In Lewis Carroll's "Alice in Wonderland" a very real little girl named Alice follows a very remarkable rabbit and experiences one of the strangest adventures, and meets some of the oddest and best-loved characters in all literature: the Mad Hatter, the Queen of Hearts, the Cheshire Cat, and the White Rabbit, each one, more interesting and more entertaining than the previous. It is a world where everything impossible effortlessly becomes possible and everything real, unreal. In the hands of Lewis Carroll the heights of adventure are limited only by the reach of imagination. In the words of a contemporary of Carroll's, "if there be such a thing as perfection in children's tales
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'It takes hubris to reinterpret artist John Tenniel's original vision of Alice's journey. Enter the so-called "Mad Hatter of Canadian Graphic Arts," engraver George Walker, who began the project as a student twenty years ago. Tender and dark at the same time, these extraordinary woodcuts reflect their maker's youthful energy. An introduction by Alberto Manguel says it best: "Glimpses, snapshots, details of larger scenes tell of Walker's reading, a reading that follows Alice's frantic pace, far from Victorian sobriety, from madness to greater madness." Both Alice's story and these remarkable illustrations communicate on many levels. Ages nine to twelve.' ForeWord Magazine 'Walker is an artist of many talents and media -- and many contradictions. A figurative artist, he is interested in illuminating abstractions cast up from his unconscious. Literate and articulate, he expresses complex thoughts and ideas in singular images. He published a book without text, letting the images carry the narrative. A generous nature can give way suddenly to a disquisition on social inequality that he also translates into the grammar of picture making. There is a startling muteness and directness to his pictures, yet they are intended to effect change, often in the immediate world around him, or in the viewer's perceptions of the world around them. The technical dimension of his artistic practice is privileged and apparent in the work, yet the art far exceeds material, method and process. His art is often grounded in the process of automatism, allowing for the unconscious to speak directly and spontaneously in images, even as his technique embraces the painstaking and precise nomenclature of wood engraving, block printing and bookbinding. The immediacy of his messages and their meanings are the product of careful rendering, circumspection and consideration.' -- Tom Smart Devil's Artisan The Porcupine's Quill has just released a wonderful new edition of Alice in Wonderland lavishly illustrated with wood engravings by George Walker and with a new introduction by Alberto Manguel. Following in the tradition of the Cheshire Cat Press edition published nearly 25 years ago by Bill Poole, George Walker and Joseph Brabant (one of the finest examples of a Canadian private press book), the story is as beautiful woven through the illustrations and design as it is through the magical words we are all familiar with. -- Richard, Bytown Bookshop Walker's edition of Alice's Adventures in Wonderland (Cheshire Cat Press, 1988) announced forcefully his precocious talents as a printmaker and book artist. His enormously expressive woodcut illustrations paired with master letterpress publisher Bill Poole's sensitive handling of type, printing and binding, comprised one of the finest hand-printed volumes ever produced in Canada. Alice has just been issued in a trade edition paperback by Porcupine's Quill in Erin, Ont. -- Tom Smart "The great Canadian (graphic) novel", Telegraph-Journal 'The classic Alice in Wonderland is known by all, but the story is off the wall enough that one's interpretation may be different from another's. Alice Adventure's in Wonderland: Wood Engravings is George A. Walker's own take with woodcuts as he illustrates Carroll's famed story. Showing a unique skill in his interpretation, he captures a charm that's been lost with the decline of woodcuts, and makes for a unique journey. Alice's Adventure in Wonderland is a must for any fan of the story and unique art styles.' Midwest Book Review 'Fanciful and eccentric, [George A. Walker's] engravings cast Lewis Carroll's classic fantasy fiction in a darker more sinister hue that will appeal to the inner child of many mature readers.' --Robert Reid The RecordExtrait :
From Chapter IV: The Rabbit Sends in a Little Bill
It was the White Rabbit, trotting slowly back again, and looking anxiously about as it went, as if it had lost something; and she heard it muttering to itself, “The Duchess! The Duchess! Oh my dear paws! Oh my fur and whiskers! She’ll get me executed, as sure as ferrets are ferrets! Where can I have dropped them, I wonder?” Alice guessed in a
moment that it was looking for the fan and the pair of white kidgloves, and she very good-naturedly began hunting about for them, but they were nowhere to be seen—everything seemed to have changed since her swim in the pool; and the great hall, with the glass table and the little door, had vanished completely.
Very soon the Rabbit noticed Alice, as she went hunting about, and called out to her, in an angry tone, “Why, Mary Ann, what are you doing out here? Run home this moment, and fetch me a pair of gloves and a fan! Quick, now!” And Alice was so much frightened that she ran o at once in the direction it pointed to, without trying to explain the mistake that it had made.
“He took me for his housemaid,” she said to herself as she ran. “How surprised he’ll be when he finds out who I am! But I’d better take him his fan and gloves—that is, if I can find them.” As she said this, she came upon a neat little house, on the door of which was a bright brass plate with the name “W. RABBIT ” engraved upon it. She went in without knocking, and hurried upstairs, in great fear lest she should meet the real Mary Ann, and be turned out of the house before she had found the fan and gloves.
“How queer it seems,” Alice said to herself, “to be going messages for a rabbit! I suppose Dinah’ll be sending me on messages next!” And she began fancying the sort of thing that would happen: “‘Miss Alice! Come here directly, and get ready for your walk!’ ‘Coming in a minute,’ nurse! But I’ve got to watch this mouse-hole till Dinah comes back, and see that the mouse doesn’t get out.’ Only I don’t think,” Alice went on, “that they’d let Dinah stop in the house if it began ordering people about like that!”
By this time she had found her way into a tidy little room with a table in the window, and on it (as she had hoped) a fan and two or three pairs of tiny white kid-gloves: she took up the fan and a pair of the gloves, and was just going to leave the room, when her eye fell upon a little bottle that stood near the looking-glass. There was no label this time with the words “DRINK ME,” but nevertheless she uncorked it and put it to her lips. “I know something interesting is sure to happen,” she said to herself, “whenever I eat or drink anything: so I’ll just see what this bottle does. I do hope it’ll make me grow large again, for really I’m quite tired of being such a tiny little thing!”
It did so indeed, and much sooner than she had expected: before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, saying to herself “That’s quite enough—I hope I sha’n’t grow any more—As it is, I ca’n’t get out at the door—I do wish I hadn’t drunk quite so much!”
Alas! It was too late to wish that! She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself “Now I can do no more, whatever happens. What will become of me?”
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Description du livre Paperback. État : Fair. N° de réf. du libraire TT01467373B
Description du livre Paperback. État : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du libraire GOR006626816
Description du livre Everyman Paperbacks. Paperback. État : Fair. N° de réf. du libraire G0460871072I5N00
Description du livre Everyman Paperbacks. Paperback. État : Very Good. This copy shows very minor wear. N° de réf. du libraire G0460871072I4N00
Description du livre Everyman Paperbacks. Paperback. État : Good. Book has a small amount of wear visible on the binding, cover, pages. N° de réf. du libraire G0460871072I3N00