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Book by Saldana Stephanie
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Extrait :
1.
September 2004
I’ve finally found a house in Damascus.
By house, I mean a room in a house—in this case my very own corner of a majestic, three-story Ottoman giant I stumbled upon early last week, when I was knocking on doors in the Christian Quarter of the Old City, searching for a place to live. My house was so thoroughly hidden behind high external walls that I was lucky to have noticed it at all. But from my room inside of those walls I can hear the entire world outside: church bells ringing and the call to prayer drifting through the air from distant mosques, the woman next door gossiping with her husband and the nearby vendors shouting out the prices of their wares. Every morning my neighbors scrub their laundry by hand in our single marble fountain, and in the afternoon I watch from my window as the courtyard fills up with their shirts hung out to dry, some of the arms pinned up in the air, others with their sleeves wide open, embracing the light.
When I arrived in Damascus from Boston ten days ago, I had little more to my name than two black wheeled suitcases, an outdated Syrian guidebook, and a modest supply of textbook classical Arabic. I didn’t have a single friend in the city, a place to live, or even a concrete plan for what I was going to do with the next twelve months of my life. I also had no idea how to navigate the local real estate market, which is how I ended up doing the only thing that I could think of under the circumstances and knocking door-to-door in the neighborhood of Bab Touma, asking total strangers if they had any interest in giving shelter to this young, lost American girl for a year.
It was the beginning of September, and the summer heat was still beating down on the cobbled streets and infusing them with a blinding, almost white quality. I walked close to the alley walls, where external balconies and opposing walls would every now and then cast a thin sliver of shade that I could find respite in as I made my way from house to house. I ended up in a neighborhood just off Straight Street, the famous road where St. Paul took shelter after falling and being blinded by a flash of light on his way to Damascus. Two thousand years later, it looked more like Istanbul than ancient Rome, a labyrinth of tiny alleyways and sprawling old houses pressed up so closely to one another that the roofs overlapped into layers of red tiles. Only the very tops of the houses were visible behind the alley walls, and though every now and then a set of windows peeked out into the street, it was impossible to know if behind any given door was a tiny apartment or a palace.
I had been searching all day, but by late afternoon I still hadn’t found anything. Several old women had rejected me outright, which is perhaps understandable when an American goes knocking door-to-door in Syria during the height of the Iraq war, asking for favors. Two other women who offered to show me their homes led me into ancient Ottoman houses that looked as if they hadn’t been renovated in a hundred years. One small, windowless room had clearly been a broom closet in its previous incarnation and had been emptied out to make just enough space for a poor and desperate student. In the second house a single toilet was being shared by all of the house’s inhabitants, who by my count numbered at least ten.
By the time I trudged down a nondescript alley back toward the main road, I was so deflated that I was ready to retire to my grimy hotel and give up for the rest of the afternoon. I might not have knocked on the door in front of me at all, had it not been marked mysteriously by a white license plate imprinted with the English words 10 Downing Street. The rest of the house was completely concealed except for a pair of badly painted brown double doors, an iron lantern, a cluster of doorbells with their wires exposed and labeled with illegible Arabic names, and this single, enticing sign marked with the address of the British prime minister.
So I knocked.
A few seconds later, an old man peeked his head out of the door and, seeing me, smiled broadly as though he had been waiting all afternoon for my arrival. I liked the look of him. A thin layer of white hair had been carefully combed across his head, and he had a bristly mustache without a beard, rosy cheeks, and an oversized belly held up by polyester brown pants and a belt cinched too tightly across the waist. In fact he looked remarkably like the Wizard from The Wizard of Oz.
“Ahlan wa sahlan!” he announced. “Welcome! Welcome!”
“Do you have any rooms to rent?” I asked him in my fumbling Arabic.
I waited for him to shake his head and close the door in my face, but instead he beamed, swinging the front doors open with great theatricality and gesturing inside.
“Ahlan wa sahlan! Welcome! Welcome!” he announced again.
I could only hope that this meant yes.
I followed the Wizard through a narrow corridor and into the central courtyard, where a sprawling house unfolded before my eyes. It was a miracle of a house, completely enclosed and concealed from the outside world, the entire rectangular complex facing toward itself, with all of the rooms looking in on a marble fountain at the center of the tiled open-air courtyard. Behind wooden shutters, glass windows at all angles peered down from at least a dozen rooms. A series of outdoor staircases began in the courtyard and wound their way up to the second and third floors and the roof, making each level of the house wholly independent and yet part of the single, unwieldy whole—less a house than a miniature village. It was roughly the size of four normal houses, and my guess was that at one time an entire family of aunts, cousins, brothers, sisters, and in-laws had shared this single complex, the architecture granting them privacy from the outside world.
The Wizard removed a heavy, ancient key hanging from a nail on the wall, the kind I had seen only in films when heroes are presented the keys to entire cities, and unlocked two wooden doors opening into a room on the ground floor. It was a generous room, containing little except for two beds, old spearmint-painted wooden beams crossing the high ceiling, and spare furniture painted with gold baroque outlines inspired by Louis XIV and left over from the French Mandate. In the front of the room, two large arched windows looked out into the courtyard to face the fountain, and I could imagine myself sitting there and writing in the mornings with the sun coming in. I knew from the instant that I saw it that this room would be mine. That it was already mine.
The man pointed to the crumbling walls. “What could you possibly want more than this?” he asked me in Arabic so heavy with dialect that I could barely understand him. “You won’t find a better room anywhere in Damascus. This is the most beautiful room in all of Bab Touma!”
The room was beautiful, but in that particular way that ruins are beautiful, or certain old women whose faces take on a peculiar serenity just before they die. Dust-stained curtains sagged over the windows, and large patches of white plaster were disintegrating from the walls. The courtyard doors had eroded at the bottom, and the rose and gray marble floor tiles were faded in color. Yet the room also wore a thin, almost translucent dress of light, and from the front windows I could see the branches of a citrus tree growing from the courtyard floor and extending to the highest level of the three-story house.
The most beautiful room in Bab Touma—along with a separate kitchen with pipes held together by electrical tape, a nonflush toilet in a tiny closet near the refrigerator, and a room connected to the opposite side of the kitchen with a metal basin to wash—would cost me one hundred and forty dollars a month, including utilities. I had no idea if I was paying too much, but it was one-fourth of what I had paid for a much smaller room in a house in Boston. I shook the man’s hand to confirm our arrangement.
“My name is Juanez,” he told me. “You know, the name from Brazil, Juanez? I lived many years in Brazil.”
“My name is Stephanie.”
"Stephanie? Stefanito!” He mimicked an Italian accent, raising his eyebrows suggestively and talking in the air with his hands. “Ciao Stefanito! Stephanissimo!” He abruptly changed accents and began speaking in a deep, suave voice. “Bonjour, Stefanito. Tu parles Francese?”
“No.”
He shrugged. “Too bad. Ju parle Francese. Do you speak Portuguese? Italiano? Turki? Armenian?” He chuckled. “I speak all of these languages très bien. Do you understand me? Très bien. If you need anything here you come to me, do you hear me? You don’t go to anyone else. I can take care of everything.
“Ahhh, Stefanito,” he continued. “Are you studying Arabic here? What is this Arabic you speak? Where did you learn that? Don’t you know that no one speaks like that? You must learn to speak Arabic the way we speak it. I’m Armenian and I can speak Arabic just like the Arabs. Where are you from?”
Just trying to understand his sentences was exhausting me. “America,” I told him.
He snorted. “America? Do you know George Bush? Ha, ha.”
I turned to shut t...
Revue de presse :
September 2004
I’ve finally found a house in Damascus.
By house, I mean a room in a house—in this case my very own corner of a majestic, three-story Ottoman giant I stumbled upon early last week, when I was knocking on doors in the Christian Quarter of the Old City, searching for a place to live. My house was so thoroughly hidden behind high external walls that I was lucky to have noticed it at all. But from my room inside of those walls I can hear the entire world outside: church bells ringing and the call to prayer drifting through the air from distant mosques, the woman next door gossiping with her husband and the nearby vendors shouting out the prices of their wares. Every morning my neighbors scrub their laundry by hand in our single marble fountain, and in the afternoon I watch from my window as the courtyard fills up with their shirts hung out to dry, some of the arms pinned up in the air, others with their sleeves wide open, embracing the light.
When I arrived in Damascus from Boston ten days ago, I had little more to my name than two black wheeled suitcases, an outdated Syrian guidebook, and a modest supply of textbook classical Arabic. I didn’t have a single friend in the city, a place to live, or even a concrete plan for what I was going to do with the next twelve months of my life. I also had no idea how to navigate the local real estate market, which is how I ended up doing the only thing that I could think of under the circumstances and knocking door-to-door in the neighborhood of Bab Touma, asking total strangers if they had any interest in giving shelter to this young, lost American girl for a year.
It was the beginning of September, and the summer heat was still beating down on the cobbled streets and infusing them with a blinding, almost white quality. I walked close to the alley walls, where external balconies and opposing walls would every now and then cast a thin sliver of shade that I could find respite in as I made my way from house to house. I ended up in a neighborhood just off Straight Street, the famous road where St. Paul took shelter after falling and being blinded by a flash of light on his way to Damascus. Two thousand years later, it looked more like Istanbul than ancient Rome, a labyrinth of tiny alleyways and sprawling old houses pressed up so closely to one another that the roofs overlapped into layers of red tiles. Only the very tops of the houses were visible behind the alley walls, and though every now and then a set of windows peeked out into the street, it was impossible to know if behind any given door was a tiny apartment or a palace.
I had been searching all day, but by late afternoon I still hadn’t found anything. Several old women had rejected me outright, which is perhaps understandable when an American goes knocking door-to-door in Syria during the height of the Iraq war, asking for favors. Two other women who offered to show me their homes led me into ancient Ottoman houses that looked as if they hadn’t been renovated in a hundred years. One small, windowless room had clearly been a broom closet in its previous incarnation and had been emptied out to make just enough space for a poor and desperate student. In the second house a single toilet was being shared by all of the house’s inhabitants, who by my count numbered at least ten.
By the time I trudged down a nondescript alley back toward the main road, I was so deflated that I was ready to retire to my grimy hotel and give up for the rest of the afternoon. I might not have knocked on the door in front of me at all, had it not been marked mysteriously by a white license plate imprinted with the English words 10 Downing Street. The rest of the house was completely concealed except for a pair of badly painted brown double doors, an iron lantern, a cluster of doorbells with their wires exposed and labeled with illegible Arabic names, and this single, enticing sign marked with the address of the British prime minister.
So I knocked.
A few seconds later, an old man peeked his head out of the door and, seeing me, smiled broadly as though he had been waiting all afternoon for my arrival. I liked the look of him. A thin layer of white hair had been carefully combed across his head, and he had a bristly mustache without a beard, rosy cheeks, and an oversized belly held up by polyester brown pants and a belt cinched too tightly across the waist. In fact he looked remarkably like the Wizard from The Wizard of Oz.
“Ahlan wa sahlan!” he announced. “Welcome! Welcome!”
“Do you have any rooms to rent?” I asked him in my fumbling Arabic.
I waited for him to shake his head and close the door in my face, but instead he beamed, swinging the front doors open with great theatricality and gesturing inside.
“Ahlan wa sahlan! Welcome! Welcome!” he announced again.
I could only hope that this meant yes.
I followed the Wizard through a narrow corridor and into the central courtyard, where a sprawling house unfolded before my eyes. It was a miracle of a house, completely enclosed and concealed from the outside world, the entire rectangular complex facing toward itself, with all of the rooms looking in on a marble fountain at the center of the tiled open-air courtyard. Behind wooden shutters, glass windows at all angles peered down from at least a dozen rooms. A series of outdoor staircases began in the courtyard and wound their way up to the second and third floors and the roof, making each level of the house wholly independent and yet part of the single, unwieldy whole—less a house than a miniature village. It was roughly the size of four normal houses, and my guess was that at one time an entire family of aunts, cousins, brothers, sisters, and in-laws had shared this single complex, the architecture granting them privacy from the outside world.
The Wizard removed a heavy, ancient key hanging from a nail on the wall, the kind I had seen only in films when heroes are presented the keys to entire cities, and unlocked two wooden doors opening into a room on the ground floor. It was a generous room, containing little except for two beds, old spearmint-painted wooden beams crossing the high ceiling, and spare furniture painted with gold baroque outlines inspired by Louis XIV and left over from the French Mandate. In the front of the room, two large arched windows looked out into the courtyard to face the fountain, and I could imagine myself sitting there and writing in the mornings with the sun coming in. I knew from the instant that I saw it that this room would be mine. That it was already mine.
The man pointed to the crumbling walls. “What could you possibly want more than this?” he asked me in Arabic so heavy with dialect that I could barely understand him. “You won’t find a better room anywhere in Damascus. This is the most beautiful room in all of Bab Touma!”
The room was beautiful, but in that particular way that ruins are beautiful, or certain old women whose faces take on a peculiar serenity just before they die. Dust-stained curtains sagged over the windows, and large patches of white plaster were disintegrating from the walls. The courtyard doors had eroded at the bottom, and the rose and gray marble floor tiles were faded in color. Yet the room also wore a thin, almost translucent dress of light, and from the front windows I could see the branches of a citrus tree growing from the courtyard floor and extending to the highest level of the three-story house.
The most beautiful room in Bab Touma—along with a separate kitchen with pipes held together by electrical tape, a nonflush toilet in a tiny closet near the refrigerator, and a room connected to the opposite side of the kitchen with a metal basin to wash—would cost me one hundred and forty dollars a month, including utilities. I had no idea if I was paying too much, but it was one-fourth of what I had paid for a much smaller room in a house in Boston. I shook the man’s hand to confirm our arrangement.
“My name is Juanez,” he told me. “You know, the name from Brazil, Juanez? I lived many years in Brazil.”
“My name is Stephanie.”
"Stephanie? Stefanito!” He mimicked an Italian accent, raising his eyebrows suggestively and talking in the air with his hands. “Ciao Stefanito! Stephanissimo!” He abruptly changed accents and began speaking in a deep, suave voice. “Bonjour, Stefanito. Tu parles Francese?”
“No.”
He shrugged. “Too bad. Ju parle Francese. Do you speak Portuguese? Italiano? Turki? Armenian?” He chuckled. “I speak all of these languages très bien. Do you understand me? Très bien. If you need anything here you come to me, do you hear me? You don’t go to anyone else. I can take care of everything.
“Ahhh, Stefanito,” he continued. “Are you studying Arabic here? What is this Arabic you speak? Where did you learn that? Don’t you know that no one speaks like that? You must learn to speak Arabic the way we speak it. I’m Armenian and I can speak Arabic just like the Arabs. Where are you from?”
Just trying to understand his sentences was exhausting me. “America,” I told him.
He snorted. “America? Do you know George Bush? Ha, ha.”
I turned to shut t...
From Publishers Weekly:
Starred Review: With a family history of untimely death and madness, Saldaña easily took to a career of danger journalism, reporting from risky locales. In a deliberate attempt to stop courting danger, Saldaña attempted a normal life at Harvard Divinity School. When the love affair that had provided her a sense of normalcy ended, she opted to take the Fulbright scholarship she had won to study the Muslim Jesus in Damascus, arriving in Syria in 2004 amid the post-9/11 war in Iraq. The tension of American foreign policy and Saldaña’s own vivid memories of death and destruction witnessed during her reporting life earlier in the Middle East haunted her, particularly when she embarked upon the Catholic rite of spiritual exercises at the Syrian desert monastery of Mar Musa. In lovely prose and with elements of foreshadowing, Saldaña shares her struggles to become religious again and overcome feelings that God has abandoned her. Touches of melodrama weigh down an otherwise gorgeous and enlightening read, as Saldaña’s scholarly knowledge of Christianity, Islam, and Judaism subtly infuse her story. An Eat, Pray, Love for the intellectual set, Saldaña’s beautiful memoir should not be missed. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Praise for The Bread of Angels:
“A remarkable, wise, and lovely book from a truly gifted new writer, The Bread of Angels brims with originality and insight. There is poetry here—the language and the depth of attention recall the young Annie Dillard. But this is, above all, a love story, and a compelling one. Not many people can write transcendent, mystical prose and also create a page-turner that keeps you up nights. Stephanie Saldaña’s achievement is extraordinary.”
—Geraldine Brooks, Pulitzer Prize–winning author of March
“In the tradition of Elizabeth Gilbert’s Eat, Pray, Love, Stephanie Saldaña’s The Bread of Angels is a stunning memoir that is both a contemporary spiritual quest and a sweet, surprising love story . . . Carefully observed, beautifully detailed, structured like a ceremony, The Bread of Angels takes us from a fallen world into a luminous, resurrected one through faith and love and the exquisite skill of a fine writer who writes like an angel!”
—Julia Alvarez, author of How the García Girls Lost Their Accents
“Brace yourself for an intense inner and outer journey. Bread of Angels is a many-layered personal story, ricocheting from Damascus to Texas to the desert fathers to scruffy Cambridge. A passionate young scholar confronts war, love, the mysteries of language, and God. Stephanie Saldaña is up to the task. A brilliant debut.”
—Frances Mayes, author of Under the Tuscan Sun
“A fragrant, elegantly observed journey that captures the dilapidated glory of Damascus and the resilient wit of its people. Saldaña’s tale of spiritual dislocation and self-discovery is remarkable for its poignancy and keen intelligence.”
—Azadeh Moaveni, author of Lipstick Jihad and Honeymoon in Tehran
“The Bread of Angels is dazzling, delicious, wise, brilliantly funny, endearing in every way. It is a love letter to the Middle East and to one’s own entire life, replete with doubt and fear, faith and deep connection. A masterpiece.”
—Naomi Shihab Nye, author of 19 Varieties of Gazelle: Poems of the Middle East
Starred Review: With a family history of untimely death and madness, Saldaña easily took to a career of danger journalism, reporting from risky locales. In a deliberate attempt to stop courting danger, Saldaña attempted a normal life at Harvard Divinity School. When the love affair that had provided her a sense of normalcy ended, she opted to take the Fulbright scholarship she had won to study the Muslim Jesus in Damascus, arriving in Syria in 2004 amid the post-9/11 war in Iraq. The tension of American foreign policy and Saldaña’s own vivid memories of death and destruction witnessed during her reporting life earlier in the Middle East haunted her, particularly when she embarked upon the Catholic rite of spiritual exercises at the Syrian desert monastery of Mar Musa. In lovely prose and with elements of foreshadowing, Saldaña shares her struggles to become religious again and overcome feelings that God has abandoned her. Touches of melodrama weigh down an otherwise gorgeous and enlightening read, as Saldaña’s scholarly knowledge of Christianity, Islam, and Judaism subtly infuse her story. An Eat, Pray, Love for the intellectual set, Saldaña’s beautiful memoir should not be missed. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Praise for The Bread of Angels:
“A remarkable, wise, and lovely book from a truly gifted new writer, The Bread of Angels brims with originality and insight. There is poetry here—the language and the depth of attention recall the young Annie Dillard. But this is, above all, a love story, and a compelling one. Not many people can write transcendent, mystical prose and also create a page-turner that keeps you up nights. Stephanie Saldaña’s achievement is extraordinary.”
—Geraldine Brooks, Pulitzer Prize–winning author of March
“In the tradition of Elizabeth Gilbert’s Eat, Pray, Love, Stephanie Saldaña’s The Bread of Angels is a stunning memoir that is both a contemporary spiritual quest and a sweet, surprising love story . . . Carefully observed, beautifully detailed, structured like a ceremony, The Bread of Angels takes us from a fallen world into a luminous, resurrected one through faith and love and the exquisite skill of a fine writer who writes like an angel!”
—Julia Alvarez, author of How the García Girls Lost Their Accents
“Brace yourself for an intense inner and outer journey. Bread of Angels is a many-layered personal story, ricocheting from Damascus to Texas to the desert fathers to scruffy Cambridge. A passionate young scholar confronts war, love, the mysteries of language, and God. Stephanie Saldaña is up to the task. A brilliant debut.”
—Frances Mayes, author of Under the Tuscan Sun
“A fragrant, elegantly observed journey that captures the dilapidated glory of Damascus and the resilient wit of its people. Saldaña’s tale of spiritual dislocation and self-discovery is remarkable for its poignancy and keen intelligence.”
—Azadeh Moaveni, author of Lipstick Jihad and Honeymoon in Tehran
“The Bread of Angels is dazzling, delicious, wise, brilliantly funny, endearing in every way. It is a love letter to the Middle East and to one’s own entire life, replete with doubt and fear, faith and deep connection. A masterpiece.”
—Naomi Shihab Nye, author of 19 Varieties of Gazelle: Poems of the Middle East
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurDoubleday
- Date d'édition2010
- ISBN 10 0385522002
- ISBN 13 9780385522007
- ReliureRelié
- Nombre de pages309
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