Elizabeth Wilson's elegant, provocative, and scholarly study uses fiction, essays, film, and art, as well as history and sociology, to look at some of the world's greatest cities—London, Paris, Moscow, New York, Chicago, Lusaka, and São Paulo—and presents a powerful critique of utopian planning, anti-urbanism, postmodernism, and traditional architecture. For women the city offers freedom, including sexual freedom, but also new dangers. Planners and reformers have repeatedly attempted to regulate women—and the working class and ethnic minorities—by means of grandiose, utopian plans, nearly destroying the richness of urban culture. City centers have become uninhabited business districts, the countryside suburbanized. There is danger without pleasure, consumerism without choice, safety without stimulation. What is needed is a new understanding of city life and Wilson gives us an intriguing introduction to what this might be.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
"Adopting the guise of a flaneur, Wilson reconsiders the classical imagery of the city from the viewpoints of diverse groups of women: bourgeois wives, prostitutes, transvestite writers, and others. Its originality resides in its deft, consistently provocative interweaving of underground feminist discourses with the familiar, male-infected rhetorics of urban experience."—Mike Davis, author of City of QuartzAbout the Author :
Elizabeth Wilson is Professor of Social Studies at the Polytechnic of North London, and the author of a number of books, including Adorned in Dreams (California, 1988) and Hallucinations (Constable, 1989).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Description du livre University of California Press, 1992. Hardcover. État : New. 1st University of California Pre. N° de réf. du libraire DADAX0520078500