Madame Bovary: Contexts, Critical Reception - Couverture souple

Flaubert, Gustave

Couverture souple

ISBN 10 : 0393979172 ISBN 13 : 9780393979176

Editeur : WW Norton & Co, 2005

Synopsis

Book by Gustave Flaubert

A propos du livre

Extrait :

Chapter OneThe uncouth schoolboy; The Bovary household; A mother's ambitions; Studies with the cure; Training for medicine; Student life in Rouen; Failure and success; A practice in Normandy; The bailiff's widow; The first Madame Bovary.

We were in the prep-room when the Head came in, followed by a new boy in mufti and a beadle carrying a big desk. The sleepers aroused themselves, and we all stood up, putting on a startled look, as if we had been buried in our work.

The Head motioned to us to sit down.

'Monsieur Roger,' said he in a quiet tone to the prep master, I've brought you a new boy. He's going into the second. If his conduct and progress are satisfactory, he will be put up with the boys of his own age. '

The new boy had kept in the background, in the corner behind the door, almost out of sight. He was a country lad of about fifteen, and taller than any of us. His hair was clipped straight across the forehead, like a village choirboy's. He seemed a decent enough fellow, but horribly nervous. Although he was not broad across the shoulders, his green cloth jacket, with its black buttons, looked as if it pinched him under the arms and revealed, protruding well beyond the cuffs, a pair of raw, bony wrists, obviously not unaccustomed to exposure. His legs, encased in blue stockings, issued from a pair of drab-coloured breeches, very tightly braced. He had on a pair of thick, clumsy shoes, not particularly well cleaned and plentifully fortified with nails.

The master began to hear the boys at their work. The newcomer listened with all his ears, drinking it in as attentively as if he had been in church, not daring to cross his legs or to lean his elbows on the desk, and when two o'clock came and the bell rang for dismissal, the master had to call him back to earth and tell him to line up with the rest of us.

It was our custom, when we came in to class, to throw our caps on the floor, in order to have our hands free. As soon as ever we got inside the door, we 'buzzed' them under the form, against the wall, so as to kick up plenty of dust. That was supposed to be 'the thing.' Whether he failed to notice this manoeuvre or whether he was too shy to join in it, it is impossible to say, but when prayers were over he was still nursing his cap. That cap belonged to the composite order of headgear, and in it the heterogeneous characteristics of the busby, the Polish shapska, the bowler, the otterskin toque and the cotton nightcap were simultaneously represented. It was, in short, one of those pathetic objects whose mute unloveliness conveys the infinitely wistful expression we may sometimes note on the face of an idiot. Ovoid in form and stiffened with whalebone, it began with a sort of triple line of sausage-shaped rolls running all round its circumference; next, separated by a red band, came alternate patches of velvet and rabbit-skin; then a kind of bag or sack which culminated in a stiffened polygon elaborately embroidered, whence, at the end of a long, thin cord, hung a ball made out of gold wire, by way of a tassel. The cap was brand-new, and the peak of it all shiny.

'Stand up,' said the master.

He stood up, and down went his cap. The whole class began to laugh.

He bent down to recover it. One of the boys next to him jogged him with his elbow and knocked it down again. Again he stooped to pick it up.

'You may discard your helmet,' said the master, who had a pretty wit.

A shout of laughter from the rest of the class quite put the poor fellow out of countenance, and so flustered was he that he didn't know whether to keep it in his hand, put it on the floor or stick it on his head. He sat down and deposited it on his knees.

'Stand up,' said the master again, 'and tell me your name.'

In mumbling tones the new boy stammered out something quite unintelligible.

'Again!'

Again came the inarticulate mumble, drowned by the shouts of the class.

'Louder!' rapped out the master sharply. 'Speak up!'

Whereupon the boy, in desperation, opened his jaws as wide as they would go and, with the full force of his lungs, as though he were hailing somebody at a distance, fired off the word 'Charbovari.'

In an instant the class was in an uproar. The din grew louder and louder, a ceaseless crescendo crested with piercing yells--they shrieked, they howled, they stamped their feet, bellowing at the top of their voices: 'Charbovari! Charbovari!' Then, after a while, the storm began to subside. There would be sporadic outbreaks from time to time, smothered by a terrific effort, or perhaps a titter would fizz along a whole row, or a stifled explosion sputter out here and there, like a half-extinguished fuse.

However, beneath a hail of 'impositions,' order was gradually restored. The master--who had had it dictated, spelled out and read over to him--had at length succeeded in getting hold of the name of Charles Bovary, and forthwith he ordered the hapless wretch to go and sit on the dunce's stool, immediately below the seat of authority. He started to obey, stopped short and stood hesitating.

'What are you looking for?' said the master.

'My ca--' began the new boy timidly, casting an anxious glance around him.

An angry shout of 'Five hundred lines for the whole class' checked, like the Quos ego, a fresh outburst. 'Stop your noise, then, will you?' continued the master indignantly, mopping his brow with a handkerchief which he had produced from the interior of his cap.

 

Présentation de l'éditeur :

This exquisite novel tells the story of one of the most compelling heroines in modern literature--Emma Bovary. Unhappily married to a devoted, clumsy provincial doctor, Emma revolts against the ordinariness of her life by pursuing voluptuous dreams of ecstasy and love. But her sensuous and sentimental desires lead her only to suffering corruption and downfall. A brilliant psychological portrait, Madame Bovary searingly depicts the human mind in search of transcendence. Who is Madame Bovary? Flaubert's answer to this question was superb: "Madame Bovary, c'est moi." Acclaimed as a masterpiece upon its publication in 1857, the work catapulted Flaubert to the ranks of the world's greatest novelists. Flaubert's powerful and deeply moving examination of the moral degeneration of a middle-class Frenchwoman is universally regarded as one of the landmarks of 19th-century fiction. It is reproduced here, complete and unabridged, in the classic translation by Eleanor Marx-Aveling, daughter of Karl Marx.

À propos de cette édition

• Éditeur: WW Norton & Co
• Date d'édition: 2005
• ISBN 10: 0393979172
• ISBN 13: 9780393979176
• Reliure: Broché
• Numéro d'édition: 2
• Nombre de pages: 576