Ragged Company - Couverture souple

Wagamese, Richard

Couverture souple

ISBN 10 : 0385661568 ISBN 13 : 9780385661560

Editeur : Doubleday of Canada, 2008

A propos du livre

Extrait :

Is it you?
Yes.
Where have you been?
Travelling.
Yes. Of course. Where did you get to?
Everywhere. Everywhere I always wanted to go, everywhere I ever heard about.
Did you like it?
I loved it. I never knew the world was so big or that it held so much.
Yes. It’s an incredible thing.
Absolutely.
What did you think about all that time?
Everything. I guess I thought about everything. But I thought about one thing the most.
What was that?
A movie. Actually, a line from a movie.
Really?
Yes. Funny, isn’t it? Out of all the things I could have thought about over and over, I thought about a line from a movie.
Which one?
Casablanca. When Bogie says to Bergman, “The world don’t amount to a hill of beans to two small people like us?” Remember that?
Yes. I remember. Why?
Because that’s what I think it’s all about in the end.
What?
Well, you live, you experience, you become, and sometimes, at the end of things, maybe you feel deprived, like maybe you missed out somehow, like maybe there was more you could have–­should have–­had. You know?
Yes. Yes, I do.
But the thing is, at least you get to finger the beans.
Yes. I like that–­you get to finger the beans.
Do you ever do that?
All the time.
Me too.
Let’s do that now. Let’s hear all of it all over again.
Okay. Do you remember it?
All of it. Everything. Every moment.
Then that’s all we need.
The beans.
Yes. The beans.

Book One
Shelter

One For The ­Dead

It was Irwin that started all the dying. He was my eldest brother, and when I was a little girl he was my hero, the one whose shoulders I was always carried on and whose funny faces made me smile even when I didn’t want to. There were five of us. We lived on an Ojibway reserve called Big River and our family, the One Sky family, went back as far in tribal history as anyone could recall. I was named Amelia, after my grandmother. We were a known ­family–­respected, ­honoured–­and Irwin was our shining hope. I was the only girl, and Irwin made me feel special, like I was his hero. Love is such a simple word, so limited, that I never use it when I think of him, never consider it when I remember what I ­lost.

He was a swimmer. A great one. That’s not surprising when you consider that our tribal clan was the Fish Clan. But Irwin swam like an otter. Like he loved it. Like the water was a second skin. No one ever beat my brother in a race, though there were many who tried. Even grown ­men–­bigger, stronger ­kickers–­would never see anything but the flashing bottoms of my brother’s feet. He was a ­legend.

The cost of a tribal life is high and our family paid in frequent times of hunger. Often the gill net came up empty, the moose wouldn’t move to the marshes, and the snares stayed set. The oldest boys left school for work, to make enough to get us through those times. They hired themselves out to a local farmer to clear bush and break new ground. It was man’s work, really, and Irwin and John were only boys, so the work took its ­toll.

It was hot that day. Hot as it ever got in those summers of my girlhood, and even the farmer couldn’t bear up under the heat. He let my brothers go midway through the afternoon and they walked the three miles back to our place. Tired as they were, all Irwin could think about was a swim in the river. So a big group of us kids headed toward the broad, flat stretch below the rapids where we’d all learned to swim. I was allowed to go because there were so many of ­us.

There was a boy named Ferlin Axe who had challenged my brother to race hundreds of times and had even come close a few of those times. That day, he figured Irwin would be so tired from the heat and the work that he could win in one of two ways. First, he could beat Irwin because he was so tired, or second, Irwin could decline the challenge. Either way was a victory, because no Indian boy ever turned down a ­race.

“One Sky,” Ferlin said when we got to the river, “today’s the day you lose.”

“Axe,” Irwin said, “you’ll never chop me down.”

Now, the thing about ­races–­Indian races, ­anyway–­is that anyone’s allowed to join. So when they stepped to the edge of the river there were six of them. At the count of three they took off, knees pumping high, water splashing up in front of them, and when they dove, they dove as one. No one was surprised when Irwin’s head popped up first and his arms started pulling against the river’s muscle. He swam effortlessly. Watching him go, it seemed like he was riding the water, skimming across the surface while the others clawed their way through it. He reached the other side a good thirty seconds ahead of Ferlin ­Axe.

The rules were that everyone could rest on the other side. There was a long log to sit on, and when each of those boys plopped down beside Irwin he slapped them on the arm. I’ll never forget that sight: six of them, young, vibrant, glistening in the sun and laughing, teasing each other, the sun framing all of them with the metallic glint off the river. But for me, right then, it seemed like the sun shone only on my brother, like he was a holy object, a saint perhaps, blessed by the power of the open water. We all have our sacred moments, those we carry in our spirit always, and my brother, strong and brown and laughing, shining beside that river, is ­mine.

After about five minutes they rose together and moved to the water’s edge, still pushing, shoving, teasing. My brother raised an arm, waved to me, and I could see him counting down. When his arm dropped they all took off. Ferlin Axe surfaced first and we all gasped. But once Irwin’s head broke the surface of the water you could see him gain with every stroke. He was so fast it was startling. When he seemed to glide past the flailing Ferlin Axe, we all knew it was over. Then, about halfway across, at the river’s deepest point where the pull of the current was strongest, his head bobbed under. We all laughed. Everyone thought that Irwin was going to try to beat Ferlin by swimming underwater the rest of the way. But when Ferlin suddenly stopped and stared wildly around before diving under himself, we all stood up. Soon all five boys were diving under and I remember that it seemed like an hour before I realized that Irwin hadn’t come back up. Time after time they dove and we could hear them yelling back and forth to each other, voices high and breathless and ­scared.

The river claimed my brother that day. His body was never found and if you believe as I do, then you know that the river needed his spirit back. But that’s the woman talking. The little girl didn’t know what to make of it. I went to the river every day that summer and fall to sit and wait for my brother. I was sure that it was just a joke, a tease, and he’d emerge laughing from the water, lift me to his shoulders, and carry me home in celebration of another really good one. But there was just the river, broad and flat and deep with secrets. The sun no longer shone on that log across the water, and if I’d known on the day he sat there, when it seemed to shine only on him, that it was really calling him away, I’d have yelled something. I love you, maybe. But more like, I need you. It was only later, when the first chill of winter lent the water a slippery sort of blackness, like a hole into another world, that I allowed the river its triumph and let it be. But it’s become a part of my blood now, my living, the river of my veins, and Irwin courses through me even ­now.

My parents died that winter. Those cheap government houses were dry as tinder, heated by one central stove that threw an ember through the grate one night and burned our house to the ground. Those who saw it say it looked like a flare popping off. I hope so. I hope my parents slept right through it, that there was no terror or desperation for either of them. We kids were with my Uncle Jack and Aunt Elizabeth at a winter powwow that night. Standing beside my uncle’s truck the next day looking at the burnt and bubbled timbers piled atop each other, I felt a coldness start to build inside me. A numbing cold like you feel in the dentist’s chair, the kind you’re powerless to stop. I couldn’t cry. I could feel the tears dammed inside my chest but there was no channel to my ­eyes.

We lived with Uncle Jack for a while but he was a drinker and it wasn’t long before the social workers came and moved us all to the missionary school fifty miles away. I was six and the last sight I ever had of Big River was through the back window of the yellow bus they loaded us into. We moved from a world of bush and rock and river to one of brick and fences and fields. There we were made to speak English, to forget the sacred ways of our people, and to learn to kneel before a cross we were told would save us. It didn’t.

The boys and girls were kept apart except for meals and worship. I never got to speak to my brothers at all except in mouthed whispers, waves, and the occasional letters all the kids learned to sneak across to each other. It was hard. Our world had become strange and foreign and we all suffered. But it was hardest on my brother Harley. He was eight and, out of all of us, had been the one closest to our parents. He’d stayed close to the house while the rest of us tore around the reserve. He’d cooked with our mother and set snares with our father. Quiet, gentle, and thinner even than me, we always treated Harley like a little bird out of its nest, sheltering him, protecting him, warming him. In the tribal way, change is a constant and our ways teach you how to deal with ...

Présentation de l'éditeur :

Four chronically homeless people–Amelia One Sky, Timber, Double Dick and Digger–seek refuge in a warm movie theatre when a severe Arctic Front descends on the city. During what is supposed to be a one-time event, this temporary refuge transfixes them. They fall in love with this new world, and once the weather clears, continue their trips to the cinema. On one of these outings they meet Granite, a jaded and lonely journalist who has turned his back on writing “the same story over and over again” in favour of the escapist qualities of film, and an unlikely friendship is struck.

A found cigarette package (contents: some unsmoked cigarettes, three $20 bills, and a lottery ticket) changes the fortune of this struggling set. The ragged company discovers they have won $13.5 million, but none of them can claim the money for lack proper identification. Enlisting the help of Granite, their lives, and fortunes, become forever changed.

Ragged Company is a journey into both the future and the past. Richard Wagamese deftly explores the nature of the comforts these friends find in their ideas of “home,” as he reconnects them to their histories.

À propos de cette édition

• Éditeur: Doubleday of Canada
• Date d'édition: 2008
• ISBN 10: 0385661568
• ISBN 13: 9780385661560
• Reliure: Broché
• Nombre de pages: 376