From the simple shell beads worn by Palaeolithic hunters to the splendour of Renaissance goldwork and the sumptuousness of Art Nouveau enamels, here is a guide to the evolution of Western jewelry, concluding with the radical and experimental developments of the last three decades. Offering a survey of the entire field, the book is organized into chronological sections starting with the ancient world and progressing through the Middle Ages and the Baroque to the Belle Epoque and Art Deco eras, finally reaching the present day. The author, Clare Phillips, analyzes jewelry's changing fashions, explores its social context, and examines how it has been worn by both men and women. She shows how jewellers have responded to new sources of gems, whether emeralds from the New World or diamonds from South Africa, and to the discovery of metals such as platinum and aluminium. Masterworks by unknown craftsmen and pieces designed by individual artists such as Holbein, Pugin and Calder, are illustrated alongside the glittering products of the major jewelry houses - Cartier, Fouquet and Faberge among others.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Clare Phillips is a curator in the Sculpture, Metalwork, Ceramics & Glass Department at the Victoria and Albert Museum. Her publications include Jewelry: From Antiquity to the Present (1996) and contributions to Art Nouveau 1890-1914 (V&A, 2002), and Silver (V&A, 2003).
From the simple shell beads worn by Palaeolithic hunters to the splendour of Renaissance goldwork and the sumptuousness of Art Nouveau enamels, here is a guide to the evolution of Western jewelry, concluding with the radical and experimental developments of the last three decades. Offering a survey of the entire field, the book is organized into chronological sections starting with the ancient world and progressing through the Middle Ages and the Baroque to the Belle Epoque and Art Deco eras, finally reaching the present day. The author, Clare Phillips, analyzes jewelry's changing fashions, explores its social context, and examines how it has been worn by both men and women. She shows how jewellers have responded to new sources of gems, whether emeralds from the New World or diamonds from South Africa, and to the discovery of metals such as platinum and aluminium. Masterworks by unknown craftsmen and pieces designed by individual artists such as Holbein, Pugin and Calder, are illustrated alongside the glittering products of the major jewelry houses - Cartier, Fouquet and Faberge among others.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Very Good. From the simple shell beads worn by Palaeolithic hunters to the splendour of Renaissance gold work and the sumptuousness of Art Nouveau enamels, here is a fascinating and informative guide to the development of Western jewelry concluding with the radical and experimental developments in the last three decades. Offering a concise survey of the entire field, this book analyses jewelry's changing fashions, explores its social context, and examines how it has been worn by both men and women. It shows how jewellers have responded to new sources of gems, whether emeralds from the New World or diamonds from South Africa, and to the discovery of metals such as platinum and aluminium. Masterworks by unknown craftsmen and pieces designed by individual artists as diverse as Holbein, Pugin and Calder are illustrated alongside the glittering products of the major jewelry houses. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR001493552
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