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Book by Eisner Michael Alexander
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Extrait :
I
A Man of Sorrows
The tenth day of July, the Year of Our Lord 1275
The rain had let up. I leaned forward and glanced out the front of the wagon. The pink stones of the monastery glowed against the night. A gray mist rose from the frozen earth. It was past midnight.
I had been waiting several hours for our reunion. In truth, I had been waiting several years--six years--only I had imagined it under different circumstances.
The porter came out to meet the carriage. He had been recently admitted to the clerical state, tonsured with a smooth razor so that his baldpate gleamed against the moonlight.
"Welcome to Poblet," he said.
"What is your name, Brother?" I asked.
"Silva," he responded, "Brother Silva from Cerdanya."
I introduced myself and told him to take me to the cell of Francisco de Montcada. He looked down without responding.
It had been a long journey, and I was irritable and impatient. "Do you understand, Brother Silva?"
"Yes, Brother Lucas," he said, "but Father Adelmo has decreed that no visitors shall enter the crusader's cell."
"I have in my hand a letter with the seal of Archbishop Sancho of Tarragona," I said. "It gives me custody of Francisco and charge of his exorcism."
"Perhaps I can fetch Father Adelmo," Brother Silva said, "you can discuss the matter with him."
"No, Brother Silva," I said, "I will see Francisco now."
Reluctantly, Brother Silva escorted me into the church. I could smell the familiar incense of matins, the first prayer of morning. I took a deep breath--the pungent aroma awakened my senses. For me, it is the smell of God, the smell of home, the only home I have ever known. The monks had already assembled, waiting for the Abbot to begin their chanting. Several yawned, the younger boys rubbing their eyes to shake the sleep from them. As I made my way down the center aisle, every monk in the chapel turned to stare at me. One of the older monks tried to draw the attention of the others by beginning part of the liturgy, but the congregants ignored him.
When I reached the stone Cross at the foot of the dais, I kneeled to say a silent prayer--Holy Mary, bless me and keep me from evil. Please give me strength to perform my mission. I crossed myself , stood, and proceeded with Brother Silva to a corner door, where we exited the church into the cloister. We walked around the square, passing several writing stations between columns. The monks had moved their manuscripts to the stone bench under the walkway to protect the parchment from rain. I took notice of the calligraphy, the bold strokes, the confident curves.
At the corner of the courtyard, we passed into the tower. Brother Silva lit a torch and ascended the spiral staircase. I followed, trying to keep pace, but the boy soon disappeared and the bright light faded, leaving behind straggling flickers, and then darkness.
I felt my way gently up the winding steps. My sandals slid on the cool stone, and I tried to steady myself on the narrow banister. One step, then another, and another, until I had established a rhythm, and the pounding in my chest subsided. I reached the top of the staircase where Brother Silva was waiting. I had intended to chastise the boy for his haste, but my attention was diverted to the latched door just a few feet away.
"Are you ready, Brother Lucas?" he asked.
The flame illuminated one side of his face--beardless, anxious, uncertain. I hesitated for an instant before nodding my head.
The room was bare, except for a wooden cross hanging on the far wall. Starlight fell through a small window and cast a strange, unearthly glimmer in the cell. A piece of stale bread covered with cockroaches interrupted the play of light on the stone floor. In the shadows, a human figure stirred. He was sitting slumped on a pile of straw. As I entered the cell, a foul stench of excrement and sweat assaulted me. I withdrew a cloth from my cassock and held it over my nose and mouth. Then I approached the person to get a better look. He was chained by the wrist to an iron ring embedded in the wall and wore a tattered robe that barely covered his emaciated frame. His brown hair had grown long and unruly, his beard chaotic. His blue eyes looked out vacantly. His outer appearance had altered much, but I still recognized him.
"He has not talked since his arrival here," Brother Silva said. "Sometimes in his sleep, he will mutter words but they are always unintelligible. Many of the monks believe he speaks a secret dialect of the devil. They fear the evil spell."
I too was afraid, afraid of the demons that had taken hold of Francisco, afraid of the awesome power of the devil that he could so humble such a man as Francisco. I had an impulse to flee. I clutched the Cross hanging from my neck, and tried to stifle the dread rising from my stomach.
Remember who you are. Remember your mission. Remember your station.
Two steps into the darkness, and I reached out to this apparition. I placed my hand on his temple and moved it slowly across his cheek and down to his chin. When I pulled my hand away, my fingers were covered with phlegm and grime.
A gust of cold wind blew through the small window and stung my face. I took a step back, and I felt Brother Silva's hand on my shoulder.
"He is one of the lost cases," Brother Silva said, "Father Adelmo has tried for many weeks to exorcise the demons. He has bled him, burned him, punctured him, even baptized him again. To no avail."
I reached for the chain that bound Francisco. My eyes scanned the links down to his wrist that was caked with dry blood.
Brother Silva felt uncomfortable with my silence and probably some uneasiness with the conditions in which Francisco was held.
"Father Adelmo ordered that he be chained to the wall. It is for his own protection, Brother Lucas."
I said nothing. My mind was whirling with images from our life together at Santes Creus--the rusted iron gate of the monastery, the purple flowers surrounding the cistern, the oak table where we took our meals in perfect silence.
I dropped the chain and brushed aside Francisco's hair in order to see his face more clearly. He seemed much older than his twenty-seven years. His blue eyes, translucent, reflected nothing. Creases fanned out from the corner of his eyes, dark ridges carving a desolate path that faded into his temples. His lips, gray and thin, parted slightly, as if he were whispering some grievous secret from his sojourns. His cheeks had grown gaunt, the skin above his beard pale and bloodless. His sideburns extended out wildly, encroaching down his face where they met his hard jaw, sullened, protruding from his beard like a worn stone, unflinching amidst the tempest.
"Francisco, it's me, Lucas." I repeated his name several times. He did not respond.
"Brother Lucas, the smell is unavoidable," Brother Silva said, "Father Adelmo forbids the monks to enter without his permission. We have done our best to . . ."
I raised my hand, and Brother Silva stopped speaking. I was not here to judge the boy or the other monks. His chatter was breaking my concentration as I scrutinized Francisco's face, searching for some sign of life, something recognizable from our past.
I found nothing.
Brother Silva sneezed. I offered him my cloth. When I looked back at Francisco he was gazing at me. Our eyes met for several seconds before he glanced away.
"Did you know him well, Brother Lucas?"
"He was my friend," I said.
I took several deep breaths. The stale and putrid air in the cell provided no relief. Indeed, my legs weakened. I was choking. I turned and stepped out into the corridor. Brother Silva followed, closing the door behind us.
"Are you well, Brother Lucas?" he asked.
I leaned over, placing my hands on my thighs for support.
"The world has turned upside down, Brother Silva."
II
Santes Creus
I met Francisco eleven years ago. He arrived at the monastery in Santes Creus at the end of summer, the Year of Our Lord 1265. He was sixteen, one year older than I. Abbot Pedro had told us of his coming, the son of a great Baron, a Montcada by blood and name.
The nobility sometimes send their first-born sons to the monasteries for a prescribed period--usually three years--to gain an education before assuming the family mantel. Cistercian monasteries generally prohibit the presence of such temporary visitors, called oblates. The path of perfection--the path of Our Savior--requires an all-consuming commitment, an infinite devotion. Abbots can make exceptions, though. And Francisco was an exceptional case.
With bloodied fingers and unwavering faith, the first Cistercian brothers in Iberia carved God's sanctuary at Santes Creus out of the wilderness over one-hundred years ago. But faith is seldom sufficient. The construction and maintenance of temples dedicated to promoting and reflecting the spiritual glory of Christ's Kingdom requires a more temporal funding. And the Montcada family provided the financing from the beginning. Through this sacrifice, many members of the family have assured their place in Paradise and have earned an eternal resting-place in the monastery.
Lest anyone forget our patrons, the monks pass the Montcada crypt seven times a day. Hewn into the stone wall just to the right of the door leading to the church, the crypt holds the remains of Garsenda de Provence and Guillem de Montcada, great-grandparents of Francisco. During his lifetime, Guillem was the most powerful of the Crown's vassals. He led the force that captured the island of Majorca from the infidels in the Year of Our Lord 1229.
The details of Guillem's martyrdom are well known to all in the Kingdom of Ar...
Présentation de l'éditeur :
A Man of Sorrows
The tenth day of July, the Year of Our Lord 1275
The rain had let up. I leaned forward and glanced out the front of the wagon. The pink stones of the monastery glowed against the night. A gray mist rose from the frozen earth. It was past midnight.
I had been waiting several hours for our reunion. In truth, I had been waiting several years--six years--only I had imagined it under different circumstances.
The porter came out to meet the carriage. He had been recently admitted to the clerical state, tonsured with a smooth razor so that his baldpate gleamed against the moonlight.
"Welcome to Poblet," he said.
"What is your name, Brother?" I asked.
"Silva," he responded, "Brother Silva from Cerdanya."
I introduced myself and told him to take me to the cell of Francisco de Montcada. He looked down without responding.
It had been a long journey, and I was irritable and impatient. "Do you understand, Brother Silva?"
"Yes, Brother Lucas," he said, "but Father Adelmo has decreed that no visitors shall enter the crusader's cell."
"I have in my hand a letter with the seal of Archbishop Sancho of Tarragona," I said. "It gives me custody of Francisco and charge of his exorcism."
"Perhaps I can fetch Father Adelmo," Brother Silva said, "you can discuss the matter with him."
"No, Brother Silva," I said, "I will see Francisco now."
Reluctantly, Brother Silva escorted me into the church. I could smell the familiar incense of matins, the first prayer of morning. I took a deep breath--the pungent aroma awakened my senses. For me, it is the smell of God, the smell of home, the only home I have ever known. The monks had already assembled, waiting for the Abbot to begin their chanting. Several yawned, the younger boys rubbing their eyes to shake the sleep from them. As I made my way down the center aisle, every monk in the chapel turned to stare at me. One of the older monks tried to draw the attention of the others by beginning part of the liturgy, but the congregants ignored him.
When I reached the stone Cross at the foot of the dais, I kneeled to say a silent prayer--Holy Mary, bless me and keep me from evil. Please give me strength to perform my mission. I crossed myself , stood, and proceeded with Brother Silva to a corner door, where we exited the church into the cloister. We walked around the square, passing several writing stations between columns. The monks had moved their manuscripts to the stone bench under the walkway to protect the parchment from rain. I took notice of the calligraphy, the bold strokes, the confident curves.
At the corner of the courtyard, we passed into the tower. Brother Silva lit a torch and ascended the spiral staircase. I followed, trying to keep pace, but the boy soon disappeared and the bright light faded, leaving behind straggling flickers, and then darkness.
I felt my way gently up the winding steps. My sandals slid on the cool stone, and I tried to steady myself on the narrow banister. One step, then another, and another, until I had established a rhythm, and the pounding in my chest subsided. I reached the top of the staircase where Brother Silva was waiting. I had intended to chastise the boy for his haste, but my attention was diverted to the latched door just a few feet away.
"Are you ready, Brother Lucas?" he asked.
The flame illuminated one side of his face--beardless, anxious, uncertain. I hesitated for an instant before nodding my head.
The room was bare, except for a wooden cross hanging on the far wall. Starlight fell through a small window and cast a strange, unearthly glimmer in the cell. A piece of stale bread covered with cockroaches interrupted the play of light on the stone floor. In the shadows, a human figure stirred. He was sitting slumped on a pile of straw. As I entered the cell, a foul stench of excrement and sweat assaulted me. I withdrew a cloth from my cassock and held it over my nose and mouth. Then I approached the person to get a better look. He was chained by the wrist to an iron ring embedded in the wall and wore a tattered robe that barely covered his emaciated frame. His brown hair had grown long and unruly, his beard chaotic. His blue eyes looked out vacantly. His outer appearance had altered much, but I still recognized him.
"He has not talked since his arrival here," Brother Silva said. "Sometimes in his sleep, he will mutter words but they are always unintelligible. Many of the monks believe he speaks a secret dialect of the devil. They fear the evil spell."
I too was afraid, afraid of the demons that had taken hold of Francisco, afraid of the awesome power of the devil that he could so humble such a man as Francisco. I had an impulse to flee. I clutched the Cross hanging from my neck, and tried to stifle the dread rising from my stomach.
Remember who you are. Remember your mission. Remember your station.
Two steps into the darkness, and I reached out to this apparition. I placed my hand on his temple and moved it slowly across his cheek and down to his chin. When I pulled my hand away, my fingers were covered with phlegm and grime.
A gust of cold wind blew through the small window and stung my face. I took a step back, and I felt Brother Silva's hand on my shoulder.
"He is one of the lost cases," Brother Silva said, "Father Adelmo has tried for many weeks to exorcise the demons. He has bled him, burned him, punctured him, even baptized him again. To no avail."
I reached for the chain that bound Francisco. My eyes scanned the links down to his wrist that was caked with dry blood.
Brother Silva felt uncomfortable with my silence and probably some uneasiness with the conditions in which Francisco was held.
"Father Adelmo ordered that he be chained to the wall. It is for his own protection, Brother Lucas."
I said nothing. My mind was whirling with images from our life together at Santes Creus--the rusted iron gate of the monastery, the purple flowers surrounding the cistern, the oak table where we took our meals in perfect silence.
I dropped the chain and brushed aside Francisco's hair in order to see his face more clearly. He seemed much older than his twenty-seven years. His blue eyes, translucent, reflected nothing. Creases fanned out from the corner of his eyes, dark ridges carving a desolate path that faded into his temples. His lips, gray and thin, parted slightly, as if he were whispering some grievous secret from his sojourns. His cheeks had grown gaunt, the skin above his beard pale and bloodless. His sideburns extended out wildly, encroaching down his face where they met his hard jaw, sullened, protruding from his beard like a worn stone, unflinching amidst the tempest.
"Francisco, it's me, Lucas." I repeated his name several times. He did not respond.
"Brother Lucas, the smell is unavoidable," Brother Silva said, "Father Adelmo forbids the monks to enter without his permission. We have done our best to . . ."
I raised my hand, and Brother Silva stopped speaking. I was not here to judge the boy or the other monks. His chatter was breaking my concentration as I scrutinized Francisco's face, searching for some sign of life, something recognizable from our past.
I found nothing.
Brother Silva sneezed. I offered him my cloth. When I looked back at Francisco he was gazing at me. Our eyes met for several seconds before he glanced away.
"Did you know him well, Brother Lucas?"
"He was my friend," I said.
I took several deep breaths. The stale and putrid air in the cell provided no relief. Indeed, my legs weakened. I was choking. I turned and stepped out into the corridor. Brother Silva followed, closing the door behind us.
"Are you well, Brother Lucas?" he asked.
I leaned over, placing my hands on my thighs for support.
"The world has turned upside down, Brother Silva."
II
Santes Creus
I met Francisco eleven years ago. He arrived at the monastery in Santes Creus at the end of summer, the Year of Our Lord 1265. He was sixteen, one year older than I. Abbot Pedro had told us of his coming, the son of a great Baron, a Montcada by blood and name.
The nobility sometimes send their first-born sons to the monasteries for a prescribed period--usually three years--to gain an education before assuming the family mantel. Cistercian monasteries generally prohibit the presence of such temporary visitors, called oblates. The path of perfection--the path of Our Savior--requires an all-consuming commitment, an infinite devotion. Abbots can make exceptions, though. And Francisco was an exceptional case.
With bloodied fingers and unwavering faith, the first Cistercian brothers in Iberia carved God's sanctuary at Santes Creus out of the wilderness over one-hundred years ago. But faith is seldom sufficient. The construction and maintenance of temples dedicated to promoting and reflecting the spiritual glory of Christ's Kingdom requires a more temporal funding. And the Montcada family provided the financing from the beginning. Through this sacrifice, many members of the family have assured their place in Paradise and have earned an eternal resting-place in the monastery.
Lest anyone forget our patrons, the monks pass the Montcada crypt seven times a day. Hewn into the stone wall just to the right of the door leading to the church, the crypt holds the remains of Garsenda de Provence and Guillem de Montcada, great-grandparents of Francisco. During his lifetime, Guillem was the most powerful of the Crown's vassals. He led the force that captured the island of Majorca from the infidels in the Year of Our Lord 1229.
The details of Guillem's martyrdom are well known to all in the Kingdom of Ar...
In the latter half of the 13th century, Christian Europe again sought to prise the Holy Land out of the grasp of the Infidel. Tens of thousands took up the Cross - some for the greater glory of God, others for baser motives: lust for power, for riches, for revenge.
THE CRUSADER tells the story of the seventh and last Crusade, as experienced by a young Spanish nobleman, Francisco de Montcada. He is the hero of this novel, but his tale is told by his former friend and a fellow acolyte, a venal and moderately trustworthy Cistercian monk named Brother Lucas. For Francisco has returned from the Levant a broken and seemingly possessed man. The Inquisition decree that his tortured soul be exorcized and the task falls to Brother Lucas. Eschewing the Inquisition's more usual methods, the monk sits with the silent, emaciated knight in his cell and talks to him. Slowly, tentatively, Francisco begins to recount his story - a tale of how an honourable man took up the Cross and found not the glory and redemption for which he'd yearned but instead unimaginable cruelty, barbarism and bloodshed.
Set against a thrillingly authentic historical backdrop, this stirring novel of religious fervour and human passions, of greed and betrayal, and love and war, brings a tumultuous era brilliantly to life.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurBantam Books of Canada Ltd
- Date d'édition2001
- ISBN 10 0385658737
- ISBN 13 9780385658737
- ReliureRelié
- Nombre de pages288
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The Crusader
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(2001)
ISBN 10 : 0385658737
ISBN 13 : 9780385658737
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The Crusader
Edité par
Doubleday First Edition
(2001)
ISBN 10 : 0385658737
ISBN 13 : 9780385658737
Ancien ou d'occasion
Couverture rigide
Edition originale
Quantité disponible : 1
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Evaluation vendeur
Description du livre Etat : Very Good. 1st Edition. Used book that is in excellent condition. May show signs of wear or have minor defects. N° de réf. du vendeur 41787162-6
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