the juiciest plum in this can't-put-down novel. (Publishers Weekly on In Pursuit)
Quotes for Elizabeth George
In her 10 novels, Ms George has proved herself a master of the English mystery, with an ear for local language and an eye for the inner workings of Scotland Yard. With each book, she moves up in the ranks of a team headed by PD James and Ruth Rendell, in a tradition that stretches back to Agatha Christie and Dorothy L Sayers. The New York Times
She writes extremely well, plots brilliantly and reaches an emotional level deeper than most ... Captivating (The Times on Deception)
The best plotter in the mystery game, [her] elegant literate flow puts many Brits to shame (Time Out on Deception)
Quotes appearing on the US edition of IN PURSUIT OF THE PROPER SINNER:
Elizabeth George reigns as queen of the mystery genre. (Entertainment Weekly on Deception)
'Elizabeth George reigns as queen of the mystery genre. The Lynley books constitute the smartest, most gratifyingly complex and impassioned mystery series now being published.' Entertainment Weekly
It's tough to resist George's storytelling, once hooked. (USA Today on Deception)
'It's tough to resist George's storytelling, once hooked.' USA Today
She is a great storyteller. The totality is a big fat, satisfying book. (Frances Fyfield, Sunday Express on In Pursuit)
'Ms. George proves that the classiest crime writers are true novelists.' The New York Times
A compelling mystery,intricately plotted, with multiple twists and a satisfyingly devious finale. George is brilliant at juggling so many motives and so many suspects, keeping the reader enthralled, and coming up with such a clever solution. (Marcel Berlins, The Times
on In Pursuit)
'George is a master ... An outstanding practitioner of the modern English mystery.' Chicago Tribune
'Ms. George can do it all, with style to spare.' The Wall Street Journal
George's nine best-selling novels of psychological suspense are burnished with the internationalism that is a result of dividing her time between California and London (Times)
'A fascinating list of subjects ... wrenching stories ... George conveys them all with exceptional grace.' People
'George provides [a] sumptuous, all-out reading experience.' Los Angeles Times
Recent UK quotes:
'An excellent drama of life and death in an enclosed society' Mail On Sunday
'She writes extremely well, plots brilliantly and reaches an emotional level deeper than most ... Captivating' The Times
'the best plotter in the mystery game, [her] elegant literate flow puts many Brits to shame' Time Out
'An excellent grasp of current cop vernacular, a sharp eye for small-town detail and a sadistically convoluted plot.' Good Book Guide (Feb 99)
'An excellent grasp of current copy vernacular, a sharp eye for small-town detail and a sadistically convoluted plot.' The Good Book Guide, London (Dec '98)
'[A] rich, multi-layered novel ... All the important contemporary themes are covered and handled with a skill and sureness of touch that only years of practice can achieve ... it all feels so right and real' Guardian
'She can compete with the best ... a book worthy of her immense talent' The Times
'George is excellent at slowly unfolding plot and atmosphere ... fine writing and sensitive handling of relationships' Independent
'The ideal book with which to laze away those summer days ... a clever contemporary twist to a classic murder mystery' New Woman
'A gripping detective story ... George builds up a complex picture of racial struggles and cultural differences' Woman & Home
'Totally gripping' Essentials
'Immensely satisfying, gripping and highly readable' U Magazine
'George is a talented tale-spinner ... few can hold a candle to her' Yorkshire Post
'George has produced a teasing, page-turning whodunit' Liverpool Daily Post
'A brilliantly realised murder mystery' Edinburgh Evening News
'Well crafted, tense, and at times almost grisly' Birmingham Post
'There are wrenching stories here and George conveys them with exceptional grace ... The passions that build up are hauntingly real' People Magazine
'so much fun to read, it's criminal' Newsday
'[a] rich blend of crime, culture and class' USA Today
'one of George's best - an insightful, tense, compassionate look at two cultures' Entertainment Weekly
'Ms George's novel is admirable - elegant in its architecture and satisfying in its resolution' Wall Street Journal
'Elizabeth George has the gift of bringing her characters to life' Brisbane Sunday Mail
'Marvellous range of characters ... [The] book has taken over my life' Perth SuQuotes for Elizabeth George
Quotes for Elizabeth George
In her 10 novels, Ms George has proved herself a master of the English mystery, with an ear for local language and an eye for the inner workings of Scotland Yard. With each book, she moves up in the ranks of a team headed by PD James and Ruth Rendell, in a tradition that stretches back to Agatha Christie and Dorothy L Sayers. The New York Times
She writes extremely well, plots brilliantly and reaches an emotional level deeper than most ... Captivating (The Times on Deception)
The best plotter in the mystery game, [her] elegant literate flow puts many Brits to shame (Time Out on Deception)
Quotes appearing on the US edition of IN PURSUIT OF THE PROPER SINNER:
Elizabeth George reigns as queen of the mystery genre. (Entertainment Weekly on Deception)
'Elizabeth George reigns as queen of the mystery genre. The Lynley books constitute the smartest, most gratifyingly complex and impassioned mystery series now being published.' Entertainment Weekly
It's tough to resist George's storytelling, once hooked. (USA Today on Deception)
'It's tough to resist George's storytelling, once hooked.' USA Today
She is a great storyteller. The totality is a big fat, satisfying book. (Frances Fyfield, Sunday Express on In Pursuit)
'Ms. George proves that the classiest crime writers are true novelists.' The New York Times
A compelling mystery,intricately plotted, with multiple twists and a satisfyingly devious finale. George is brilliant at juggling so many motives and so many suspects, keeping the reader enthralled, and coming up with such a clever solution. (Marcel Berlins, The Times
on In Pursuit)
'George is a master ... An outstanding practitioner of the modern English mystery.' Chicago Tribune
'Ms. George can do it all, with style to spare.' The Wall Street Journal
George's nine best-selling novels of psychological suspense are burnished with the internationalism that is a result of dividing her time between California and London (Times)
'A fascinating list of subjects ... wrenching stories ... George conveys them all with exceptional grace.' People
'George provides [a] sumptuous, all-out reading experience.' Los Angeles Times
Recent UK quotes:
'An excellent drama of life and death in an enclosed society' Mail On Sunday
'She writes extremely well, plots brilliantly and reaches an emotional level deeper than most ... Captivating' The Times
'the best plotter in the mystery game, [her] elegant literate flow puts many Brits to shame' Time Out
'An excellent grasp of current cop vernacular, a sharp eye for small-town detail and a sadistically convoluted plot.' Good Book Guide (Feb 99)
DECEPTION ON HIS MIND:
'Elizabeth George's gripping detective novels should come with a warning: "This book could prove addictive. Do not start it if you have deadlines to meet or need an early night". ... It is crime writing at its very best, with painstaking attention to detail ... But manipulates her readers as competently as she does her characters ... Worth giving up sleep for.' Pat Meakin, Cambridge Evening News
'An excellent grasp of current copy vernacular, a sharp eye for small-town detail and a sadistically convoluted plot.' The Good Book Guide, London (Dec '98)
'[A] rich, multi-layered novel ... All the important contemporary themes are covered and handled with a skill and sureness of touch that only years of practice can achieve ... it all feels so right and real' Guardian
'She can compete with the best ... a book worthy of her immense talent' The Times
'George is excellent at slowly unfolding plot and atmosphere ... fine writing and sensitive handling of relationships' Independent
'The ideal book with which to laze away those summer days ... a clever contemporary twist to a classic murder mystery' New Woman
'A gripping detective story ... George builds up a complex picture of racial struggles and cultural differences' Woman & Home
'Totally gripping' Essentials
'Immensely satisfying, gripping and highly readable' U Magazine
'George is a talented tale-spinner ... few can hold a candle to her' Yorkshire Post
'George has produced a teasing, page-turning whodunit' Liverpool Daily Post
'A brilliantly realised murder mystery' Edinburgh Evening News
'Well crafted, tense, and at times almost grisly' Birmingham Post
'There are wrenching stories here and George conveys them with exceptional grace ... The passions that build up are hauntingly real' People Magazine
'so much fun to read, it's criminal' Newsday
'[a] rich blend of crime, culture and class' USA Today
'one of George's best - an insightful, tense, compassionate look at two cultures' Entertainment Weekly
'Ms George's novel is admirable - elegant in its architecture and satisfying in its resolution' Wall Street Journal
'Elizabeth George has the gift of bringing her characters to life' Brisbane Sunday Mail
'Marvellous range of characters ... [The] book has taken over my life' Perth SuQuotes for Elizabeth George
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurRandom House Large Print
- Date d'édition1999
- ISBN 10 0375408460
- ISBN 13 9780375408465
- ReliureRelié
- Nombre de pages904
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