From Chapter IV: The Rabbit Sends in a Little Bill
It was the White Rabbit, trotting slowly back again, and looking anxiously about as it went, as if it had lost something; and she heard it muttering to itself, “The Duchess! The Duchess! Oh my dear paws! Oh my fur and whiskers! She’ll get me executed, as sure as ferrets are ferrets! Where can I have dropped them, I wonder?” Alice guessed in a
moment that it was looking for the fan and the pair of white kidgloves, and she very good-naturedly began hunting about for them, but they were nowhere to be seen—everything seemed to have changed since her swim in the pool; and the great hall, with the glass table and the little door, had vanished completely.
Very soon the Rabbit noticed Alice, as she went hunting about, and called out to her, in an angry tone, “Why, Mary Ann, what are you doing out here? Run home this moment, and fetch me a pair of gloves and a fan! Quick, now!” And Alice was so much frightened that she ran o at once in the direction it pointed to, without trying to explain the mistake that it had made.
“He took me for his housemaid,” she said to herself as she ran. “How surprised he’ll be when he finds out who I am! But I’d better take him his fan and gloves—that is, if I can find them.” As she said this, she came upon a neat little house, on the door of which was a bright brass plate with the name “W. RABBIT ” engraved upon it. She went in without knocking, and hurried upstairs, in great fear lest she should meet the real Mary Ann, and be turned out of the house before she had found the fan and gloves.
“How queer it seems,” Alice said to herself, “to be going messages for a rabbit! I suppose Dinah’ll be sending me on messages next!” And she began fancying the sort of thing that would happen: “‘Miss Alice! Come here directly, and get ready for your walk!’ ‘Coming in a minute,’ nurse! But I’ve got to watch this mouse-hole till Dinah comes back, and see that the mouse doesn’t get out.’ Only I don’t think,” Alice went on, “that they’d let Dinah stop in the house if it began ordering people about like that!”
By this time she had found her way into a tidy little room with a table in the window, and on it (as she had hoped) a fan and two or three pairs of tiny white kid-gloves: she took up the fan and a pair of the gloves, and was just going to leave the room, when her eye fell upon a little bottle that stood near the looking-glass. There was no label this time with the words “DRINK ME,” but nevertheless she uncorked it and put it to her lips. “I know something interesting is sure to happen,” she said to herself, “whenever I eat or drink anything: so I’ll just see what this bottle does. I do hope it’ll make me grow large again, for really I’m quite tired of being such a tiny little thing!”
It did so indeed, and much sooner than she had expected: before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, saying to herself “That’s quite enough—I hope I sha’n’t grow any more—As it is, I ca’n’t get out at the door—I do wish I hadn’t drunk quite so much!”
Alas! It was too late to wish that! She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself “Now I can do no more, whatever happens. What will become of me?”Quatrième de couverture :
"What is the use of a book," thought Alice, "without pictures?"
For over 125 years John Tenniel's superb illustrations for Alice's Adventures in Wonderland have been the perfect complement to Lewis Carroll's timeless story. In that time Alice has been illustrated by numerous artists, but not one has come close to matching the universal appeal of the original pictures.
This is the first Alice to reproduce Ternniel's exquisite drawings from prints taken directly from the original wood engravings. Here, Tenniel's fine line work is far crisper, delicate shadings are reproduced with more subtlety, and details never seen before are now visible.
Like most nineteenth-century children's books, the pictures for Alice were created by transferring the artist's drawings to woodblocks, But with Alice, the original blocks served as masters from which metal plates were made for printing. Unfortunately, these plates deteriorated from the repeated pressure applied during printing, and over time, many of the fine lines in Tenniel's pictures simply vanished altogether.As the year-, passed, the original woodblocks disappeared and were believed lost; then, in 1985 they were discovered in a London bank vault.
Now, for the first time, prints from these woodblocks have been used to produce a deluxe gift edition with clearer, more detailed images than have ever been seen before. At last, readers can see the Alice that Carroll and Tenniel had originally envisioned.
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Description du livre WW Norton Publishers. État : New. Brand New. N° de réf. du libraire 0393245438
Description du livre État : New. N° de réf. du libraire 21675481-n
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Description du livre W W Norton and Co Inc, 2015. HRD. État : New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. N° de réf. du libraire KB-9780393245431
Description du livre W W Norton and Co Inc, 2015. HRD. État : New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. N° de réf. du libraire IB-9780393245431
Description du livre Hardcover. État : New. N° de réf. du libraire 9024689
Description du livre Hardcover. État : New. One summer afternoon in 1862, the Rev. Charles Lutwidge Dodgson took a rowboat out on the Thames. With him were three young friends from the Liddell family—the sisters Lorina, Edith, and Alice. Dodgson often spun fairy tales on these boating trips to pass the time, and on this particular afternoon the story was particularly well received by Alice, who afterwards entreated him to write it down for her. Dodgson recalled the pivotal moment thusly: "In a desperate attempt to strike out some new line of fairy-lore, I had sent my heroine straight down a rabbit-hole, to begin with, without the least idea what was to happen afterwards."The tale, initially titled Alice's Adventures Under Ground, became Alice's Adventures in Wonderland, which Dodgson published in 1865 as Lewis Carroll. So began the journey, now in its 150th year, of one of the most beloved stories of all time.The Annotated Alice: 150th Anniversary Deluxe Edition compiles over half a century of scholarship by leading Carrollian experts to reveal the history and full depth of the Alice books and their enigmatic creator. This volume brings together Martin Gardner’s legendary original 1960 publication, The Annotated Alice; his follow-ups, More Annotated Alice and the Definitive Edition; his continuing explication through the Knight Letter magazine; and masterly additions and updates edited by Mark Burstein, president emeritus of the Lewis Carroll Society of North America. In these pages Lewis Carroll's mathematical riddles and curious wordplay, ingeniously embedded throughout the Alice works, are delightfully decoded and presented in the margins, along with original correspondence, amusing anecdotal detours, and fanciful illustrations by Salvador Dalí, Beatrix Potter, Ralph Steadman, and a host of other famous artists.Put simply, this anniversary edition of The Annotated Alice is the most comprehensive collection of Alice materials ever published in a single volume. May it serve as a beautiful and enduring tribute to the charming, utterly original "new line of fairy-lore" that Lewis Carroll first spun 150 years ago.The deluxe anniversary edition of The Annotated Alice includes:A rare, never-before-published portrait of Francis Jane Lutwidge, Lewis Carroll's motherOver 100 new or updated annotations, collected since the publication of Martin Gardner's Definitive Edition of The Annotated Alice in 1999More than 100 new illustrations, in vibrant color, by Salvador Dalí, Beatrix Potter, Ralph Steadman, and 42 other artists and illustrators, in addition to the original artwork by Sir John TennielA preface by Mark Burstein, president emeritus of the Lewis Carroll Society of North America, and all of Gardner's introductions to other editionsA filmography of every Alice-related film by Carroll scholar David Schaefer. N° de réf. du libraire 114989149
Description du livre W. W. Norton & Company, 2015. Hardcover. État : New. N° de réf. du libraire 0393245438
Description du livre W. W. Norton & Company. Hardcover. État : New. 0393245438 BRAND NEW, GIFT QUALITY! NOT OVERSTOCKS OR MARKED UP REMAINDERS! DIRECT FROM THE PUBLISHER!|DTH Some items may NOT be available for International Shipping. Please contact us about a particular item. N° de réf. du libraire DTH-S-9780393245431
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