Carolina Moon: A Novel - Couverture souple

McCorkle, Jill

Couverture souple

ISBN 10 : 0449912809 ISBN 13 : 9780449912805

Editeur : Fawcett Books, 1997

Synopsis

Book by McCorkle Jill

A propos du livre

Extrait :

Ballantine Reader's Circle: Carolina Moon (Excerpt)

Chapter 1

It is still dark when Wallace Johnson drives through town to the post office. He's worked this Sunday morning shift for years and he's gotten used to it, gotten used to the absolute quiet, the seasonal rush of summer folks from all over creation. It dwindles in September to the couple of hundred locals and the weekenders whose real lives are elsewhere. Mountains of postcards, wish you were here!, also dwindle, to property tax notices and missing-children flyers. He has watched this coming and going his whole life and has rarely felt a longing to pick up and leave, himself.

The doors of the small cinder block building stay locked while he sorts the mail left in the box last night. He is to where he can count down the Sundays he'll spend this way. In just two months, early November, he'll be retiring, and his Sunday mornings will be spent sleeping or reading or fishing. To some it might seem like life doesn't offer Wallace much, but it does, every day, every meal, every good cup of coffee he pours from the metal thermos he brings in with him.

He has just settled in when he recognizes the handwriting on an envelope in the box. For twenty-five years now the letters have arrived every month or so, no pattern, except that they're always dropped in on Saturday nights. They are all addressed in the same loopy script, all addressed simply to Wayward One; Wallace is supposed to file and bag them with all the other "dead" letters that are dropped into the box without stamps or real addresses, children's letters with play tattoos in the corners, letters to Santa Claus and to God. He was forty years old when the first Wayward One letter came; it was late fall, and other than a wadded up tissue and an empty Coke can, the letter was all that was there that morning.

It seems a lifetime since the first one. Wallace's children were still in high school, his oldest son just accepted into the state university, the youngest running track. When he looks back he sees years filled with worries, first over the mortgage, then the expense of college. Now the tuition days are over, and his sons are off with families of their own, little children who call him and Judy long-distance to sing songs and say snatches of things that don't make much sense. And he feels accomplished, responsible for something good.

That first letter he found was in red ink and doused with cologne. That's what got his attention, the cologne, a scent he almost recognized. It had been a slow morning, a hard morning; he'd have loved nothing better when that alarm sounded but to turn it off and roll into Judy's warm back. Judy smelled of Wind Song and had for years. Every holiday when the boys were little that's what they gave her. Sometimes Wallace had wanted to put out his hands and make the world stop and let him breathe it all in. Sometimes he found himself waking and wondering what it was all about anyway. Why does everybody follow the pattern, follow the schedule? Why couldn't he wake up one Sunday morning and just not show up at work, wake only to roll back into the deep warm comfort of his own world. He could be wayward. Without thinking past that moment he had torn into the envelope and held the smudged yellow papers in his hand, the script so looped and sprawling that it was difficult to read:
10/29/69 11:30 PM

Oh Dear, how could you? WHY did you? I've heard all the accounts, all the stories. I felt that people studied my face for reactions every time your name was mentioned. Of course, I'd felt that way since the first time I ever laid my eyes on you in that ramshackle club down at Ocean Drive. I was too old to be hanging out at such a place so you sure as hell were. There were pinball machines beeping and ringing and that song "What Kind of Fool" kept playing over and over. There was talk that they might tear down the Ocean Forest Hotel and I remember thinking what a different world it had become since I was a child and staying there. I knew who you were, everybody did. You waved to people you had never met and acted like you were friends.

You were wearing a wrinkled, white cotton shirt, the cuffs pushed up to your elbows and the tail hanging out. If only I had had the sense to stay away from you. I hate you for what you've done and yet I feel that it's not all over. I don't know what I mean to say exactly; it's kind of like a feeling I have about things. Did I ever tell you that I sometimes feel too powerful for words? It's not something you really go around spouting.

I remember the first time I ever felt that way I was a child and sitting way up under our house. It had been torn down long before you moved to town, but you can picture it. It was a house much like that one across from the old A&P, the one with the wraparound porch and dark green awnings on the upper windows. It looked bigger than it was, so much of the space given to high ceilings and the way it was built--way up off the ground. That's what I liked about it. I could stand on my knees as an eight-year-old and still not hit my head on the rough boards of the foundation and plumbing. It was my world and it made me feel powerful.

I drew it all out, the whole world in the dry black dirt. I'd hear my mama walking around above my head. I'd hear doors creak and furniture absorbing the weight of somebody or another. "Sugar, where are you?" she'd sometimes yell out, and I'd sit quietly, the late afternoon light coming through the lattice work that surrounded the underneath part of the house. There was something magical, almost mystical about the way that light hit my legs and the world I'd drawn there in the dirt, the fancy houses and the shops, the places where people wore long dresses and drank tea.

I felt so strong in those moments, made stronger by my silence, my absence from the world above my head. I knew when my mother ran some water in the kitchen sink or flushed the toilet. I heard her ring the phone on the kitchen wall, short cranks, nobody in town had more than three digits to the number. I remember thinking that this is what it felt like to be dead and in another place; this is what God must feel as he sits back and does nothing while sirens sound and cars honk, people scream, and Mamas spend more time on their hair than on their children. I still feel that way, have off and on my whole life. There are times when I feel as powerful as God, when I play God, for that matter.

That would scare a lot of people to hear me say such a thing but not you, never you. Nothing scares you. Not even death. When I heard about it, I said, "What a hateful selfish bastard." My husband heard me and he questioned me, looked hard at me. He knew. I asked why you didn't get a prescription, take some sleeping pills? Why didn't you throw yourself in the river? I felt sorry for your wife and I told people so. I said, that poor child, to have to live with his daddy doing such a selfish thing, to feel like his daddy didn't love him enough to live.

No, in my world I would've killed you a different way, a stronger way. I would have leaned my head up against the lattice work of my childhood home and peered out at the bed of hollyhocks in my neighbors' yard. I'd have kept myself there in the cool darkness out of the bright hateful world. I'd have lulled you in like a spider into a web, and spun and spun my cottony threads until you were bound in a cocoon and unable to breathe. Or maybe I would have pulled you into the Ocean Forest, that huge brick building, ocean front like a castle, and I would have pulled you into the big old elevator and led you down deserted hallways to a room facing the sea, heavy silk drapes whistling with the wind and we would have hidden in a tangle of white cotton sheets.

If I had had the power, I would simply have loved you to death, but who had the chance? Who really had the chance to love you. I was there for God's sake! I was there just minutes before it happened. Did you ever even think how this was going to make ME feel? Your bed still smelled of ME, like this letter, like the red scarf I had draped over your lamp and forgot to take. I wonder what happened to my scarf. I wonder why you didn't do as you had promised you would and just go back to sleep. But no. I imagine the door clicking behind me and with that click your eyes opening. You were just waiting weren't you, waiting to get up and kill yourself without any thoughts about anybody else. Truth be told you never wanted to be loved. Well, you screwed up didn't you? For somebody so unworthy of love, you had yourself some folks who did. You had me.
After he'd read the letter, Wallace had put it in a plastic baggie and sealed it up, just as he would do to a letter on its way somewhere and damaged in the process, but instead of the standard drawer, he had made himself a new file, a weathered gray cardboard folder there at the back of the cabinet. Someday someone might come looking for that letter.
He knew that it was likely connected to a suicide that took place down at the far end of Ferris Beach. The owners of the house had rented to the same man for years and they were angry that he killed himself there. It was bad for business. Children made up ghost stories. All Wallace had ever heard was that the man was a writer of some sort. Then here came the other side of the story--her side--not the wife, but her, this woman with the red scarf and cologne, this woman he might someday meet, and somehow touch the very cog of a story that would continue to spin forever. Over time, the beach house had given in, as if to the pressures of the suicide and all the ghost stories, and slowly let itself be taken over by the shifting shoreline. To Wallace, it seemed fitting in a sad way to let nature finish what she'd started. He fishes down at that point often and watches the two shores of the inland waterway fight for control. Sandbags, slick white walls of plastic, are lined up on both sides to prevent erosion but the water keeps ...

Biographie de l'auteur :

Jill McCorkle was born and raised in the small town of Lumberton, North Carolina. While growing up she frequented Holden Beach on the North Carolina coast, a location that inspired the locale in her latest novel, Carolina Moon.

Carolina Moon is McCorkle's fifth novel and sixth book since the simultaneous publication of her first two novels, July 7th and The Cheer Leader, when she was just twenty-six. McCorkle's books have been translated into several languages and have earned acclaim and a loyal following. Her collection of short stories, Crash Diet, won the 1993 New England Booksellers Award. Her short fiction has appeared in numerous literary journals and magazines including The Atlantic Monthly, The Ladies Home Journal, Agni, Cosmopolitan, The Southern Review, Allure, and Gettysburg Review.  McCorkle has reviewed books for The New York Times Book Review, The Washington Post, The Miami Herald, and The Atlanta Journal.

Ms. McCorkle graduated from the University of North Carolina at Chapel Hill and earned her M.A. at Hollins College. She has taught creative writing at Tufts University and UNC-Chapel Hill, and she currently teaches at Bennington College and Harvard University. McCorkle lives in the Boston area with her husband and two young children and writes whenever she has the chance.

À propos de cette édition

• Éditeur: Fawcett Books
• Date d'édition: 1997
• ISBN 10: 0449912809
• ISBN 13: 9780449912805
• Reliure: Broché