Présentation de l'éditeur :
A French chambermaid, who has served in Paris, in the houses of the nobility, the bourgeois, and professional people, finally enters the service of a rich couple living in the country, and there begins to keep a diary. In describing the events of her daily life and the people about her, she is frequently reminded of episodes in her past, and digresses to relate them. Thus her diary becomes a piquant panorama of social life and institutions. It is a terrific social exposure, a grim social satire, crammed with humor, bitterness, and truth. It has been described by a French critic as "an attempt to show that nearly all the masters are low-lived wretches, and that nearly all the servants are as near like them as they know how to be." Octave Mirbeau (16 February 1848 – 16 February 1917) was a French journalist, art critic, travel writer, pamphleteer, novelist, and playwright, who achieved celebrity in Europe and great success among the public, while still appealing to the literary and artistic avant-garde. His work has been translated into thirty languages.
Présentation de l'éditeur :
The Diary of a Chambermaid (French: Le Journal d'une femme de chambre) is a 1900 decadent novel by Octave Mirbeau, published during the Dreyfus Affair. First published in serialized form in L'Écho de Paris from 1891–2, Mirbeau's novel was reworked and polished before appearing in the Dreyfusard journal La Revue Blanche in 1900.
The novel presents itself as the diary of Mademoiselle Célestine R., a chambermaid. Her first employer fetishizes her boots, and she later discovers the elderly man dead, with one of her boots stuffed into his mouth. Later on, Célestine becomes the maid of a bourgeois couple, Lanlaire, and is perfectly aware that she is entangled in the power struggles of their marriage. Célestine ends by becoming a bourgeois café hostess, who mistreats her servants in turn.
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