Glorious: A Novel of the American West - Couverture rigide

Guinn, Jeff

Couverture rigide

ISBN 10 : 039916541X ISBN 13 : 9780399165412

Editeur : G.P. Putnam's Sons, 2014

A propos du livre

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***This excerpt is from an advance uncorrected proof.***

Copyright © 2014 by 24 Words, LLC

GLORIOUS

1872

 

 

They took Tom Gaumer late in the morning.

He shouldn’t have been out alone. Like all the other prospectors in Glorious, Gaumer knew the area was crawling with Apaches. You didn’t have to see them to know that they were there. In the three weeks since he’d arrived in the tiny town, Gaumer went out on his daily hunt for silver with four other prospectors, all of them frontier veterans who observed the proper precautions: stay together, make as little noise as possible, take turns acting as lookout. The Indians generally didn’t bother well-armed men working in groups. They wanted easier white prey.

But the day before, Gaumer had noticed a particularly promising bit of oxidized, black-lined rock, typical of potentially significant silver content. He and his informal partners—they’d all met on arrival in Glorious— were working about three miles northeast of town along the banks of Queen Creek, in an area where the creek cut around the base of the Pinal Mountains. Bossman Wright was on lookout, and Oafie and Archie and Old Ben and Gaumer were chipping away on a ledge, each no more than ten yards from the others because the Apache could snatch anyone straying too far in an eye blink. When Gaumer’s pick dislodged the first black-lined rock chunks he drew breath to holler out the news to the others, and then thought better of it. None of the others were turning up anything interesting; that was the way of even the widest silver seams, to have surface concentration in one small spot, and it was his luck alone to find it. These men he’d been working with were fine fellows, but Gaumer had a wife and two daughters back in Minnesota who lived in near poverty while he was away trying to strike it rich for them. So Gaumer took a good look to mark the exact place in his mind, then casually said, “Nothing’s here. Let’s try farther downriver.” Much to his relief, the others muttered agreement and moved on.

The next morning in the prospectors’ tent city just beyond the few permanent buildings in Glorious, Gaumer told the other four to go on without him, he had stomach trouble and would rest all day. He lay in his blankets until everyone in the prospectors’ camp was gone, all of them disappearing into the vastness surrounding Glorious. Then Gaumer jumped up and started back toward his secret treasure spot, keeping a sharp eye out for anyone who might be exploring the same general area. But his luck held. By the time he was back on the ledge he felt certain that he was miles away from anyone else. It was risky to be out alone, but Gaumer didn’t care. In all his years of prospecting, he’d never seen such strong silver sign. He soon lost himself chipping away at the black-lined rock, the lines getting tantalizingly thicker and more numerous: my God, there was going to be a fortune in silver here! He’d done it! This was it! As he was exulting, they came quietly up behind him. A rope snared Gaumer’s arms to his sides and just like that he was helpless.

They took their time with the torture and mutilation. First they built a fire and used the brands to burn the soles of Gaumer’s feet. He screamed, but his screams were lost in the cliffs and canyons. They amused themselves for a while removing Gaumer’s fingers one joint at a time, and then there was some skinning, parts of his chest and back. By then he was periodically passing out from the pain, coming to when they briefly stopped, shrieking when they resumed until the agony was too overwhelming and blessed blackness descended on him again.

His captors knew their business. It was almost nightfall when Gaumer finally succumbed. His last sensation was of fresh pain. One of them was dragging a sharp knife along the hairline of his forehead. Gaumer only spoke English, not their language, but he’d been in Arizona Territory long enough to comprehend meaning if not individual words. Gaumer thought one of them was saying, “Stop—Apaches don’t scalp.”

Then the final darkness swallowed him.

 

 

 ONE

 

 

Shortly before the morning stage left Florence for the thirty-mile trip to Glorious, Mr. Billings, the depot manager, took Cash McLendon aside.

“I hope you’ve taken advantage of our privy, sir,” Mr. Billings said. “Passage to Glorious is wearying at best. You’ll want to avoid additional discomfort.”

The suggestion surprised McLendon, who replied, “I’m not concerned. Today’s is only a short trip, every depot along the way will have facilities, and in between scheduled stops I can always tap on the stage roof and signal the driver to pull over.”

Mr. Billings, a square-shaped man with muttonchop whiskers, shook his head. “I see from your ticket that you’ve come to us all the way from Texas. Up to now, you’ve followed mostly well-established routes on decent roads. But the way to Glorious is rough travel, very hard going, and there are no depots along the way. You’ll not find another privy between here and there.”

McLendon was bone-weary from riding inside cramped stagecoaches during the three weeks it had taken him to get from Galveston to Florence in Arizona Territory, and he was further discomfited by the memory of why he’d fled St. Louis nearly two months before that. Throughout much of this wretched time, he sustained himself with the belief that if he could only get to Glorious, everything might yet be all right. All he knew about the place was its name, but that was enough. He wanted to board one last stagecoach and find out what was going to happen, one way or the other.

“Even with no depots, the matter of a comfort stop seems simple enough,” McLendon said, hoping to convey through a friendly but firm tone that the subject was closed. “I’ll bang on the roof and the driver will accommodate me.” But Mr. Billings shook his head again.

“We leave the matter of such pauses to the driver’s discretion, and of course you can signal him all you like,” the depot manager said. “But on this route it’s unlikely he’ll rein in on passenger request, and even if he would, as a sensible man you’d not want to step down from the stage and remove yourself even a short distance to take your stance or squat. That’s due to the Apaches, of course. They’re always alert to pick off any white man who foolishly separates himself from his companions.”

“I suspect that you exaggerate,” McLendon said. “I saw no sign of Apache on the journey here from Tucson, and it’s my understanding that most of them ride with Cochise well away to the south and east.” “Please observe the sign,” Mr. Billings said, and pointed to a large poster by the depot door. In all capital letters it warned:

 

 

 

YOU WILL BE TR AVELING THROUGH

INDIAN COUNTRY AND THE SAFETY

OF YOUR PERSON CANNOT BE

VOUCHSAFED BY ANYONE BUT GOD!

“Those are the truest of words,” Mr. Billings said. “You have no idea of how dangerous this country is. I assure you that these savages lurk behind every rock and bit of brush between here and Glorious, and the thing about Apaches is that you don’t see them until they’re upon you. The savages got a prospector just outside of Glorious not two weeks ago, and they butchered him up like a hog. Trust me on this, sir. If you require additional testimony, inquire of your driver or anyone else with some experience in this region. Make use of the privy here, and then remain alert all the way to Glorious, where I doubt you’ll want to linger very long.”

McLendon reminded himself that the man was trying to be helpful. “And why is that, sir?”

“Why, there’s nothing to the place,” Mr. Billings said. “Don’t let the braggardly name deceive you. A few buildings and some prospectors’ tents is all of it. We run this stage once a week because you never know what may happen with these meager little towns. Most vanish right off the map in a matter of months when no significant lodes of ore are discovered. But on those rare occasions when a major strike is made, why, it seems that everyone on earth immediately wants to hurry to the spot, so we have a Glorious route in place just in case. Meaning no disrespect, you seem to me more likely a businessman than a prospector, and someone accustomed to a degree of comfort. There’s none of that in Glorious, I assure you.” Mr. Billings paused, waiting for McLendon to mention his reason for such an unlikely destination. When he didn’t, the depot manager continued: “Well, then, I’ll inform you that the stage and driver will remain in Glorious overnight and return here tomorrow. After that, it’s another week before our next stage arrives. Should you decide to come back in the morning and spare yourself such a long delay, the fare is three dollars, the same as you’re paying to make the Glorious trip today. Just give the money to the driver, as we have no formal depot there. And now I thank you for your business, and wish you the best day possible under the circumstances in which you’ll presently find yourself.”

McLendon waited until Mr. Billings disappeared inside the chinked wood depot before hustling to the rank privy behind the building. Even though the ride to Glorious surely wouldn’t take too long—it was only some thirty miles, and McLendon knew that stages routinely covered ninety or a hundred miles in a day—it was disturbing to learn that there would probably be no relief stops along the way. His digestive system was in a disrupted condition brought on by the meals he’d consumed since Galveston. Depot food was expensive, sometimes as much as a dollar a plate—twice the price of a meal at a decent hotel—and the fare was almost always limited to bacon, beans, biscuits, and foul-tasting coffee or tea, with the occasional substitution of tough, stringy beef or salty sowbelly as the main course. Because depot stops were usually limited to twenty minutes while fresh teams of horses were hitched to the stage, there was never time to wander off in search of more palatable meals. McLendon couldn’t remember the last time he’d eaten a vegetable other than the ubiquitous mushy depot beans. In recent days, the constipation he had endured since the beginning of the trip from Texas was replaced by periodic piercing urges to evacuate that struck without warning. As he closed himself inside the fly-infested outhouse, he reflected that for the moment, at least, he feared the Apache far less than he did ruining his remaining pair of relatively clean trousers.

 

After McLendon finished his business in the privy, he went back inside the depot and collected his valise. When he’d fled St. Louis, the bag was shiny and redolent of expensive leather. Now it was gashed in several places, and the handle was held in place with twine. Stage travel was hard on luggage. Each passenger was allowed twenty-five pounds of baggage, but McLendon’s battered valise was considerably lighter. It contained only a book, the sheet music for “Shoo Fly, Don’t Bother Me,” four shirts, some drawers, the denim jeans he’d purchased in New Orleans while working on the docks there, a few pairs of socks, some toiletries, and the suit he was saving to wear when he surprised Gabrielle in Glorious. It was an expensive suit, hand-tailored to fit his slender frame, and McLendon hoped the prosperous appearance wearing the suit gave him wouldn’t be offset by any stench acquired from the long-unwashed clothes packed around it. The valise also contained the .36 caliber Navy Colt he bought in Houston after observing that all of the passengers on the westbound stage were armed, including the women, and a box of cartridges he’d purchased at the same time. One handgun was the same as the next to McLendon, who’d never owned or even fired one before. The shop owner assured him that the Navy Colt was popular among frontier travelers, and particularly excellent protection for a beginner marksman—“Just cock, point, and pull the trigger.” For the first few days McLendon concealed the weapon in his coat pocket, but the sagging weight of it was distracting and he decided to carry it in his bag instead. Since he rode with the valise crammed behind his legs underneath the stagecoach bench, he could get to the gun quickly if the need ever arose, which fortunately it so far hadn’t. McLendon’s remaining money, a roll of about eight hundred dollars in greenbacks and a few gold double eagles, was kept in his trousers pocket. He’d left St. Louis in February with nearly two thousand dollars, and now it was May; life on the run was proving expensive.

McLendon carried his valise over to the Glorious stage, which was being loaded by a depot crew. The appearance of the vehicle gave him pause. Until now, the stages he had ridden to Arizona Territory from Texas had been stout, impressive conveyances, with wide wheels and sturdy carriages and varnished sides that glistened in the sun. Their appearances had given a sense of reliability. But this one looked rickety in the extreme. The driver’s bench sagged on one side, and the sides of the carriage were so stained with streaked dirt and dried clots of mud that it was impossible to tell what shade of paint or varnish might lie beneath. McLendon feared that the thing might collapse entirely the moment he stepped aboard, but apparently the fragile-looking vehicle was able to support modest loads. During previous stops on his long journey, he’d seen stages laden with mailbags, but this time there was only a small mail pouch. The citizens of Glorious didn’t receive many letters. The stage roof and boot were being packed with wooden crates. According to labels, these contained mostly canned food—peaches, pears, and tomatoes. He saw several marked SUGAR and COFFEE, while a large crate was mysteriously labeled MISCELLANEOUS. Next to the stage, two wagons were hitched together, and these, too, were being loaded with crates of canned goods. The depot workers also hoisted bulky wooden casks onto one of the wagons. From the sounds of sloshing liquid, McLendon guessed they held whiskey or beer, probably both. Perhaps Glorious had a saloon. He already knew there was a store in town, because Gabrielle and her father, Salvatore, ran it.

The clopping of heavy hooves caught McLendon’s attention. Four Army cavalrymen pulled up alongside the stage and wagons. McLendon knew as little about horses as he did about handguns, but even he could tell that the soldiers’ mounts were the next thing to broken-down. Their coats were dull with age as well as dust, and when their riders dismounted the horses hung their heads listlessly. The cavalrymen were equally unimpressive. Their uniforms were patched and filthy; one appeared to be drunk. Another of the raggedy soldiers ex-changed friendly greetings with the grizzled fellow who was apparently going to drive McLendon’s stage. “An Army wagon is taking supplies and messages from Camp McDowell to Camp Grant, which is southeast of Glorious,” a worker loading cases told McLendon. “As a courtesy to civilian stage operations, the Camp McDowell commander is sending his wagon and some cavalrymen partway with your stage as an escort.”

“Can those sad creatures they’re riding keep up with the stage?” McLendon asked. ...

Revue de presse :

Fantastic advance praise for GLORIOUS by Jeff Guinn

“Since he's already written about Wyatt Earp, Bonnie and Clyde, and Charles Manson (Manson), Jeff Guinn might as well create his own attractive bad boy. He's done so in this first-in-a-trilogy Western.... There's an interesting contemporary feel to this Western. City boy McLendon doesn't know how to ride or shoot or bust heads; what he knows how to do is observe, spy and think on his feet.” —U-A Press
“An affable bit of frontier mythmaking .... Readers may find by the end that, like Cash McLendon, they’ve become inexplicably fond of Glorious and its colorful denizens.” —The Washington Post

“[Guinn] knows how to dig into the past...an absorbing, informative and entertaining tale of life, love, hope and ambition in the American West.” —Dallas Morning News
 
“A worthy addition to the western genre....Catnip for “Lonesome Dove” fans” —The Seattle Times

“Delightful...Wonderfully appealing. Glorious is an oldfashioned western with likable characters who, because Gunn projects a trilogy, will return shortly.”
—Booklist
 
“This first installment in a trilogy will delight historical fiction fans longing for the return of classic Westerns. This entertaining outing is sure to keep the saloon doors swinging for more entries in the genre.”
—Library Journal

“The Wild West comes alive in this novel of prospectors, desolate cavalry posts, rotgut saloons and Apache raiders.... The plot is classic...Good fun.” —Kirkus

“A trip to Glorious, Arizona, in Jeff Guinn’s new western novel is like a cool draft beer after a long, hot day on a dusty trail. Glorious is old-fashioned in the very best way: It’s good-hearted, optimistic, compelling, comfortable, and extremely well-told. It’s wonderful when an author clearly has affection for his characters, and readers will feel the same way.”
— C. J. Box, New York Times–bestselling author of The Highway and Stone Cold
 
“If, like me, you’ve been waiting for the next Louis L’Amour or Zane Grey, the good news is his name is Jeff Guinn. His newest novel, Glorious, has all the elements of a fabulous western: compelling characters, breath-taking scenery, and something more—an unblinking take on the western frontier.”
—Craig Johnson, New York Times–bestselling author of the Walt Longmire mysteries, the basis of A&E’s hit series Longmire

Praise for Jeff Guinn
“A gripping revisionist account of the famed 1881 showdown. . . . Exhaustively researched, stylishly written. . . . As grimly compelling as a Greek tragedy.”

—Publishers Weekly (Starred Review) on The Last Gunfight

“Jeff Guinn took readers down the back roads of Louisiana in his book Go Down Together: The True, Untold Story of Bonnie and Clyde. He’s back in The Last Gunfight, displaying the impeccable research that is his trademark. . . . Guinn’s story is what really happened. . . . A terrific read.”—USA TODAY

on The Last Gunfight

“Jeff Guinn has come up with a new angle and approach to the events of that bloody day in Tombstone. Without that gunfight, Wyatt Earp would have never become a household name a hundred years later. Guinn delves into the myth and separates it from the facts. A terrific read about the West’s most famous lawman.”—Clive Cussler on The Last Gunfight

“Manson is not simply a biography of a killer and a cultist. It's a history of American culture from the Great Depression to the close of the 20th century. It's the dirty boogie in four-four time, a fascinating study of greed, mind control, celebriphilia, sex, narcotics, racism, and the misuse of power. I lived in South Los Angeles when many of the events in this book took place. No one has told the story as accurately as Jeff Guinn. It's the story of Nixon and Johnson, Martin Luther King, Vietnam, the SDS, the Black Panthers, the acid culture, and a nation coming apart at the seams. From the first page to the last, I could hardly put it down. Hang on, reader. This is a rip-roaring ride you won't forget.”—James Lee Burke on Manson

"A striking, full-length portrait of one of American history’s most notorious sociopaths. . . . Guinn takes readers on a head-spinning ride through Manson’s deeply disturbed childhood, his criminal career and his brief tenure as satanic guru to the damaged disciples, mostly women, he held in thrall. . . . A compulsively readable account of a murderer who continues to fascinate."—Kirkus Reviews (starred review) on Manson

À propos de cette édition

• Éditeur: G.P. Putnam's Sons
• Date d'édition: 2014
• ISBN 10: 039916541X
• ISBN 13: 9780399165412
• Reliure: Relié
• Nombre de pages: 416