This Is Where I Leave You: A Novel

Tropper, Jonathan

ISBN 10 : 0452296366 ISBN 13 : 9780452296367

Editeur : Penguin Publishing Group, 2010

Synopsis

Paperback

A propos du livre

Extrait :

Table of Contents

Title Page

Copyright Page

 

Chapter 1

 

Wednesday

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

 

Thursday

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

 

Friday

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

 

Saturday

Chapter 29

Chapter 30

Chapter 31

 

Sunday

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

 

Monday

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

 

Tuesday

Chapter 50

 

Teaser for One Last Thing Before I Go

Acknowledgements

About the Author

Also by Jonathan Tropper

Plan B

 

The Book of Joe

 

Everything Changes

 

How to Talk to a Widower

DUTTON
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Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

 

Published by Dutton, a member of Penguin Group (USA) Inc.

 

First printing, August 2009

 

Copyright © 2009 by Jonathan Tropper

All rights reserved

REGISTERED TRADEMARK—MARCA REGISTRADA

 

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Tropper, Jonathan.
This is where I leave you / Jonathan Tropper.
p. cm.

ISBN: 9781101108987

1. Divorced men—Fiction 2. Fathers—Death—Fiction. 3. Brothers and sisters—Fiction. 4. Family—
Fiction. 5. Self-actualization (Psychology)—Fiction. 6. Psychological fiction. 7. Domestic fiction.
I. Title.
PS3570.R5885T47 2009
813’.54—dc22 2009006934

 

 

 

PUBLISHER’S NOTE

This book is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

 

Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

 

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Mom and Dad

Chapter 1

Dad’s dead,” Wendy says offhandedly, like it’s happened before, like it happens every day. It can be grating, this act of hers, to be utterly unfazed at all times, even in the face of tragedy. “He died two hours ago.”

“How’s Mom doing?”

“She’s Mom, you know? She wanted to know how much to tip the coroner.”

I have to smile, even as I chafe, as always, at our family’s patented inability to express emotion during watershed events. There is no occasion calling for sincerity that the Foxman family won’t quickly diminish or pervert through our own genetically engineered brand of irony and evasion. We banter, quip, and insult our way through birthdays, holidays, weddings, illnesses. Now Dad is dead and Wendy is cracking wise. It serves him right, since he was something of a pioneer at the forefront of emotional repression.

“It gets better,” Wendy says.

“Better? Jesus, Wendy, do you hear yourself?”

“Okay, that came out wrong.”

“You think?”

“He asked us to sit shiva.”

“Who did?”

“Who are we talking about? Dad! Dad wanted us to sit shiva.”

“Dad’s dead.”

Wendy sighs, like it’s positively exhausting having to navigate the dense forest of my obtuseness. “Yes, apparently, that’s the optimal time to do it.”

“But Dad’s an atheist.”

“Dad was an atheist.”

“You’re telling me he found God before he died?”

“No, I’m telling you he’s dead and you should conjugate your tenses accordingly.”

If we sound like a couple of callous assholes, it’s because that’s how we were raised. But in fairness, we’d been mourning for a while already, on and off since he was first diagnosed a year and a half earlier. He’d been having stomachaches, swatting away my mother’s pleas that he see a doctor, choosing instead to increase the regimen of the same antacids he’d been taking for years. He popped them like Life Savers, dropping small squibs of foil wrapping wherever he went, so that the carpets glittered like wet pavement. Then his stool turned red.

“Your father’s not feeling well,” my mother understated over the phone.

“My shit’s bleeding,” he groused from somewhere behind her. In the fifteen years since I’d moved out of the house, Dad never came to the phone. It was always Mom, with Dad in the background, contributing the odd comment when it suited him. That’s how it was in person too. Mom always took center stage. Marrying her was like joining the chorus.

On the CAT scan, tumors bloomed like flowers against the charcoal desert of his duodenal lining. Into the lore of Dad’s legendary stoicism would be added the fact that he spent a year treating metastatic stomach cancer with Tums. There were the predictable surgeries, the radiation, and then the Hail Mary rounds of chemo meant to shrink the tumors but that instead shrank him, his once broad shoulders reduced to skeletal knobs that disappeared beneath the surface of his slack skin. Then came the withering of muscle and sinew and the sad, crumbling descent into extreme pain management, culminating with him slipping into a coma, the one we knew he’d never come out of. And why should he? Why wake up to the painful, execrable mess of end-stage stomach cancer? It took four months for him to die, three more than the oncologists had predicted. “Your dad’s a fighter,” they would say when we visited, which was a crock, because he’d already been soundly beaten. If he was at all aware, he had to be pissed at how long it was taking him to do something as simple as die. Dad didn’t believe in God, but he was a lifelong member of the Church of Shit or Get Off the Can.

So his actual death itself was less an event than a final sad detail.

“The funeral is tomorrow morning,” Wendy says. “I’m flying in with the kids tonight. Barry’s at a meeting in San Francisco. He’ll catch the red-eye.”

Wendy’s husband, Barry, is a portfolio manager for a large hedge fund. As far as I can tell, he gets paid to fly around the world on private jets and lose golf games to other richer men who might need his fund’s money. A few years ago, they transferred him to the L.A. office, which makes no sense, since he travels constantly, and Wendy would no doubt prefer to live back on the East Coast, where her cankles and post-pregnancy jiggle are less of a liability. On the other hand, she’s being very well compensated for the inconvenience.

“You’re bringing the kids?”

“Believe me, I’d rather not. But seven days is just too long to leave them alone with the nanny.”

The kids are Ryan and Cole, six and three, towheaded, cherub-cheeked boys who never met a room they couldn’t trash in two minutes flat, and Serena, Wendy’s seven-month-old baby girl.

“Seven days?”

“That’s how long it takes to sit shiva.”

“We’re not really going to do this, are we?”

“It was his dying wish,” Wendy says, and in that single instant I think maybe I can hear the raw grief in the back of her throat.

“Paul’s going along with this?”

“Paul’s the one who told me about it.”

“What did he say?”

“He said Dad wants us to sit shiva.”

Paul is my older brother by sixteen months. Mom insisted I hadn’t been a mistake, that she’d fully intended to get pregnant again just seven months after giving birth to Paul. But I never really bought it, especially after my father, buzzed on peach schnapps at Friday-night dinner, had acknowledged somberly that back then they believed you couldn’t get pregnant when you were breast-feeding. As for Paul and me, we get along fine as long as we don’t spend any time together.

“Has anyone spoken to Phillip?” I say.

“I’ve left messages at all his last known numbers. On the off chance he plays them, and he’s not in jail, or stoned, or dead in a ditch, there’s every reason to believe that there’s a small possibility he’ll show up.”

Phillip is our youngest brother, born nine years after me. It’s hard to understand my parents’ procreational logic. Wendy, Paul, and me, all within four years, and then Phillip, almost a decade later, slapped on like an awkward coda. He is the Paul McCartney of our family: better-looking than the rest of us, always facing a different direction in pictures, and occasionally rumored to be dead. As the baby, he was alternately coddled and ignored, which may have been a significant factor in his becoming such a terminally screwed-up adult. He is currently living in Manhattan, where you’d have to wake up pretty early in the morning to find a drug he hasn’t done or a model he hasn’t fucked. He will drop off the radar for months at a time and then show up unannounced at your house for dinner, where he might or might not casually mention that he’s been in jail, or Tibet, or has just broken up with a quasi-famous actress. I haven’t seen him in over a year.

“I hope he makes it,” I say. “He’ll be devastated if he doesn’t.”

“And speaking of screwed-up little brothers, how’s your own Greek tragedy coming along?”

Wendy can be funny, almost charming in her pointed tactlessness, but if there is a line between crass and cruel, she’s never noticed it. Usually I can stomach her, but the last few months have left me ragged and raw, and my defenses have been depleted.

“I have to go now,” I say, trying my best to sound like a guy not in the midst of an ongoing meltdown.

“Jesus, Judd. I was just expressing concern.”

“I’m sure you thought so.”

“Oh, don’t get all passive-aggressive. I get enough of that from Barry.”

“I’ll see you at the house.”

“Fine, be that way,” she says, disgusted. “Good-bye.”

I wait her out.

“Are you still there?” she finally says.

“No.” I hang up and imagine her slamming her phone down while the expletives fly in a machine-gun spray from her lips.

Wednesday

Chapter 2

I’m packing up my car for the two-hour drive to Elmsbrook when Jen pulls up in her marshmallow-colored SUV. She gets out quickly, before I can escape. I haven’t seen her in a while, haven’t returned her calls or stopped thinking about her. And here she is looking immaculate as ever in her clinging gym clothes, her hair an expensive shade of honey blond, the corners of her mouth inching up ever so slightly into the tentative smile of a little girl. I know every one of Jen’s smiles, what they mean and where they lead.

The problem is that every time I see Jen, it instantly reminds me of the first time I ever saw her, riding that crappy red bike across the quad, long legs pumping, hair flying out behind her, face flushed with excitement, and that’s exactly what you don’t want to think about when confronted with your soon-to-be ex-wife. Ex-wife in waiting. Ex-wife elect. The self-help books and websites haven’t come up with a proper title for spouses living in the purgatory that exists before the courts have officially ratified your personal tragedy. As usual, seeing Jen, I am instantly chagrined, not because she’s obviously found out that I’m living in a crappy rented basement, but because ever since I moved out, seeing her makes me feel like I’ve been caught in a private, embarrassing moment—watching porn with my hand in my pants, singing along to Air Supply while picking my nose at a red light.

“Hey,” she says.

I toss my suitcase into the trunk. “Hey.”

We were married for nine years. Now we say “Hey” and avert our eyes.

“I’ve been leaving you messages.”

“I’ve been busy.”

“I’m sure.” Her ironic inflection fills me with the familiar impulse to simultaneously kiss her deeply and strangle her until she turns blue. Neither is an option at this juncture, so I have to content myself with slamming the trunk harder than necessary.

“We need to talk, Judd.”

“Now’s not a good time.”

She beats me to the driver’s-side door and leans against it, flashing me her most accomplished smile, the one I always told her made me fall in love with her all over again. But she’s miscalculated, because now all it does is remind me of everything I’ve lost. “There’s no reason this can’t be amicable,” she says.

“You’re fucking my boss. That’s a pretty solid reason.”

She closes her eyes, summoning up the massive reserves of patience required to deal with me. I used to kiss those eyelids as we drifted off to sleep, feel the rough flutter of her lashes like butterfly wings between my lips, her light breath tickling my chin and neck. “You’re right,” she says, trying to look like someone trying not to look bored. “I am a flawed person. I was unhappy and I did something inexcusable. But as much as you might hate me for ruining your life, playing the victim isn’t really working out for you.”

“Hey, I’m doing fine.”

“Yeah. You’re doing great.”

Jen looks pointedly at the crappy house in which I now live below street level. It looks like a house drawn by a child: a triangle perched on a square, with sloppily staggered lines for bricks, a lone casement window, and a front door. It’s flanked by houses of equal decrepitude on either side, nothing at all like the small, handsome colonial we bought with my life’s...

Présentation de l'éditeur :

Now a major motion picture starring Jason Bateman, Tina Fey Jane Fonda, and Adam Driver

"Often sidesplitting, mostly heartbreaking...[Tropper is] a more sincere, insightful version of Nick Hornby, that other master of male psyche." --USA Today

The death of Judd Foxman's father marks the first time that the entire Foxman clan has congregated in years. There is, however, one conspicuous absence: Judd's wife, Jen, whose affair with his radio- shock-jock boss has recently become painfully public. Simultaneously mourning the demise of his father and his marriage, Judd joins his dysfunctional family as they reluctantly sit shiva-and spend seven days and nights under the same roof. The week quickly spins out of control as longstanding grudges resurface, secrets are revealed and old passions are reawakened. Then Jen delivers the clincher: she's pregnant.

This Is Where I Leave You is Jonathan Tropper's ( One Last Thing Before I Go) most accomplished work to date, and a riotously funny, emotionally raw novel about love, marriage, divorce, family, and the ties that bind-whether we like it or not.

À propos de cette édition

• Éditeur: Penguin Publishing Group
• Date d'édition: 2010
• ISBN 10: 0452296366
• ISBN 13: 9780452296367
• Reliure: Livre broché
• Nombre de pages: 368