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Extrait :
Part One
1
A woman in a red fox coat walked down the boardwalk that was bleached white from snow and salt, a pair of large black poodles at the end of the leash in her hand. The wind whipped her backwards so the dogs seemed to pull her along as if on a sled. Above her the Parachute Drop, broken down, shut up, loomed against the winter sky, the Coney Island amusement park haunted by relics of its old dreamscape.
Inside Nathan's, as I passed, a trio of workers on the early shift, in their red Nathan's jackets, huddled together watching the cops outside. In the fluorescent light of the restaurant, I could see the faces of the three workers clearly; they had flat brown Indian faces, as if they'd come direct from some Andean village to the coast of America to serve up hot dogs dripping with yellow mustard. Like everyone in Brooklyn, they clung to their tribe; no matter how fragile or tiny it was, there was some kind of protection in it, or that's what I still thought that morning. One of them laughed suddenly. He flashed white teeth.
I'd been eating breakfast, key lime pie and coffee, in the city twenty minutes earlier when my phone rang and it was my boss, Sonny Lippert, at the other end.
"I need you."
"Tell me."
"It's a little girl," he said. "A child. They found some stuff a few hours ago."
Coney Island, he mumbled. You could see the old Parachute Drop from where they dumped it, you could see Nathan's, he said. Some slob probably eating hot dogs could have stopped it, but no one admitted seeing anything. They were all fucking blind, he yelled into the phone, they never see, they never tell, fucking monkeys, he added. They're piling on the sauerkraut and mustard and they don't fucking look out the window, you know, man? There's an empty stretch of ground out by the Keyspan Park where they play baseball now. Some jogger stumbled on it this morning. You with me? The stream of fury had poured into my ear, and I said, "OK, I'm coming, I'm there. OK?"
"Art?"
"Yeah, Sonny."
His voice cracked like, I was going to say cracked like a cold sore, but it didn't. It was never like that. In real life there were no metaphors; just dead people. His voice broke up; he was crying.
"I know she's dead. I can feel it."
"Feel what? Where's the body?"
But the line was bad and all I heard him say after that was, "Her shoes." Then the line broke.
All the time, while I drove from Manhattan out to Brooklyn, what lay just ahead, what Lippert had found out at Coney Island, was in my mind. I knew it was a child; I figured the kid was dead. Abused. Mutilated. It was everywhere, this thing with kids, the porn rings, the child abuse; babies were used, too, and you thought, who does this kind of thing? I thought of the killer in Boston who dug an underground tunnel and kept little girls in a row of cages. His sex slaves, he said. Some of them he kept for years. They clawed at the bars while they had energy then, broken, just sat and waited for him.
You never got used to it, you got drunk, you got ulcers, you smoke yourself into a fog, you went crazy from stuff you saw. Any cop who gets used to it should quit.
I parked the car just beyond Nathan's and climbed up on the boardwalk and looked at the beach that stretched for miles along the Brooklyn coast. Beyond it was the ocean, the color of steel and out on the horizon was a ship that looked like a toy. Wind blew off the water.
I walked a couple of hundred yards. Away from the ocean and the beach, on the other side of the boardwalk, was a stretch of waste ground; a couple of blue and whites, their lights flashing, were parked nearby. I ran down the steps from the boardwalk. The half-frozen ground was littered with junk, soda cans, used condoms, cigarette butts, syringes-the detritus of a Friday night. As I got closer I could see there was a hole in the ground, like an empty grave, cordoned off by yellow tape. Dead weeds were scattered on the mounds of earth beside it. While I watched, a black body bag was loaded onto a waiting EMS truck.
Near the hole in the ground stood two cops, like gravediggers, one male, one female, holding shovels, seeming to wait for an order. Move on. Dig some other place. Keep at it. But no one said it. It was like a play, no one moving, people looking down with the expressions frozen on their faces. Somewhere a siren wailed.
Suddenly, Sonny Lippert materialized from behind the EMS van.
"Art? Artie?"
As soon as he saw me, he started in my direction at about a hundred miles a minute, a human cannonball, compact, fast on his feet, pulling his little camel's hair coat close to him. Fast and tightly wrapped, Sonny was a small man.
"It's a serial," he said. "I knew it would happen, sooner or fucking later, I so goddamn knew."
"Who is she?"
He shook his head.
"I don't know. No one's claimed her. No one's reported a child missing anywhere in the area. What kind of people don't know their kid is missing, man?"
Lippert was probably sixty; he looked ten years younger. He used "man" every second word; when I first knew him, he thought of himself as a fifties hipster; he gave it up a while back, the clothes, the walk, except for the verbal tic. It made him sound weirdly young, now that "man" and "cool" fell out of the mouths of every wannabe hipster kid in every bar on the Lower East Side and Williamsburg.
"How old is she?" I said.
"They don't know."
"So make a guess."
Sonny said, "Ever since I started running this unit, I feel like I stepped in a sewer that has no bottom, just dropped down and all there is, is shit."
Lippert was at the head of a special unit that prosecuted cases involving kids: kidnapping; pedophiles; kiddie porn; priests-the country was littered with lousy priests. The whole miserable business had exploded in the last few years.
Kids were big business; they were cheap. You could get a kid for less than an adult, and it was global. And not just in Asia or some remote part of Africa where they stole children for soldiers or slaves. In Eastern Europe you could buy a kid for sex for less than you could rent a car. You went to Teplice and other border towns-in the Czech Republic, not India, not Africa, in Europe-and people stood at the side of the highway and handed their own children down to men in cars. Little kids. Their own parents luring them with candy. Take the candy, darling, go with the nice man. I'd been there. I'd seen it.
In California last summer, two little girls were killed so brutally they never told the public the details. Couldn't. I heard from some friends over there. I didn't think about it if I could help it. There had been so many kids abducted the last couple of years, so many high profile cases. Thousands of kids just disappeared. Tens of thousands. You saw the flyers on lamp-posts, you saw the milk cartons. Like dust scattering; like garbage; like insects. Just gone. Where did they go?
Lippert took on as much as he could and it was a lousy job. He had to keep everyone happy, the families, the local precincts, the local kidnap detectives, and some from homicide squads and the people at Police Plaza who also worked on child cases. He had been a cop and a federal prosecutor; he was a born politician and I didn't completely trust him, but I owed him and I'd made my peace with it.
He got me my first job as a cop after I graduated the academy. Said he talent spotted me, that's what he said when we were out together and a little bit drunk. I spoke a few languages; he said it was handy to have someone around who knew Russian, Hebrew, a little French, a little Arabic. Since his divorce he sometimes invited me to eat with him, at Peter Luger in Brooklyn because he loved the steak and hash browns, or at Rao's in Harlem; I went because he was the only person I knew who could get a table at Rao's, and because he liked me.
A beefy detective, a local who looked like he ate steroids with his Wheaties, glanced at me and I knew he was pissed off that Lippert was here and had called me out from the city. They were territorial in this part of Brooklyn and I already had a reputation for interfering in cases involving Russians in Brighton Beach, a mile or so west along the coast. Lippert ignored him and pulled me towards the boardwalk, then leaned against the railing and for a second pressed his hand against his temple as if he had a migraine that nothing could fix.
"Christ," he said, and the horror he seemed to feel transmitted itself like disease; it wrapped itself around me and I hoped Lippert didn't ask me to look at the body.
Don't ask, I thought. Please don't ask. I can't do it. This got to me in a way few things did; this thing with kids. I thought about Billy Farone, my cousin's boy.
"I want you to look," Sonny said. "I want you to see."
Like a tugboat at my side, he ferried me to the van. He signaled to the EMS guy to remove the black rubber bag and place it on the ground. I waited, listening to the bang of the door, the snap of the latex gloves as the EMS guy pulled them on, the zipper. For me the sound of death wasn't a gun or the hot howl of fire at a crematorium or the thud of a coffin lowered into the earth; it was the sound of the zipper on a body bag.
"Look." He tossed me a pair of latex gloves and I put them on and bent over the clothes.
Inside the bag was a pair of green sneakers. So soaked in blood were the All Star high tops that only a scrap of green canvas showed. There was a kid's T-shirt that had been white and was smeared with blood. I picked it up by its edge and saw there were cuts across the front and back, as if it had been sliced from the kid's body with a razor. There were faded jeans. A blue baseball jacke...
Revue de presse :
1
A woman in a red fox coat walked down the boardwalk that was bleached white from snow and salt, a pair of large black poodles at the end of the leash in her hand. The wind whipped her backwards so the dogs seemed to pull her along as if on a sled. Above her the Parachute Drop, broken down, shut up, loomed against the winter sky, the Coney Island amusement park haunted by relics of its old dreamscape.
Inside Nathan's, as I passed, a trio of workers on the early shift, in their red Nathan's jackets, huddled together watching the cops outside. In the fluorescent light of the restaurant, I could see the faces of the three workers clearly; they had flat brown Indian faces, as if they'd come direct from some Andean village to the coast of America to serve up hot dogs dripping with yellow mustard. Like everyone in Brooklyn, they clung to their tribe; no matter how fragile or tiny it was, there was some kind of protection in it, or that's what I still thought that morning. One of them laughed suddenly. He flashed white teeth.
I'd been eating breakfast, key lime pie and coffee, in the city twenty minutes earlier when my phone rang and it was my boss, Sonny Lippert, at the other end.
"I need you."
"Tell me."
"It's a little girl," he said. "A child. They found some stuff a few hours ago."
Coney Island, he mumbled. You could see the old Parachute Drop from where they dumped it, you could see Nathan's, he said. Some slob probably eating hot dogs could have stopped it, but no one admitted seeing anything. They were all fucking blind, he yelled into the phone, they never see, they never tell, fucking monkeys, he added. They're piling on the sauerkraut and mustard and they don't fucking look out the window, you know, man? There's an empty stretch of ground out by the Keyspan Park where they play baseball now. Some jogger stumbled on it this morning. You with me? The stream of fury had poured into my ear, and I said, "OK, I'm coming, I'm there. OK?"
"Art?"
"Yeah, Sonny."
His voice cracked like, I was going to say cracked like a cold sore, but it didn't. It was never like that. In real life there were no metaphors; just dead people. His voice broke up; he was crying.
"I know she's dead. I can feel it."
"Feel what? Where's the body?"
But the line was bad and all I heard him say after that was, "Her shoes." Then the line broke.
All the time, while I drove from Manhattan out to Brooklyn, what lay just ahead, what Lippert had found out at Coney Island, was in my mind. I knew it was a child; I figured the kid was dead. Abused. Mutilated. It was everywhere, this thing with kids, the porn rings, the child abuse; babies were used, too, and you thought, who does this kind of thing? I thought of the killer in Boston who dug an underground tunnel and kept little girls in a row of cages. His sex slaves, he said. Some of them he kept for years. They clawed at the bars while they had energy then, broken, just sat and waited for him.
You never got used to it, you got drunk, you got ulcers, you smoke yourself into a fog, you went crazy from stuff you saw. Any cop who gets used to it should quit.
I parked the car just beyond Nathan's and climbed up on the boardwalk and looked at the beach that stretched for miles along the Brooklyn coast. Beyond it was the ocean, the color of steel and out on the horizon was a ship that looked like a toy. Wind blew off the water.
I walked a couple of hundred yards. Away from the ocean and the beach, on the other side of the boardwalk, was a stretch of waste ground; a couple of blue and whites, their lights flashing, were parked nearby. I ran down the steps from the boardwalk. The half-frozen ground was littered with junk, soda cans, used condoms, cigarette butts, syringes-the detritus of a Friday night. As I got closer I could see there was a hole in the ground, like an empty grave, cordoned off by yellow tape. Dead weeds were scattered on the mounds of earth beside it. While I watched, a black body bag was loaded onto a waiting EMS truck.
Near the hole in the ground stood two cops, like gravediggers, one male, one female, holding shovels, seeming to wait for an order. Move on. Dig some other place. Keep at it. But no one said it. It was like a play, no one moving, people looking down with the expressions frozen on their faces. Somewhere a siren wailed.
Suddenly, Sonny Lippert materialized from behind the EMS van.
"Art? Artie?"
As soon as he saw me, he started in my direction at about a hundred miles a minute, a human cannonball, compact, fast on his feet, pulling his little camel's hair coat close to him. Fast and tightly wrapped, Sonny was a small man.
"It's a serial," he said. "I knew it would happen, sooner or fucking later, I so goddamn knew."
"Who is she?"
He shook his head.
"I don't know. No one's claimed her. No one's reported a child missing anywhere in the area. What kind of people don't know their kid is missing, man?"
Lippert was probably sixty; he looked ten years younger. He used "man" every second word; when I first knew him, he thought of himself as a fifties hipster; he gave it up a while back, the clothes, the walk, except for the verbal tic. It made him sound weirdly young, now that "man" and "cool" fell out of the mouths of every wannabe hipster kid in every bar on the Lower East Side and Williamsburg.
"How old is she?" I said.
"They don't know."
"So make a guess."
Sonny said, "Ever since I started running this unit, I feel like I stepped in a sewer that has no bottom, just dropped down and all there is, is shit."
Lippert was at the head of a special unit that prosecuted cases involving kids: kidnapping; pedophiles; kiddie porn; priests-the country was littered with lousy priests. The whole miserable business had exploded in the last few years.
Kids were big business; they were cheap. You could get a kid for less than an adult, and it was global. And not just in Asia or some remote part of Africa where they stole children for soldiers or slaves. In Eastern Europe you could buy a kid for sex for less than you could rent a car. You went to Teplice and other border towns-in the Czech Republic, not India, not Africa, in Europe-and people stood at the side of the highway and handed their own children down to men in cars. Little kids. Their own parents luring them with candy. Take the candy, darling, go with the nice man. I'd been there. I'd seen it.
In California last summer, two little girls were killed so brutally they never told the public the details. Couldn't. I heard from some friends over there. I didn't think about it if I could help it. There had been so many kids abducted the last couple of years, so many high profile cases. Thousands of kids just disappeared. Tens of thousands. You saw the flyers on lamp-posts, you saw the milk cartons. Like dust scattering; like garbage; like insects. Just gone. Where did they go?
Lippert took on as much as he could and it was a lousy job. He had to keep everyone happy, the families, the local precincts, the local kidnap detectives, and some from homicide squads and the people at Police Plaza who also worked on child cases. He had been a cop and a federal prosecutor; he was a born politician and I didn't completely trust him, but I owed him and I'd made my peace with it.
He got me my first job as a cop after I graduated the academy. Said he talent spotted me, that's what he said when we were out together and a little bit drunk. I spoke a few languages; he said it was handy to have someone around who knew Russian, Hebrew, a little French, a little Arabic. Since his divorce he sometimes invited me to eat with him, at Peter Luger in Brooklyn because he loved the steak and hash browns, or at Rao's in Harlem; I went because he was the only person I knew who could get a table at Rao's, and because he liked me.
A beefy detective, a local who looked like he ate steroids with his Wheaties, glanced at me and I knew he was pissed off that Lippert was here and had called me out from the city. They were territorial in this part of Brooklyn and I already had a reputation for interfering in cases involving Russians in Brighton Beach, a mile or so west along the coast. Lippert ignored him and pulled me towards the boardwalk, then leaned against the railing and for a second pressed his hand against his temple as if he had a migraine that nothing could fix.
"Christ," he said, and the horror he seemed to feel transmitted itself like disease; it wrapped itself around me and I hoped Lippert didn't ask me to look at the body.
Don't ask, I thought. Please don't ask. I can't do it. This got to me in a way few things did; this thing with kids. I thought about Billy Farone, my cousin's boy.
"I want you to look," Sonny said. "I want you to see."
Like a tugboat at my side, he ferried me to the van. He signaled to the EMS guy to remove the black rubber bag and place it on the ground. I waited, listening to the bang of the door, the snap of the latex gloves as the EMS guy pulled them on, the zipper. For me the sound of death wasn't a gun or the hot howl of fire at a crematorium or the thud of a coffin lowered into the earth; it was the sound of the zipper on a body bag.
"Look." He tossed me a pair of latex gloves and I put them on and bent over the clothes.
Inside the bag was a pair of green sneakers. So soaked in blood were the All Star high tops that only a scrap of green canvas showed. There was a kid's T-shirt that had been white and was smeared with blood. I picked it up by its edge and saw there were cuts across the front and back, as if it had been sliced from the kid's body with a razor. There were faded jeans. A blue baseball jacke...
"The best crime novels are a barometer of contemporary life, incorporating real events which other types of fiction struggle to respond to. This is particularly true of the Twin Towers terrorist attacks that are a brooding presence in Reggie Nadelson's latest Artie Cohen mystery... Cohen is a brilliant creation.... [Nadelson's] writing is strikingly confident, with barely a word out of place" (Joan Smith Sunday Times)
"Artie Cohen is the detective New York deserves: smart, wounded, emotional, haunted, and not as tough as he thinks.Reggie Nadelson's Cohen books get better and better.Disturbed Earth is the best yet." (Salman Rushdie)
"A hundred years from now seekers after truth will be reading this book to learn what it was like to live in New York in the anguished months that followed the events of 9/11- Someone should put a copy of Nadelson's splendid novel in a time capsule so that we remember what it was like." (Literary Review)
"Artie Cohen is one of crime fiction's most deeply and sensitively drawn cops... This is intelligent crime-writing impregnated with acute social observation." (The Times)
"Artie Cohen is the detective New York deserves: smart, wounded, emotional, haunted, and not as tough as he thinks.Reggie Nadelson's Cohen books get better and better.Disturbed Earth is the best yet." (Salman Rushdie)
"A hundred years from now seekers after truth will be reading this book to learn what it was like to live in New York in the anguished months that followed the events of 9/11- Someone should put a copy of Nadelson's splendid novel in a time capsule so that we remember what it was like." (Literary Review)
"Artie Cohen is one of crime fiction's most deeply and sensitively drawn cops... This is intelligent crime-writing impregnated with acute social observation." (The Times)
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurHeinemann Young Books
- Date d'édition2004
- ISBN 10 0434011916
- ISBN 13 9780434011919
- ReliureBroché
- Nombre de pages352
- Evaluation vendeur
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Disturbed Earth
Edité par
William Heinemann, London
(2004)
ISBN 10 : 0434011916
ISBN 13 : 9780434011919
Neuf
Soft cover
Edition originale
Quantité disponible : 1
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Description du livre Soft cover. Etat : New. 1st Edition. First UK edition tradepaper published at the same time as the hardcover. This is the fifth Artie Cohen mystery. In fine unread condition. Language: eng 0.0. N° de réf. du vendeur 4060
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