The Illumination - Couverture rigide

Brockmeier, Kevin

Couverture rigide

ISBN 10 : 0375425314 ISBN 13 : 9780375425318

Editeur : Pantheon Books, 2011

Synopsis

Book by Brockmeier Kevin

A propos du livre

Extrait :

It was Friday evening, half an hour before the light struck, and she was attempting to open a package with a carving knife. The package was from her ex-husband, who had covered it in a thick layer of transparent tape, the kind fretted with hundreds of white threads, the latest step in his long campaign of bringing needless difficulty to her life. She was sawing along the lid when she came to a particularly stubborn cross-piece of tape and turned the box toward herself to improve her grip. Her hand slipped, and just that quickly the knife severed the tip of her thumb. The hospital was not busy, and when she walked in carrying a balled-up mass of wet paper towels, her blood wicking through the pink flowers, the clerk at the reception desk admitted her right away. The doctor who came to examine her said, “Let’s take a look at what we’ve got here,” then gingerly, with his narrow fingers, unwound the paper from around her thumb. “Okay, this is totally doable. I don’t mind telling you you had me worried with all that blood of yours, but this doesn’t look so bad. A few stitches, and we should have you fixed right up.” She had not quite broken through the nail, though, and when he rotated her hand to take a closer look, a quarter-inch of her thumb came tilting away like the hinged cap of a lighter. The doctor gave an appreciative whistle, then took the pieces of her thumb and coupled them back together. She watched, horrified, as he fastened them in place with a white tag of surgical tape. “Miss? Miss?” The room had begun to flutter. He took her face in his hands. “What’s your name? Can you tell me your name, Miss? I’m Dr. Alstadt. Can you tell me your name?” His hands were warm and soft, like the hands of a fourteen-year-old boy deciding whether or not to kiss her, something she remembered feeling once, a long time ago, and she gave him her name, which was Carol Ann, Carol Ann Page. “Okay, Carol Ann, what we’re going to do is bring in the replantation team. They see this kind of thing all the time, so I don’t want you to worry. You hang in there, all right? Is there anyone we can call for you?”
 
“No.”
 
“A husband? A parent?”
 
“No. Not in town.”
 
“All right then. It shouldn’t be longer than a few minutes. In the meantime, I’m going to give you something to ease the pain,” but instead he jotted a few sentences onto a clipboard and left the room. She lay back and closed her eyes, and when she opened them again, the doctor had been replaced by a nurse in dark green scrubs, who said, “You must be the thumb,” wiped the crook of her elbow with a cloth that smelled like chlorine bleach, and gave her a shot. The shot didn’t extinguish the pain so much as disguise it, make it beautiful, ease it, she supposed, just as the doctor had said it would. The nurse hurried out, and Carol Ann was alone again. A moment later, when she saw the light shining out of her incision, she thought she was hallucinating. It was steady and uniform, a silvery-white disk that showed even through her thumbnail, as bright and finely edged as the light in a Hopper painting. Through the haze of drugs, it seemed to her that the light was not falling over her wound or even infusing it from the inside but radiating through it from another world. She thought that she could live there and be happy.
 
***
 
After the surgery, when she woke, her hand was encased in an odd little glove that immobilized her thumb but left her fingers free to open and close. Her neck was stiff, and her lips were dry, and in her mouth she detected the iron-and-butter taste of blood. At first she thought she was making a sort of mental clerical error, mistaking the aftereffects of thumb surgery for the aftereffects of dental surgery, but when she swept her tongue over her teeth, she brushed up against a pad of cotton batting. She pushed it out onto her palm. A pale glow flickered from somewhere and then went out. She remembered her dream of light and consolation, the sensation of peace and abundance that had come over her, and a voice saying, “This is really freaking me out. Isn’t this freaking anyone else out?” and a second voice saying, “We have a job to do, Clayton. Nothing here changes that fact,” and then the feeling of escape as she stared into the operating lamp and sleep pulled her under. She was thirsty now, but when she to tried to sit up in bed, a boy in mocha-colored scrubs appeared by her side and said, “Whoa, there. You’re still zonked out from the operation. What do you need? Let me get it for you.” She asked for something to drink, and he took a bottle of Evian from the tray beside her bed, twisted the cap off, and brought it to her lips, his hand performing a slow genuflection in the air as he tipped the water out. She drained nearly the whole bottle without once pausing for breath. When she was finished, he nodded, a short upward snap of the chin, impressed. “Is there anything else I can help you with? The doctor should be in to check on you soon.”
 
“My mouth. I cut my thumb—just my thumb—but when I woke up, I found all this . . . stuff in my mouth.” She was still holding the square of spit-soaked gauze she had discovered. When she opened her fingers to show it to him, he made a nest of his two good hands beneath her broken one so that she could dump it out. An image of her father came suddenly to mind: the sun was bright and the sky was clear and he was kneeling beside a stream in a state park, making a nest of his own good hands to give her a sip of water, and she paused and frowned, staring into the tiny pool he had created, transfixed by the way the light sent gray blooms of shadows gusting over his palms, and when she pointed it out to him, he laughed and called her his little Impressionist.
 
The orderly had taken her chart from the foot of the bed. “Says here you bit down on your cheek during the operation. Normally that doesn’t happen. Just sometimes if there’s an anesthesia problem you might wake up for a second and feel a little pain, and you’ll have what they call a bite response. A B.R.— that’s what this stands for.”
 
“Brrr.”
 
“Are you cold? I can turn the heat up if you want.”
 
“No. I’m fine.”
 
“Okey.” That was how he pronounced it. “I’ll be back in to check on you in a little while.”
 
She had spoken to him for only a few minutes, and she felt so weak, and he was no one who loved her, and when she propped herself up on her elbows to watch him go, her head swam with a thousand colors. She spent a while studying her room: the television pinned by a metal arm to the ceiling, the window looking out on a stand of pine trees, the empty bed, with its sheets in a dead calm. In the hallway, a man walked by wheeling an IV tower with a sack of clear fluid on one of its hooks, his stomach glimmering through his hospital gown. Then a woman stumbled past carrying a flashlight in her left hand. By the time Carol Ann thought to wonder why she was pointing her light down a corridor that was already so clearly illuminated, the woman had slipped out of view. Her arms were trembling from supporting herself, so she lay back down again. The bed’s side rails rattled as the mattress took her weight. The pillow rose up around her ears like bread. More and more she had the feeling that she was missing something.
 
It must have been another hour before the doctor who had first inspected her thumb, Dr. All-That-Blood-of-Yours, Dr. Alstadt, arrived and pulled a stool up to her bed. He sat down and asked her how she was feeling, then leaned in with his stethoscope. He was so close that her gaze was drawn to the smooth spot on his neck, a shape like Kentucky just above his Adam’s apple, where the stubble had failed to grow. He smelled like mouthwash, and he used her whole name when he spoke to her. “Well then, Carol Ann Page, let’s take a look at that hand of yours, shall we?” He undid the Velcro on her glove so that the material fell away like the peel of a banana, then unwrapped the bandage from around her thumb. Later she would find herself unable to remember which she noticed first: the quarter-inch of her nail that was missing, a straight line exposing the featureless topside of her thumb, or the way the light she thought she had hallucinated was still leaking out from around the wound.
 
“Your color is good,” Dr. Alstadt said. “Can you go like this for me?”
 
She flexed her thumb in imitation of his. A thrill of pain passed through her hand, and the light sharpened, flaring through the black x’s of her stitching.
 
“Range of motion good, too. It looks like we got to you before any major tissue damage set in. Let me wrap you back up, and you can get a little shut-eye.”
 
“Doctor, wait. What’s happening to me? Don’t you see this?”
 
He didn’t need to ask, See what? She noted it right away.
 
“I forget you’ve been sleeping all this time. Well, I don’t know much more than you do, I’m afraid. It started at eight-seventeen last night. That’s locally speaking, but this isn’t exactly local news. In fact, I bet if we . . . here.” He picked up the remote control and turned on the television. An episode of an old courtroom sitcom filled the screen, the one with the lecherous prosecutor and the hulking bailiff, but when he changed the station, Carol Ann saw footage of what looked like the floor of the New York Stock Exchange. Silver sparks appeared to swirl through the bodies of the traders like the static on a broken television. The doctor...

Revue de presse :

Praise for The Illumination

“By the end, I imagined that if I tore a page from the novel itself, the binding would give off a sharp and penetrating light.”
—Alan Cheuse, NPR’s All Things Considered
 
“Spectacular . . . achingly beautiful . . . Underscoring (his characters’) conflicts is the haunting, harrowing, and deeply hypnotic pull of Brockmeier’s lush language, where even the direst pain becomes poetic.”
—Boston Globe
 
“Stunningly original . . . this gorgeously written book will still stay with them long after the last page is turned.”
—Portland Oregonian
 
“Brockmeier’s book positively sparkles . . . We’ve never read anything like it.”
—Daily Candy San Francisco
 
“The depth of this writer’s scrutiny makes his fiction glow.”
—Cleveland Plain Dealer
 
“The writing consistently astonishes . . . [a] sunlit novel.”
—Time Out Chicago
 
“Brockmeier’s literary ability lives up to the hauntingly appropriate epigraphs from great writers he uses to introduce each new section—from Hugh Blumenfeld (“The light is worth the pain”), to Whittaker Chambers (“There is nothing more important than this wound”), to J.G. Ballard (“The world was beginning to flower into wounds”), to Simone Weil (“Pain is the color of certain events”), to Joy Williams (“To eradicate the sickness would be to eradicate the self”) or to Franz Kafka (“It is enough that the arrows fit exactly in the wounds they have made”).”
—Iowa Press-Citizen
 
“Fresh and ingenious . . . Brockmeier has one of those imaginations that churns out picture-perfect imagery.”
—ELLE
 
“In Brockmeier’s spectacular latest . . .  pain manifests itself as visible light after a mysterious event called “the Illumination,” revealing humanity to be mortally wounded, and yet Brockmeier finds in these overlapping, storylike narratives, beauty amid the suffering . . . Brockmeier’s careful reading of his characters’ hearts and minds gives readers an inspiring take on suffering and the often fleeting nature of connection.”
—Publishers Weekly, starred review
 
“This is a radiant, bewitching, and profoundly inquisitive novel of sorrow, perseverance, and wonderment.”
—Booklist, starred review
 
Praise for The View from the Seventh Layer

“Some writers show us the world we live in. Brockmeier shows us, instead, the one we might live in if only we had a little more imagination.”
—Los Angeles Times
 
“Powerfully affecting . . .  Carefully observed . . . A field of sparks set ablaze by Brockmeier’s artistic hand.”
—The Miami Herald
 
“[Filled] with lyrical grace, indelible characters, and deep insight . . . Startlingly original.”
—Tucson Citizen
 
“Devilishly addictive . . . Brockmeier slakes our thirst once again with rich language, measured telling, [and] a hint of wonder.”
—The Seattle Times
 
Praise for The Brief History of the Dead

“Brilliant . . . Brockmeier’s characters are wonderful and his images are dazzling.”
—Detroit Free Press
 
“Thrilling . . . Inventive . . . Deftly told.”
—The Washington Post Book World
 
“Extraordinary . . . Breathtaking . . . A gracefully written story that blends fantasy, philosophical speculation, adventure, and crystalline moments of compassion.”
—Milwaukee Journal Sentinel
 
“Striking . . . Brave . . . Deliciously disquieting . . . Will stay alive in the memories of readers for years to come.”
—The Atlanta Journal-Constitution

À propos de cette édition

• Éditeur: Pantheon Books
• Date d'édition: 2011
• ISBN 10: 0375425314
• ISBN 13: 9780375425318
• Reliure: Relié
• Nombre de pages: 257