The Fifth Book of Peace - Couverture rigide

Kingston, Maxine

Couverture rigide

ISBN 10 : 0436202646 ISBN 13 : 9780436202643

Editeur : Martin Secker & Warburg Ltd, 2003

A propos du livre

Extrait :

If a woman is going to write a Book of Peace, it is given her to know devastation. I have lost my book—156 good pages. A firestorm blew over the Oakland-Berkeley hills in October of 1991, and took my house, things, neighborhood, and other neighborhoods, and forests. And the lives of twenty-five people.

I almost reached my manuscript, typescript, printouts, and disks in time. I was driving home from funeral ceremonies for my father. I have lost my father. He’s gone less than a month; we were having the full-month ceremony early, Sunday day off. Never before had I driven by myself away from Stockton and my parents’ house. I turned on public radio for the intelligent voices, and heard that the hills were burning, toward Moraga, toward Walnut Creek. It’s not my poor sense of direction, I told myself, but the newscasters in confusion. The perimeters of the fire were different from station to station, from taped news to live news. North of the Caldecott Tunnel, south of the Caldecott Tunnel, east, west of the Warren Freeway. I pictured wildfire far up in the hills—ridgelines of flame spilling down, then running up sere-grass slopes. I have seen it at night—red gashes zigzagging the black. Impossible that it cross ten lanes of freeway and take over settled, established, built city.

Behind me, my sister-in-law Cindy was chasing me at ninety miles per hour. My family believed that I didn’t know about the fire, and would drive into it, and not be able to find my way out on the altered, burning streets. Like all the Chinese members of our family, I have an instinct that left is right and vice versa. Too easily lost. Cindy, who is not Chinese but Arkie, ran out of gas at Tracy.

In a half-hour, halfway there, forty miles to go, I was speeding over the Altamont Pass (where there be ghosts and accidents; it is the ground upon which the stabbing happened at the Rolling Stones concert, after Woodstock), and through the windfarms. Some windmills turned, and some were still. Here the winds and all seemed normal; I had no evidence that hurricanes of fire were storming on the other side of these hills but for the radio. “Forty-five houses have gone up in flames.” “About a hundred homes.” “A hundred and fifty structures have burned.” The numbers would keep going up—nine hundred degrees, the temperature of molten lava; twenty-one hundred degrees, the temperature of kilns; thirty-five hundred houses. “Winds of forty-five miles per hour . . .” “. . . sixty-five-mile-per-hour firewind . . .” “. . . record heat and winds . . .” “Foehn winds.” “Northeast winds . . .” I would have to look up “foehn,” which sounds like “wind” in Chinese, as in “typhoon.” “The fire has jumped the junction of Highway Twenty-four and Highway Thirteen.” It’s blown over and through ten lanes. Ten lanes are not wide enough firebreak. It’s on our side of the freeway. “. . . dynamite College Avenue.” “. . . draw the line at College Avenue.” “. . . helicopters and available cropdusters chemical-drop the Claremont Hotel.” “If the Claremont Hotel goes, explodes, the fire will burn to the Bay.” “No cars have been trapped in the Caldecott Tunnel.” Once, a propane truck had exploded inside the tunnel—a giant flamethrower pointed at Oakland.

NO TANK TRUCKS

WITH HAZARDOUS MATERIALS

ALLOWED IN CALDECOTT TUNNEL

A police car was parked sideways across my exit, Broadway Terrace. I drove fast to the next exit, which was blocked by a Highway Patrol car and flares. They are setting up the roadblocks moments ahead of me, I thought. If only I had driven faster, I might have saved the book, and my mother’s jewelry, and my father’s watch, and his spectacles, which fit my eyes, and his draft card, which I had taken from his wallet. “This card is to be carried on your person at all times.” He carried it safely for over fifty years.

When I got off the freeway, I was somewhere in downtown Oakland, and driving too slowly through complicated traffic. It was the middle of the afternoon, about two o’clock. Too late. Too late. The sky was black. The sun was red. Leaves of burned black paper wafted high and low among the buildings. Ashes from a forest fire were falling and blowing in downtown Oakland.

In the middle of my U-turn, the radio said that Broadway and/or Broadway Terrace was on fire, and that there was looting on Ostrander Street. Parallel streets—big Broadway Terrace for cars, little Broadway Terrace for walking—eucalyptus and pine trees and apple trees between them—a tree-high, two-street-thick wall of flame. Mass fire. I said out loud, “No. No. No. No.” Ostrander is—was?—a one-way road through a small woods on a hill. On my walks to and from the Village Market, families of quail would surprise me. They walked ahead just so far, as if leading me, or as if I were giving chase, then took off running into the bushes, and flying up into the lower branches of the oaks and pines. Once, on Ostrander, I stood amazed at the center of a storm of birds—hundreds of robins, jays, and chickadees—flying touch-and-go, on and off treetops and roofs and grass, circling and crisscrossing singly and in schools, and never bumping into one another—better than the Blue Angels. I love looking out at Oakland and seeing a crane extend itself over the city. So—their flyway can sweep this far west, and they rest at Lake Merritt or Lake Anza or Temescal. Anne Frank saw cranes out the sky window. Another time, riding BART, as the train came up out of the Bay into Oakland, I saw twelve angels wheeling in the sun, rays of white wings and gold light. “Swans!” I said loudly; the other passengers had to see them too. “Look. Swans.”

It can’t be too late. All I want is a minute inside the house—run to the far end of the living room, to the alcove where my book is in a wine box, take one more breath, and run upstairs for the gold and jade that my ancestresses had been able to keep safe through wars in China and world wars and journeys across oceans and continents.

Where Broadway meets the start of College Avenue, at the California College of Arts and Crafts (where Wittman kissed Taña; but I’ll get to that), only a few feet from the sign pointing up to Broadway Terrace, the police were herding cars down and away to College Avenue. I stopped at the light, left the car, and ran over to talk them into letting me through. Even though the light turned green, the line of cars I’d blocked did not honk; nobody yelled. I wished for a hand gesture to communicate Sorry, to use in traffic situations. Sorry. Thank you. I asked a policeman, “Are you absolutely sure I can’t drive up there?” He answered that no cars were allowed past this point. I thought, May I go to my house on foot, then? I got back in the car, drove diagonally across the intersection, and parked in the red-curb stop for the College Avenue bus. The police shouldn’t write tickets on this terrible day. Twenty-eight dollars, worth it. Have mercy on this car that could very well have been left here by someone who had escaped the fire and was getting a drink of water, parking as close as she could to home.

I stood at the curb plotting how I was going to fade past the police, and got in step with an African American family with many children crossing the street. I told them I lived on Golden Gate Avenue and was trying to go up there; where did they live? They lived on Brookside, which winds around Golden Gate. I asked, “Were you officially evacuated? Has our area been officially evacuated yet?” They didn’t know, but they had been back to their house. The father said, “The police will escort you home if you tell them you have a life-and-death situation.” The mother said, “They drove us to our house.” I asked, “What was the life-and-death situation you told them?” “We couldn’t find our son. Our son was missing.” The kids, all about junior-high age, were smiling and safe; I couldn’t tell which was the one lost and now found. An unfinished book is nothing as important as a child. I told the family that I was trying to save the manuscript of a book I was writing. Said out loud in the open to actual people, who did not get excited, my plight did not seem to have enormity. “I’ve been working on it for years,” I said. About one and a half to two years of pure writing, not counting thinking and imagining. Is one and a half to two years much? It depends on which years. Didn’t Rilke write The Duino Elegies in six months? Or was it six hours one wide-awake night? He did it about ten years before his death at fifty-one. The happy family and I wished each other Good luck and Take care.

While the policemen—the Oakland cops aren’t as big as during the Viet Nam demonstrations—were busy, I walked through the barricades into the defined fire area. Householders were staying, hosing down roofs and dry lawns. A flare of fire fell out of the sky and landed behind a man intent on watering his property. I motioned to him that he should look to his rear, but he stared at me as if I were a crazy woman, pointing at my own butt. I didn’t try to shout over the helicopters; they chopped up sound and the air, and whupped up heartbeats. Anyway, only now, as I write, am I coming up with words for the things that were making wild appearances and disappearances. That flame went out; another fell out of nowhere onto his roof. Even if he saw it, he couldn’t have reached it with the spray from his garden hose. I ran on.

I felt afraid when there was not a person in sight. I ran up the center of the street, between the houses, locked up tight. I wanted to run faster, through and out of this deserted place. But I was trying to breathe shallowly. The car radio had said that poison oak was burning; I coughed, thinking of breathing poison-oak smoke, which must blister lungs. The air smelled poisonous—toxic polymers, space-age plastics, petrochemicals, refrigerants, Freon, radon. I am breathing carcinogens, I will die of lung cancer. I held my long white hair as a filter over my nose and mouth and ran at a pace that allowed me to control my wind. I passed side streets without deciding to turn left into one. Many streets end in culs-de-sac, or loop around. I would lose time backtracking out. I wished for a photographic memory to recall the map of this area in the Thomas Guide. But the Thomas Guide only blurredly indicates the snarl of these streets, lanes, paths, and steps; they curl around boulders and oak trees and Lake Temescal and hills. From now on, wherever I live, I will pay attention to which streets go through exactly where. Pages of ash were floating high up, and also skimming along curbs. I did not stop to try to read them. Someone once told me about a child who lived at the time of the burning of a great library. He caught pages of burned paper, and read Latin words. At Margarido, a long, wide street, I turned left toward the heat and fire. I hoped that I would see again the enormous old ginkgo tree that fountains up and up—wings, gold, autumn. I passed a man and a woman leaving their house, and a homeowner on his rooftop wetting it down. None of them could answer me: whether or not this street was officially evacuated. I arrived at the edge of the golf course, which was lined by a row of eucalyptus trees. Their tops were on fire. This is crown fire, and flames jumped from tree to tree. I imagined myself running under the eucalyptus trees, but, before I reached the open field, the trees dropping fire on my head, and me exploding. More eucalyptus trees lined the other side. (My husband, who should be at my side helping me, would tease, You’re always afraid that things will explode. “ ‘Be careful,’ ” Earll mimics me. “ ‘Watch out. It’s going to explode.’ ” But I have seen and/or heard for myself the explosions of an automobile motor, a sewing-machine motor, my electric typewriter [a cat pissed in it], a toilet, mother spiders, tules. In Phoenix Park in Dublin, I made Earll get away before a dead cow, its big stomach expanding, blew up.) Eucalyptus trees have big wood-cells filled with eucalyptus oil. The bangs I was hearing were houses, cars, and trees blowing up. If I made it across the golf course (Private Robert E. Lee Prewitt, the hero of From Here to Eternity, was killed on a golf course), I would come out at the corner of Broadway Terrace and Ostrander, amidst the fire and the looters. I turned about. Is this retreat, then, and am I giving up on my book? I let the possibility that the book was gone—my book gone—enter my ken. I did not feel bad; I did not believe it was lost. I had not stopped trying to rescue it. The same men were still watering down their houses, which their wives and children must have evacuated. The sky was darker now, and the air hotter. The sun was ugly red. (“Ugly red” are Judy Foosaner’s words; she’s a painter, we’re “friends since girls.” She was down in the flatlands, and watched the cars exploding up on the hills. I’d thought until she said “ugly red” that to a painter all colors were beautiful.)

Gravity sped me downhill, back to crowds and industrial-strength buildings. I found my red car—no ticket—and drove down College to Chabot Road, which was barricaded. Chabot Road was my familiar turn home. It was not right that it be an impasse. I left the car there, surprised at the free parking. Again, I became invisible to the police, and walked for home. This way seemed almost normal. I should have come up these known streets in the first place. As always, there was a stillness at St. Albert’s College; either the monks had evacuated the seminary, or they were staying hidden. You hardly ever see them in the garden or out on the tennis courts anyway. The atmosphere feels full of prayer. The row of elm trees—grandmother tree, grandfather tree—stood unharmed. This was the first tree seen by me as a child, and is more magnificent each time I find another one. Some people call them Chinese elms, some call them American elms. Here was a stand of nine elms, here before I was here, and meant to outlast me. I do not remember touching them, each one, the elephant bark, the horned-toad bark, the crocogator bark, as I usually do; I must have rushed past. Their jigjag leaves were a strong green, though October was ending, and my fiftieth year was ending.

The strange shifting light—the winds were blowing the weather and the time of day crazily up and down the street—stilled at St. Albert’s and started up again at Chabot Elementary, shadows swinging across the asphalt and through the cyclone fences, backstop, and jungle-gym bars. Why do we raise children on ground barren of trees and grass? We are teaching them to endure a world like a cage, a jail.

Chabot Road tails up and off into hills and forests, and Golden Gate Avenue, my street, starts to its right. This corner—I am traveling northeast—is a natural border between man-built city and wildland. Flats and hills, chapparal and forest also meet here. All influenced by underground rivers, and by fault lines. The wind changes its blowing; the climate turns. At such a place, you enter and leave ecosystems. Leina-a-ka-‘uhane. I was at a border of the fire, the built city behind me, and ahead black ground. I walked onto it. I could disappear, I thought. If I had continued walking northeast, up the hill, I would’ve come to the place where the fire killed nineteen people. The slopes on either side of me had just burned. The ivy, dill, vetch, pampas plumes, and coyote bushes do not exist anymore, except in my mind.

I have been at controlled burns. Farmers weed fields by burning them down to fertile ash and black earth. The harvest fires in the cane fields run at you, and suddenly stop. The burning kansaa, the prairie grass of Kansas, smells like baking bread. The Forest Service clear-cuts trees, then napalms, then seeds. Storms of wildfire are as normal as timely rain. The reason for th...

Revue de presse :

“A trenchant opus about surviving the fires of life. . .a wonderful, mulitlayered work. Marvelous.” --San Francisco Chronicle

“Her prose . . . is masterly, at times nearly overwhelming in its descriptive power. . . . The world--and not just the world of literature--owes Maxine Hong Kingston a huge debt of gratitude.” — The Washington Post Book World

“Gorgeous. . . . [A] work of love and power–straight from Kingston’s brilliant and passionate heart–and her vision of peace is undeniable. You have to see it, too.”–Minneapolis Star-Tribune

“A moving testament to Kingston's determination and compassion, and a document of how one can survive pain, loss and the burden of history.” — San Jose Mercury News

“A strange, scarred thing, pieced together from fragments, smelling of smoke and anguish. Its power lies in its pain.” --The New York Times Book Review

“Rich in empathy and moral conviction. . . . Kingston is . . . an exuberant storyteller.” --The New Yorker

“Astonishing. . . . Part fiction and part autobiography, revery, prophecy, and how to manual. . . . Wherever we are in this fifth book . . . Kingston is a lotus, a flowering of divine intellect, and a bodhisattva, sticking around, one birth short of nirvana, to ease our suffering.” —Harper’s Magazine

“A sharp, aching account. . . . [It] captivates . . . because of the splashy urgency of its writing.”–Los Angeles Times Book Review

“Kaleidoscopic . . . Mesmerizing. . . . Employing language that is a lush and vibrant lure skimming the still lake of our collective experience as Americans who have attended far too many wars in far too few years, Kingston reels in the big questions . . . and displays them with both authority and care. The Fifth Book of Peace is a big book, chock full of real, not self, importance.” --The Baltimore Sun

“Powerful. . . . Kingston’s elegant arc from the person to the global constitutes a profound act of humility and compassion.” —Pittsburg Post-Gazette

“I loved it–I couldn’t stop reading it. Maxine Hong Kingston is one of our best writers. The Fifth Book of Peace has the generosity of spirit and the luminous prose we so urgently need in this time of war after war.” —Leslie Marmon Silko

“A passionate plea that draws on U.S. history and Buddhist wisdom to argue for an all-inclusive and peaceful world.”–People Magazine

“Moving. . . . A richly various extended meditation on peace. . . . The lesson embodied in The Fifth Book of Peace could not be more timely.” —Boston Globe

“An amazing testament to the existence of peace, even in the midst of war. The book is a communal effort, beautifully orchestrated by Hong Kingston and pieced together with open eyes. She doesn’t romanticize, doesn’t ignore the failures of past peace movements, but bravely searches for new possibilities.” --Rocky Mountain News

“Beautifully rendered. . . . Intelligent and poetic. . . . Kingston gives readers entr?e into something powerful.” --Milwaukee Journal-Sentinel

“Dense, complex, urgent. . . . Kingston is interested here in the process of telling stories to come to a happy ending.” --Newsday

“Immediately striking about The Fifth Book of Peace is the uncanniness with which it nails the anxiety of this nation. . . . Kingston’s stories and practices–and particularly her characters, both real and imagined–have a refreshing authenticity.” —The Oregonian

“Intense, often moving. . . . [Kingston] lays down layers of meaning, deftly weaving symbolism and imagery.” --The Miami Herald

“An arresting tour de force. . . . This is surely a better book than the one [Kingston] lost.” —Fort Worth Star-Telegram

“[An] uncompromising examination of the meanings of peace. . . . Secrets and truths that lesser writers would take to their graves, [Kingston] delivers with startling openness. . . . She has gathered a community of the lost, the disempowered, the people who never get to write alternative histories, and gifted them the fierce power of her voice.” —The San Diego Union-Tribune

“Her recounting of the fire is astonishing. She has a poet’s eye for description. . . . Kingston has . . . create[d] something good out of painful memories.” --Austin American-Statesman

“Powerful. . . . Thoughtful and passionate.” --Entertainment Weekly

“Gripping. . . . [Filled] with bracing honesty. . . . Kingston has written a moving, urgent book that discounts facile notions of peace as a passive state.” —Charleston Post & Courier

“Satisfying. . . . Surreal, vivid detail.”–Columbus Dispatch

“Brilliantly imaginative. . . . Fine writing and intriguing stories. . . . As always, Kingston is a superb stylist.” —The Sunday Star-Ledger

À propos de cette édition

• Éditeur: Martin Secker & Warburg Ltd
• Date d'édition: 2003
• ISBN 10: 0436202646
• ISBN 13: 9780436202643
• Reliure: Relié
• Nombre de pages: 405