Golf Dreams: Writings on Golf - Couverture souple

Updike, John

Couverture souple

ISBN 10 : 0449912698 ISBN 13 : 9780449912690

Editeur : Random House Trade Paperbacks, 1997

Synopsis

Golf Dreams "Memories in this collection, drawn mainly from magazine pieces, constitute a championship round. . . . This unbridled appreciation of golf's mystical opportunities for grace and redemption will enthrall even those who have never followed an 80-yard worm-burner with an elegant chip to the pin" ("People"). Full description

A propos du livre

Extrait :

PREFACE
 
The very summer in which I at last, acting on an old suggestion of my genial publisher, settled to the task of collecting my scattered pieces about golf turned out to be an unhappy one for my game. I don’t know what went wrong. Simple aging, could it have been? For a number of years I have been nagged by an article by Gary Player in which he emphatically stated that golfers as they age must learn to draw the ball. I have always been, alas, something of a fader. A high straight ball was the best I could do. But then I came upon a tip from one of the female pros on how to draw the ball: you face the club toward the center of the fairway but swing as if for the right edge. It worked well during a few vacation rounds in Florida, with only my wife as witness, but turned out to be, in the slowly thawing North, before less sympathetic witnesses, a recipe for disaster. I began to hit just the top fraction of the ball, producing eighty- yard worm- burners off the tee and fairway woods of maximum futility and inconvenience. The errancy spread to my whole bag: I was blading soft approaches clear across the green, hitting irons everywhere but on the sweet spot, and looking up even on putts. I had lost the ability to turn in scores that warranted my modest eighteen- handicap, and in my midnight despair I would jot down, like lists of old girlfriends many years married to some other guy, tips that had once worked for me, e.g.:
 
1. loose grip
 
2. right elbow close to body
 
3. back in one piece
 
4. swing slow
 
5. begin downswing with left heel
 
6. keep the wrist- cock
 
7. don’t try to “swish”
 
8. don’t look up
 
9. think “schwooo”
 
Even when my game wasn’t totally ugly, it lacked the je ne sais quoi of yesteryear. The concluding hole at my home course is a pretty, shortish par- four which on my good days I played with a drive and then, say, a 7- iron that just fl oated over the deep transverse bunker in front of the green. I hit a good drive—my best of the day—and measured myself as ten yards inside the 150- yard marker. A soft wind stirred in my face and, to be sure to clear the bunker, I took a 5- iron, my club for the 150 distance. The fairway lie was sidehill, with the ball a bit above my feet; I caught it sweet, I thought. My playing partner said, while the black dot was in mid- air, heading dead at the pin, “What a lovely shot!” But, as he and I watched, instead of bouncing on the green, the ball continued its descent on down into the bunker. I was short. I couldn’t hit a 5- iron a lousy 140 yards. Earlier this summer, I had been examined by a new doctor, my doctor of four decades having at last retired, though he was scarcely older than I. The new doctor’s nurse had me hop in my stocking feet on the scale to be weighed and measured. “Five eleven and a half,” she said and, seeing the look on my face, asked with polite concern, “That sound right?” All of my adult life I had been measured at six feet. No more, no less. My image of myself was that of a six- foot man who could hit a 5- iron 150 yards. In all dimensions, I was shrinking.
 
My love of golf had been of its generous measurements— its momentary amplifi cation of myself within a realm larger than life. If my golf was to shrink, as I had seen it shrink for others, to a mingy, pokey business of arthritic shoulder- turns and low, hippitty- hopping drives that merely nibbled at the yardage, I would rather not tee up. Rereading these pieces, the oldest of them dating to 1958, has had, then, for me a bitter fl avor of the valedictory. Beneath their comedy of complaints there ran always a bubbling undercurrent of hope, of a tomorrow when the skies would be utterly blue and the swing equally pure. But the it that Rabbit Angstrom discovers in the fi rst of his matches described herein, the soaring grandeur that blooms of its own out of a good swing, now seemed one more youthful vision gone glimmering. My romance with golf stood revealed as hopeless. My arms were too long, my temperament too impatient, my sense of alignment too askew. From my golf dreams I had at last awoken.
 
As the summer dragged on, through what seemed an endless succession of obligatory matches, the suspicion crept over me that golf had stolen my life away: the hard gemlike fl ame with which I, as an artist, should have burned had been dampened if not doused by the green mists of this narcotic pastime. The fi ne edge that other penmen had dulled with whiskey and doses of Hollywood I had let rust into dullness while woolgathering over pronation and weight shift, wrist- cock and knee- bend. In the sluggish midst of a crowded member- guest tournament that had us waiting on nearly every shot, behind a foursome that putted with Solomonic deliberation, it occurred to me that, although I could not quite regret the time—the hours adding up to years of temps perdu—that I had spent playing the game myself, I certainly did resent the time I had devoted to watching other men play. Their fussy preparations, their predictable expostulations, the somehow sheepish smugness with which they repeated a crookedly grooved swing and the exact same errors that had dogged their golf for decades— how could I ever have thought this was a kind of paradise? Clearly, it was a hell faithfully answering Dante’s description: circles of sinners frozen forever into an earned, ungainly agony. Perambulating these circles this hellish summer (in which there was never a dark cloud, a merciful rainout), I competitively met, now and then, men whose addiction had served to give them sound, repeating, victory- bent swings, and as they smilingly shellacked me and whatever partner I had incriminated in my criminal ineptitude I could take the measure of what price their excellence had extracted: total obsession, cruelly neglected wives and loved ones, business careers abandoned at the fi rst opportunity, every non- golfi ng thought and consideration crowded to the parched margins of their cerebral cortices. I had balked at paying that price; I had betrayed golf’s jealous god by trying to fi nd fun and success elsewhere, by spreading my bets. And now I was suffering for it. “So then, because thou art lukewarm, and neither cold nor hot, I will spew thee out of my mouth”: Revelation 3:16, for advanced beginners.
 
These thirty written evidences of an impassioned but imperfect devotion were composed in a variety of genres and ap peared in a variety of places, some as deep in the literary rough as the Murdoch magazine Meetings & Conventions and The Massachusetts Golfer. Beginning in 1984, Golf Digest began to run an annual contribution from my starkly amateur point of view. Various tournament programs (the U.S. Amateur Championship in 1982, the USGA Women’s Open in 1984, the USGA Open in 1988) invited me to contribute a little something and, fl attered, I did. The New Yorker over the years accepted a number of golf- minded jeux d’esprit, and its editor the late William Shawn, with his uncanny omniscience, plucked from the torrent of books begging for his magazine’s attention an authentic golf gem, Michael Murphy’s Golf in the Kingdom, and gave it to me to review. From my fi ction I have selected stories and scenes that bore especially upon the game, including three fraught rounds with Harry Angstrom, but not including some other vignettes, such as the choice opening segment of the short story “Deaths of Distant Friends.” My longest article on golf, an account of the 1979 Masters for Golf magazine, I have omitted, as too newsy and outdated—it can be found in my collection Hugging the Shore. Picked- Up Pieces preserves another obsolete account, of a fancied lunar tournament following upon Alan Shepard’s famous 6- iron shot on the moon in 1971. The dates in this book’s table of contents signify the year of writing, which was usually also the year of publication. Twelve of the items between these covers have already appeared in other books of mine, and I would feel guiltier about that if I did not imagine that the ideal reader of Golf Dreams has been too busy perfecting his or her swing to be wallowing in my oeuvre.
 
 
 
 

Revue de presse :

“Limber and sprightly, unique, alive . . . Updike understands golf, keenly, and expresses his understanding with charm and beauty, in words as sturdy as Lee Trevino’s stance.”—Sports Illustrated
 
“A book written under a clear blue sky with an utterly pure swing . . . Here, Updike waltzes about the heavens of Nabokov, in pure esthetic bliss. And here his transcendental agonies and anxieties fuse into split-second moments of impact that lift us from sand pit to rhapsody.”—The Philadelphia Inquirer
 
“[Golf Dreams clears] the hazards with ease and grace. [Updike] is eloquent on the pleasures and frustrations of the game [and] even better at dramatizing its mysterious pull.”—The New York Times

À propos de cette édition

• Éditeur: Random House Trade Paperbacks
• Date d'édition: 1997
• ISBN 10: 0449912698
• ISBN 13: 9780449912690
• Reliure: Broché
• Nombre de pages: 208
• Illustrateur: Szep Paul