Children's Culture and the Avant-Garde: Painting in Paris, 1890-1915 (Children's Literature and Culture)

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9780415872683: Children's Culture and the Avant-Garde: Painting in Paris, 1890-1915 (Children's Literature and Culture)

This volume explores the mutual influences between children’s literature and the avant-garde. Olson places particular focus on fin-de-siècle Paris, where the Avant-garde was not unified in thought and there was room for modernism to overlap with children’s literature and culture in the Golden Age. The ideas explored by artists such as Florence Upton, Henri Rousseau, Sir William Nicholson, Paula Modersohn-Becker, and Marc Chagall had been disseminated widely in cultural productions for children; their work, in turn, influenced children’s culture. These artists turned to children’s culture as a "new way of seeing," allied to a contemporary interest in international artistic styles. Children’s culture also has strong ties to decadence and to the grotesque, the latter of which became a distinctively Modernist vision.

This book visits the qualities of the era that were defined as uniquely childlike, the relation of childhood to high and low art, and the relation of children’s literature to fin-de-siècle artistic trends. Topics of interest include the use of non-European figures (the Golliwogg), approaches to religion and pedagogy, to oppression and motherhood, to Nature in a post-Darwinian world, and to vision in art and life. Olson’s unique focus covers new ground by concentrating not simply on children's literature, but on how childhood experiences and culture figure in art.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

About the Author :

Marilynn Strasser Olson is Professor of English at Texas State University, San Marcos, US. She is the author of Ellen Raskin (1991) and was an editor of Children’s Literature Association Quarterly from 1991–2000.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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Marilynn Strasser Olson
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Description du livre Taylor Francis Ltd, United Kingdom, 2012. Hardback. État : New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This volume explores the mutual influences between children s literature and the avant-garde. Olson places particular focus on fin-de-siecle Paris, where the Avant-garde was not unified in thought and there was room for modernism to overlap with children s literature and culture in the Golden Age. The ideas explored by artists such as Florence Upton, Henri Rousseau, Sir William Nicholson, Paula Modersohn-Becker, and Marc Chagall had been disseminated widely in cultural productions for children; their work, in turn, influenced children s culture. These artists turned to children s culture as a new way of seeing, allied to a contemporary interest in international artistic styles. Children s culture also has strong ties to decadence and to the grotesque, the latter of which became a distinctively Modernist vision. This book visits the qualities of the era that were defined as uniquely childlike, the relation of childhood to high and low art, and the relation of children s literature to fin-de-siecle artistic trends.Topics of interest include the use of non-European figures (the Golliwogg), approaches to religion and pedagogy, to oppression and motherhood, to Nature in a post-Darwinian world, and to vision in art and life. Olson s unique focus covers new ground by concentrating not simply on children s literature, but on how childhood experiences and culture figure in art. N° de réf. du libraire BTE9780415872683

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Description du livre Taylor Francis Ltd, United Kingdom, 2012. Hardback. État : New. Language: English . Brand New Book. This volume explores the mutual influences between children s literature and the avant-garde. Olson places particular focus on fin-de-siecle Paris, where the Avant-garde was not unified in thought and there was room for modernism to overlap with children s literature and culture in the Golden Age. The ideas explored by artists such as Florence Upton, Henri Rousseau, Sir William Nicholson, Paula Modersohn-Becker, and Marc Chagall had been disseminated widely in cultural productions for children; their work, in turn, influenced children s culture. These artists turned to children s culture as a new way of seeing, allied to a contemporary interest in international artistic styles. Children s culture also has strong ties to decadence and to the grotesque, the latter of which became a distinctively Modernist vision. This book visits the qualities of the era that were defined as uniquely childlike, the relation of childhood to high and low art, and the relation of children s literature to fin-de-siecle artistic trends. Topics of interest include the use of non-European figures (the Golliwogg), approaches to religion and pedagogy, to oppression and motherhood, to Nature in a post-Darwinian world, and to vision in art and life. Olson s unique focus covers new ground by concentrating not simply on children s literature, but on how childhood experiences and culture figure in art. N° de réf. du libraire AAS9780415872683

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ISBN 10 : 0415872685 ISBN 13 : 9780415872683
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Description du livre Taylor Francis Ltd, United Kingdom, 2012. Hardback. État : New. Language: English . Brand New Book. This volume explores the mutual influences between children s literature and the avant-garde. Olson places particular focus on fin-de-siecle Paris, where the Avant-garde was not unified in thought and there was room for modernism to overlap with children s literature and culture in the Golden Age. The ideas explored by artists such as Florence Upton, Henri Rousseau, Sir William Nicholson, Paula Modersohn-Becker, and Marc Chagall had been disseminated widely in cultural productions for children; their work, in turn, influenced children s culture. These artists turned to children s culture as a new way of seeing, allied to a contemporary interest in international artistic styles. Children s culture also has strong ties to decadence and to the grotesque, the latter of which became a distinctively Modernist vision. This book visits the qualities of the era that were defined as uniquely childlike, the relation of childhood to high and low art, and the relation of children s literature to fin-de-siecle artistic trends. Topics of interest include the use of non-European figures (the Golliwogg), approaches to religion and pedagogy, to oppression and motherhood, to Nature in a post-Darwinian world, and to vision in art and life. Olson s unique focus covers new ground by concentrating not simply on children s literature, but on how childhood experiences and culture figure in art. N° de réf. du libraire AAS9780415872683

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Description du livre 2012. Hardcover. État : New. Hardcover. This volume explores the mutual influences between children s literature and the avant-garde. Olson places particular focus on fin-de-si cle Paris, where the Avant-garde was n.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 230 pages. 0.476. N° de réf. du libraire 9780415872683

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