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Extrait :
1.
I had become, in middle age in the midst of marriage to Herman Melville, a captive. And I wanted my freedom.
But it's the rare bride who says "I do" and doesn't. I did. Even at the worst of times, I believed in the power of love--a bit of naïveté, perhaps. It carried me, however. To the end, it carried me.
H.M. (as we called him) was, to put it kindly, a volatile man, with improbable highs and lows. One had to avoid him at all cost in the valley of his shadows, where darkness was his name. Yet part of my faith was to know he would climb, looking out at times from glittering heights. That once in a while I shared his view was my consolation over the days--months, even years--when I bided my time, unsure I would make it. Or that he would.
Word of my misery spread to my family in Boston, and urgent letters from my brothers arrived, one of them from Lemuel, who understood my plight. "You must act, Lizzie," he said. "Herman is a madman, plain and simple. Have I not said as much before? You didn't listen to me!"
The other was from Samuel, who failed to register the gravity of my situation. "One can never be sure about the consequences of one's actions in life," he wrote in his lawyerly way. "In other words, act with caution, dear sister. Tread carefully!"
Tread, tread, tread . . .
I had been treading long enough.
Two decades had passed since August 4, 1847, when I stood there as a bride in my white gown and feathery veil of tulle in the sunlit living room of our house on Mount Vernon Street among a crowd of well-wishing relatives and close friends. I was almost drunk with joy, believing I had found my very own Charles Dickens--a robust and blossoming man of letters, who would lift us to fame and good fortune.
The pocket doors had been opened between the front parlors, and there were flowers everywhere in tall Oriental vases: stephanotis, gardenia, lilies, and cascades of yellow, pink, and red roses from the back garden--my stepmother's brilliant handiwork. Through open windows I could hear the clatter of hooves on the cobbles outside.
Herman stood before me in a handsome blue suit (purchased with a loan from his brother Allan and made to measure by one of the finest tailors in Manhattan). Young Thomas, his teenaged brother, looked suddenly mature, almost a man, having grown a beard for the occasion--if the raspy shadow on his chin could be described as such. I was dreaming, in a whirl; but I noticed the rustling dresses of the women, the rows of polished boots. The air was humid, almost unbearably so, and yet the porcine Reverend Mr. Young stood before us in full canonicals, sweating indiscriminately, eliciting the solemn words: "I do, I do." Afterward, we signed our names boldly in the gilt-edged Bible that Aunt Lucy had provided, her gift for the wedding, with our initials engraved on the leather covers: H.M. and E.S.M.
I had become, at a stroke, Elizabeth Shaw Melville.
"You have taken a massive step, my dear," said his mother, whispering in my ear. "I will expect you to take good care of him. He deserves that much." Her round red face was impassive, and she stared at me through the narrow slits of her eyes like a sea turtle. I saw that she hated me, and did not respond. One should not respond in these situations.
This marriage was "an unlikely match," as my stepmother put in less than delicately a few weeks before the ceremony. "He has no stable profession," she said, "and there is a touch of insanity among the Melvilles. You need only ask your father. He will tell you the truth if you insist." As I knew, my father had once nearly married Allan's sister, Nancy. In a strange way I considered Herman more of a brother than a husband. To marry him seemed only to extend an arc already begun before my birth.
I did ask my father about this fabled "touch of insanity," but he refused to say anything about the madness that had gripped Herman's unfortunate father at the end, reducing the poor man to raging incoherence while tenderhearted Herman, an innocent boy of twelve, stood to one side, helpless and defeated. I think Herman spent the whole of his life trying to comfort that child, to convince him that all would be well.
Allan Melvill (the "e" was added later, as it seemed more familiar to American eyes) left his family destitute, thus forcing them upon the frowning mercy of Maria's wealthy relatives in Albany. (My father, always loyal to old friends, also supplied a good deal of money in the form of loans he knew would never be repaid.) "It was a failure of nerve in Allan, and nothing more," my father mused, lighting his pipe with exaggerated slowness behind the burl desk in his study, shifting uneasily in a cracked red leather chair that had belonged to his father. The scales of justice--fitting for a judge--stood on the fireplace mantel behind him, a reminder of the balancing acts he performed daily as chief justice of the Massachusetts Supreme Court.
"Allan glanced at his noble ancestry, then shrank in fear," my father said, fingering his long white locks, which touched the shoulders of his jacket. His belly ballooned from his starched shirt, nearly popping the buttons. "Greatness was not in the cards, not for him, alas," he continued. "I felt sorry for the boys, especially young Herman, who seemed quite lost."
My dear and wonderfully supportive father died in the spring of 1861, leaving me adrift. My family could do nothing for me. I was a Melville--hardly a Shaw at all--trapped in this sad house in Manhattan. Somehow I had to get away from Herman. I didn't really want to leave him, but there seemed no choice. Sometimes we think by feeling. We go where we must, as the path turns, taking us willy-nilly where it will.
Anyone who actually read his novels--Mardi or Moby-Dick or that repulsive Pierre--could guess at the truth, that my husband was not balanced. He walked the edges of life, peering into the abyss, taking his readers with him. He sought everything or nothing, quarreling with God, accusing Him of indifference, even hatred of the human race. This instability disfigured his novels and stories, which one critic called "the unhappy products of an overheated imagination."
Readers (myself included) much preferred his first books, Typee and Omoo--and for good reason. One could peruse them without strain, although their morality remained in question. (My husband never cared what anyone thought of him--especially a critic! That would have been pandering, and H.M. did not pander.)
Having resettled unhappily in New York in the fall of 1863, Herman grew restive. He realized, I think, that a mere change of scenery could not solve his problems or heal old wounds. Now fits of temper interrupted his more usual silence, especially at meals, when he would shout at me and the children. (Nothing we did seemed to please or comfort him.) After dinner he would sulk in the parlor, consuming large quantities of whiskey while laboring over books of philosophy composed by wordy Germans with names one could neither spell nor pronounce. "My eyes, my poor eyes," he complained, as darkness fell and the lamps flickered. "I shall be blind soon, and you will have to read to me."
He was not modest and often compared himself to the English poet John Milton, who went blind in old age, relying on his wife to read to him, to write down his thunderous interminable lines.
"I will never read to you," I told him.
"You hate my work," he said. "You hate whatever I do."
How could he say such a hurtful thing? Had I not copied and recopied several of his novels while sitting in the cold north parlor at Arrowhead, our farmhouse in the Berkshires, shuddering because he failed to cut and stack enough logs for the fire? Had I not recited countless passages by the light of many candles, reading them aloud in the wee hours of night, making little and large alterations at his request? His handwriting revealed the waywardness of his character, its uncertainty and awkwardness. His inconsistent spelling suggested an inconsistency in his soul. I told him as much one night, sending him into one of those rages where he shattered glasses against the wall and frightened Maria, his mother, and his obsequious sisters. Our children cowered upstairs, terrified by their father's ill temper.
"You must not arouse him so, my dear," said Maria, repeatedly.
"Oh, do you think so?" I would say.
"I do indeed, and you should mend your ways. This will never do. Not for me, not for my son."
Maria had been a not-so-silent partner in this marriage from the beginning, a constant companion, presiding over meals, knitting in the parlor wherever we lived, snoring in the bedroom next door, eavesdropping, offering "gentle" suggestions, defending her son. She glowered at me, as if I could never do the appropriate wifely thing to make her precious Herman comfortable, happy, proud, self-confident, and successful. I could never, in her view, get it right. "My son requires a delicacy of approach," she said one day, in a dark hallway at Arrowhead after I had scolded him about leaving open the barn door, prompting our elderly horse, Waldo, to wander off by himself down Lenox Road.
"He is not so fragile as you think," I explained.
She glared at me as though I were a shrew, then walked away in her usual huff. One could hear doors slamming throughout the echo chamber of that icy house.
I should have listened to Lemuel, who understood from the outset that Herman Melville would make a poor match. "Johnny Harrison is the one for you, Lizzie," he told me. Johnny was Lemuel's best friend, a Harvard man, and a lawyer in Boston. He was nicely dressed, polite, almost decorous in manner.
But I did not like decorous and polite men, not in those days. I had lived my life among the decorous and polite.
For better or worse, I found H.M. appealing, even irresistible. I had heard of his exploits and adventures from his older sister, Helen, a dear friend. He had sailed around the globe, gone whaling, li...
Revue de presse :
I had become, in middle age in the midst of marriage to Herman Melville, a captive. And I wanted my freedom.
But it's the rare bride who says "I do" and doesn't. I did. Even at the worst of times, I believed in the power of love--a bit of naïveté, perhaps. It carried me, however. To the end, it carried me.
H.M. (as we called him) was, to put it kindly, a volatile man, with improbable highs and lows. One had to avoid him at all cost in the valley of his shadows, where darkness was his name. Yet part of my faith was to know he would climb, looking out at times from glittering heights. That once in a while I shared his view was my consolation over the days--months, even years--when I bided my time, unsure I would make it. Or that he would.
Word of my misery spread to my family in Boston, and urgent letters from my brothers arrived, one of them from Lemuel, who understood my plight. "You must act, Lizzie," he said. "Herman is a madman, plain and simple. Have I not said as much before? You didn't listen to me!"
The other was from Samuel, who failed to register the gravity of my situation. "One can never be sure about the consequences of one's actions in life," he wrote in his lawyerly way. "In other words, act with caution, dear sister. Tread carefully!"
Tread, tread, tread . . .
I had been treading long enough.
Two decades had passed since August 4, 1847, when I stood there as a bride in my white gown and feathery veil of tulle in the sunlit living room of our house on Mount Vernon Street among a crowd of well-wishing relatives and close friends. I was almost drunk with joy, believing I had found my very own Charles Dickens--a robust and blossoming man of letters, who would lift us to fame and good fortune.
The pocket doors had been opened between the front parlors, and there were flowers everywhere in tall Oriental vases: stephanotis, gardenia, lilies, and cascades of yellow, pink, and red roses from the back garden--my stepmother's brilliant handiwork. Through open windows I could hear the clatter of hooves on the cobbles outside.
Herman stood before me in a handsome blue suit (purchased with a loan from his brother Allan and made to measure by one of the finest tailors in Manhattan). Young Thomas, his teenaged brother, looked suddenly mature, almost a man, having grown a beard for the occasion--if the raspy shadow on his chin could be described as such. I was dreaming, in a whirl; but I noticed the rustling dresses of the women, the rows of polished boots. The air was humid, almost unbearably so, and yet the porcine Reverend Mr. Young stood before us in full canonicals, sweating indiscriminately, eliciting the solemn words: "I do, I do." Afterward, we signed our names boldly in the gilt-edged Bible that Aunt Lucy had provided, her gift for the wedding, with our initials engraved on the leather covers: H.M. and E.S.M.
I had become, at a stroke, Elizabeth Shaw Melville.
"You have taken a massive step, my dear," said his mother, whispering in my ear. "I will expect you to take good care of him. He deserves that much." Her round red face was impassive, and she stared at me through the narrow slits of her eyes like a sea turtle. I saw that she hated me, and did not respond. One should not respond in these situations.
This marriage was "an unlikely match," as my stepmother put in less than delicately a few weeks before the ceremony. "He has no stable profession," she said, "and there is a touch of insanity among the Melvilles. You need only ask your father. He will tell you the truth if you insist." As I knew, my father had once nearly married Allan's sister, Nancy. In a strange way I considered Herman more of a brother than a husband. To marry him seemed only to extend an arc already begun before my birth.
I did ask my father about this fabled "touch of insanity," but he refused to say anything about the madness that had gripped Herman's unfortunate father at the end, reducing the poor man to raging incoherence while tenderhearted Herman, an innocent boy of twelve, stood to one side, helpless and defeated. I think Herman spent the whole of his life trying to comfort that child, to convince him that all would be well.
Allan Melvill (the "e" was added later, as it seemed more familiar to American eyes) left his family destitute, thus forcing them upon the frowning mercy of Maria's wealthy relatives in Albany. (My father, always loyal to old friends, also supplied a good deal of money in the form of loans he knew would never be repaid.) "It was a failure of nerve in Allan, and nothing more," my father mused, lighting his pipe with exaggerated slowness behind the burl desk in his study, shifting uneasily in a cracked red leather chair that had belonged to his father. The scales of justice--fitting for a judge--stood on the fireplace mantel behind him, a reminder of the balancing acts he performed daily as chief justice of the Massachusetts Supreme Court.
"Allan glanced at his noble ancestry, then shrank in fear," my father said, fingering his long white locks, which touched the shoulders of his jacket. His belly ballooned from his starched shirt, nearly popping the buttons. "Greatness was not in the cards, not for him, alas," he continued. "I felt sorry for the boys, especially young Herman, who seemed quite lost."
My dear and wonderfully supportive father died in the spring of 1861, leaving me adrift. My family could do nothing for me. I was a Melville--hardly a Shaw at all--trapped in this sad house in Manhattan. Somehow I had to get away from Herman. I didn't really want to leave him, but there seemed no choice. Sometimes we think by feeling. We go where we must, as the path turns, taking us willy-nilly where it will.
Anyone who actually read his novels--Mardi or Moby-Dick or that repulsive Pierre--could guess at the truth, that my husband was not balanced. He walked the edges of life, peering into the abyss, taking his readers with him. He sought everything or nothing, quarreling with God, accusing Him of indifference, even hatred of the human race. This instability disfigured his novels and stories, which one critic called "the unhappy products of an overheated imagination."
Readers (myself included) much preferred his first books, Typee and Omoo--and for good reason. One could peruse them without strain, although their morality remained in question. (My husband never cared what anyone thought of him--especially a critic! That would have been pandering, and H.M. did not pander.)
Having resettled unhappily in New York in the fall of 1863, Herman grew restive. He realized, I think, that a mere change of scenery could not solve his problems or heal old wounds. Now fits of temper interrupted his more usual silence, especially at meals, when he would shout at me and the children. (Nothing we did seemed to please or comfort him.) After dinner he would sulk in the parlor, consuming large quantities of whiskey while laboring over books of philosophy composed by wordy Germans with names one could neither spell nor pronounce. "My eyes, my poor eyes," he complained, as darkness fell and the lamps flickered. "I shall be blind soon, and you will have to read to me."
He was not modest and often compared himself to the English poet John Milton, who went blind in old age, relying on his wife to read to him, to write down his thunderous interminable lines.
"I will never read to you," I told him.
"You hate my work," he said. "You hate whatever I do."
How could he say such a hurtful thing? Had I not copied and recopied several of his novels while sitting in the cold north parlor at Arrowhead, our farmhouse in the Berkshires, shuddering because he failed to cut and stack enough logs for the fire? Had I not recited countless passages by the light of many candles, reading them aloud in the wee hours of night, making little and large alterations at his request? His handwriting revealed the waywardness of his character, its uncertainty and awkwardness. His inconsistent spelling suggested an inconsistency in his soul. I told him as much one night, sending him into one of those rages where he shattered glasses against the wall and frightened Maria, his mother, and his obsequious sisters. Our children cowered upstairs, terrified by their father's ill temper.
"You must not arouse him so, my dear," said Maria, repeatedly.
"Oh, do you think so?" I would say.
"I do indeed, and you should mend your ways. This will never do. Not for me, not for my son."
Maria had been a not-so-silent partner in this marriage from the beginning, a constant companion, presiding over meals, knitting in the parlor wherever we lived, snoring in the bedroom next door, eavesdropping, offering "gentle" suggestions, defending her son. She glowered at me, as if I could never do the appropriate wifely thing to make her precious Herman comfortable, happy, proud, self-confident, and successful. I could never, in her view, get it right. "My son requires a delicacy of approach," she said one day, in a dark hallway at Arrowhead after I had scolded him about leaving open the barn door, prompting our elderly horse, Waldo, to wander off by himself down Lenox Road.
"He is not so fragile as you think," I explained.
She glared at me as though I were a shrew, then walked away in her usual huff. One could hear doors slamming throughout the echo chamber of that icy house.
I should have listened to Lemuel, who understood from the outset that Herman Melville would make a poor match. "Johnny Harrison is the one for you, Lizzie," he told me. Johnny was Lemuel's best friend, a Harvard man, and a lawyer in Boston. He was nicely dressed, polite, almost decorous in manner.
But I did not like decorous and polite men, not in those days. I had lived my life among the decorous and polite.
For better or worse, I found H.M. appealing, even irresistible. I had heard of his exploits and adventures from his older sister, Helen, a dear friend. He had sailed around the globe, gone whaling, li...
ADVANCE PRAISE FOR THE PASSAGES OF H. M.
"An extraordinary catch-and-release operation. Jay Parini, against all odds, captures his white whale of a subject and then frees him for us to behold. The Passages of H. M. re-animates Melville to startling effect: the creator walks as a character; the genius turns back into a husband; imperishable literature springs from the accidents of life."
—Tom Mallon, author of Fellow Travelers and Henry and Clara.
"Who would have thought it would have taken until now, the twenty-first century, to get a clear view of America's most mysterious novelist, Herman Melville? We have it now, through the magic of Jay Parini's superior novel, The Passages of H. M."
—Gore Vidal
"Suprising, insightful, and deeply moving. Melville has never seemed more alive to me -- and more human."
—Chris Bohjalian, author of Secrets of Eden, The Double Bind, and Midwives.
"Once again Jay Parini has taken us into literary imagination, cultural history, and biography through his ingenious fiction.... This is a novel of startling and inventive journeys, and no reader will come away from it seeing Melville the same."
—Peter Balakian, author of Black Dog of Fate
"Parini’s creative reanimation of Melville injects humanity into a tormented soul whose bright, promising early days peaked dramatically before curdling into a mass of dejection. Melville’s adventures make for good reading ... a generous and appreciative assessment."—Publishers Weekly
"Parini splices his third-person narrative of Melville’s adventures with a first-person account of Melville’s marriage by his wife, a sparsely documented figure. Parini’s voicing is impeccable; and with her disarming candor, Lizzie is a treasure.... An appealing portrait of a questing, turbulent spirit."— Kirkus Reviews
"An extraordinary catch-and-release operation. Jay Parini, against all odds, captures his white whale of a subject and then frees him for us to behold. The Passages of H. M. re-animates Melville to startling effect: the creator walks as a character; the genius turns back into a husband; imperishable literature springs from the accidents of life."
—Tom Mallon, author of Fellow Travelers and Henry and Clara.
"Who would have thought it would have taken until now, the twenty-first century, to get a clear view of America's most mysterious novelist, Herman Melville? We have it now, through the magic of Jay Parini's superior novel, The Passages of H. M."
—Gore Vidal
"Suprising, insightful, and deeply moving. Melville has never seemed more alive to me -- and more human."
—Chris Bohjalian, author of Secrets of Eden, The Double Bind, and Midwives.
"Once again Jay Parini has taken us into literary imagination, cultural history, and biography through his ingenious fiction.... This is a novel of startling and inventive journeys, and no reader will come away from it seeing Melville the same."
—Peter Balakian, author of Black Dog of Fate
"Parini’s creative reanimation of Melville injects humanity into a tormented soul whose bright, promising early days peaked dramatically before curdling into a mass of dejection. Melville’s adventures make for good reading ... a generous and appreciative assessment."—Publishers Weekly
"Parini splices his third-person narrative of Melville’s adventures with a first-person account of Melville’s marriage by his wife, a sparsely documented figure. Parini’s voicing is impeccable; and with her disarming candor, Lizzie is a treasure.... An appealing portrait of a questing, turbulent spirit."— Kirkus Reviews
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- Date d'édition2010
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- ISBN 13 9780385522779
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