“Outrageously entertaining . . . a warm, funny, and charming book that questions not only what it means to live for art, but what it means to live.”—Saul Austerlitz, Boston Globe
“The two longtime pals disagree on marriage, religion, sex, politics, happiness, film—and everything else—with passion, insight, and panache.”—Lisa Shea, Elle
“A fascinating reality-show romp of a new book.”—Davis Schneiderman, Huffington Post
“The edited record of [a] daring descent into the ‘chasm of uncertainty.’”—Matt Seidel, Los Angeles Review of Books
"A provocative, two-sided story.”— TimeOut New York
“Impassioned, funny, probing.— BookForum
“Intelligent and erudite.”—Kevin O’Kelly, Christian Science Monitor
“Raw, unflinching honesty. Seemingly no subject is taboo here.”—Philip Eil, Jewish Daily Forward
“A celebrated new book.”— Jewish Journal
“By turns funny, philosophically engaging, and emotionally revealing.”—Doug Childers, Richmond Times-Dispatch
“A worthy and important addition to the genre [book-in-dialogue], this casual conversation pushes readers to rethink fundamental questions about life and art.”— Publishers Weekly
“A stimulating intellectual interaction with lots of heart.” —Kirkus Reviews
“Shields and Powell approach their topics with clarity and wit, they poke and prod, they agree and disagree . . . an often contentious and always intelligent dialogue.”—Mark Levine, Booklist
“How cool is this?”—Barbara Hoffert, Library Journal
“A fierce and funny debate about life and art.”— Type Books
“An impassioned, contentious, and ultimately contentious yet entertaining look at age-old debates about the life of the artist.”—Kevin Larimer, Poets & Writers
“I read this book at compulsive speed, thoroughly engaged by the weekend and the argument—its unbuttoned fluency and candor. I’m envious of the sheer loquaciousness of the conversation and its no-holds-barred freedom (of speech). Both Shields and Powell have their own style of eloquence. The Art v. Life theme may have been the essential trigger for the book, but it becomes engrossing on a score of other fronts.” —Jonathan Raban
“There’s a sense that we can actually see David and Caleb talking, even though, obviously, we can’t. It’s like eavesdropping on a riveting debate/conversation, and sometimes one takes one side, sometimes the other. One of the things I love most about the book is the tennis-match-in-slow-motion quality of the arguments, which made me question where I stand on the choices I might have made, and even continue to make.” —Susan Daitch
“This deeply personal book is a success. It’s quite daring in its confessional parts. Confession makes sense only when it costs something, when it’s courting disaster; I found that risk-taking in this book, and it’s bracing.” —Peter Brooks
“Most writers editing a taped conversation would cut all the stuff around the ‘point’—in this case, an argument about life and art—but it’s the way in which the conversation about life and art is entwined with the details of the two men’s lives and personalities that makes I Think You’re Totally Wrong so artful. A fascinating, fantastic book.” —Melanie Thernstrom
“I don’t think there’s anything quite like this book, which is way more authentic than fiction or structured argument. It held my attention from start to finish, the narrative line is strong, the characters are developed in an intriguing way, it made me laugh hard dozens of times, and not necessarily at the jokes. The quarrel never turns into false drama because it doesn’t need to.”––Brian Fawcett
An impassioned, funny, probing, fiercely inconclusive, nearly-to-the-death debate about life and art—beers included.
Caleb Powell always wanted to become an artist, but he overcommitted to life (he’s a stay-at-home dad to three young girls), whereas his former professor David Shields always wanted to become a human being, but he overcommitted to art (he has five books coming out in the next year and a half). Shields and Powell spend four days together at a cabin in the Cascade Mountains, playing chess, shooting hoops, hiking to lakes and an abandoned mine; they rewatch My Dinner with André and The Trip, relax in a hot tub, and talk about everything they can think of in the name of exploring and debating their central question (life and/or art?): marriage, family, sports, sex, happiness, drugs, death, betrayal—and, of course, writers and writing.
The relationship—the balance of power—between Shields and Powell is in constant flux, as two egos try to undermine each other, two personalities overlap and collapse. This book seeks to deconstruct the Q&A format, which has roots as deep as Plato and Socrates and as wide as Laurel and Hardy, Beckett’s Didi and Gogo, and Car Talk’s Magliozzi brothers. I Think You’re Totally Wrong also seeks to confound, as much as possible, the divisions between “reality” and “fiction,” between “life” and “art.” There are no teachers or students here, no interviewers or interviewees, no masters in the universe—only a chasm of uncertainty, in a dialogue that remains dazzlingly provocative and entertaining from start to finish.
James Franco's adaptation of I Think You're Totally Wrong into a film, with Shields and Powell striving mightily to play themselves and Franco in a supporting role, will be released later this year.
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Description du livre Knopf. Hardcover. État : New. 0385351941 SHIPS WITHIN 24 HOURS!! (SAME BUSINESS DAY) GREAT BOOK!!. N° de réf. du libraire Z0385351941ZN
Description du livre Hardcover. État : New. Brand New! We ship daily Monday - Friday!. N° de réf. du libraire 1EY85D00BQYE
Description du livre Knopf. Hardcover. État : New. 0385351941 NEW. N° de réf. du libraire Z0385351941ZN
Description du livre Knopf, 2015. État : New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: An impassioned, funny, probing, fiercely inconclusive, nearly-to-the-death debate, about life and art-cocktails included. Caleb Powell always wanted to become an artist, but he overcommitted to life (he's a stay-at-home dad to three young girls). David Shields always wanted to become a human being, but he has overcommitted to art. At antipodes since first meeting twenty-five years ago, they headed to a cabin in the Cascade Mountains and threw down. The focus? Life vs. Art. Over the next four days they played chess, shot hoops, hiked, relaxed in a hot tub, watched My Dinner with Andr, Sideways, The Trip , and talked about everything they could think of-genocide, marriage, sex, Toni Morrison, sports, porn, the death penalty, baldness, evil, James Wood, happiness, sports radio, George Bush, drugs, death, betrayal, alcohol, Rupert Murdoch, Judaism, bad book titles-in the name of exploring their central question. While confounding, as much as possible, the divisions between "reality" and "fiction" and between "life" and "art," their dialogue remains dazzlingly provocative and entertaining from start to finish. N° de réf. du libraire ABE_book_new_0385351941
Description du livre Alfred a Knopf Inc, 2015. Hardcover. État : Brand New. 1st edition. 272 pages. 8.00x5.00x1.00 inches. In Stock. N° de réf. du libraire zk0385351941
Description du livre Knopf, U.S.A., 2015. Hard Cover. État : New. Etat de la jaquette : New. First Edition, First Printing. This is a new first edition, first printing copy in a new mylar protected DJ, pale gray spine. Review slip laid in. Size: 8vo - over 7¾" - 9¾" tall. N° de réf. du libraire 069172
Description du livre État : Brand New. Book Condition: Brand New. N° de réf. du libraire 97803853519421.0
Description du livre Knopf. Hardcover. État : New. 0385351941 *BRAND NEW* Ships Same Day or Next!. N° de réf. du libraire SWATI2121942223
Description du livre Knopf, 2015. Hardcover. État : New. book. N° de réf. du libraire 0385351941
Description du livre Alfred A. Knoft, New York, NY, 2015. Hardcover. État : New. Etat de la jaquette : New. N° de réf. du libraire L09L03