No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, François Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact.
From his first film (Citizen Kane) to his last (Taxi Driver), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic (Fahrenheit 451, The Day the Earth Stood Still) to the romantic (Obsession, The Ghost and Mrs. Muir) to the terrifying (Psycho).
Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles's Mercury Theatre on the Air and The War of the Worlds. His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony.
Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored-a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love.
Films scored by Bernard Herrmann: Citizen Kane, The Ghost and Mrs. Muir, Vertigo, Psycho, Fahrenheit 451, Taxi Driver, The Magnificent Ambersons, The Man Who Knew Too Much, North By Northwest, The Birds, The Snows of Kilimanjaro, Cape Fear, Marnie, Torn Curtain, among others
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Steven C. Smith is an award-winning author, journalist, and television producer who has written extensively about film, music, and television. He has worked as a producer for HBO Entertainment News and NBC's Weekend Today; has been a writer/producer on the A&E series Biography; and is supervising producer of the AMC series Backstory. He is also the author of Film Composers (1991).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film ("Citizen Kane") to his last ("Taxi Driver"), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic ("Fahrenheit 451", "The Day the Earth Stood Still") to the romantic ("Obsession", "The Ghost and Mrs. Muir") to the terrifying ("Psycho"). Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles' "Mercury Theatre on the Air" and "The War of the Worlds".His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony. Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored - a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love. The films scored by Bernard Herrmann include "Citizen Kane", "The Ghost and Mrs. Muir", "Vertigo", "Psycho", "Fahrenheit 451", "Taxi Driver", "The Magnificent Ambersons", "The Man Who Knew Too Much", "North By Northwest", "The Birds", "The Snows of Kilimanjaro", "Cape Fear", "Marnie", "Torn Curtain", among others. N° de réf. du vendeur LU-9780520229396
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Paperback. Etat : New. No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film ("Citizen Kane") to his last ("Taxi Driver"), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic ("Fahrenheit 451", "The Day the Earth Stood Still") to the romantic ("Obsession", "The Ghost and Mrs. Muir") to the terrifying ("Psycho"). Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles' "Mercury Theatre on the Air" and "The War of the Worlds".His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony. Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored - a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love. The films scored by Bernard Herrmann include "Citizen Kane", "The Ghost and Mrs. Muir", "Vertigo", "Psycho", "Fahrenheit 451", "Taxi Driver", "The Magnificent Ambersons", "The Man Who Knew Too Much", "North By Northwest", "The Birds", "The Snows of Kilimanjaro", "Cape Fear", "Marnie", "Torn Curtain", among others. N° de réf. du vendeur LU-9780520229396
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Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780520229396. N° de réf. du vendeur 7070507
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Etat : New. 2002. First Edition, With a New Preface. Paperback. Bernard Herrmann is a music composer who in over 40 scores enriched the work of directors like Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese. He scored for "Fahrenheit 451", "The Day the Earth Stood Still", and "Psycho". This title is his biography exploring the inter-relationships between his music and his personal life. Num Pages: 429 pages, 31 b/w photographs. BIC Classification: AVH; BGF. Category: (G) General (US: Trade). Dimension: 228 x 155 x 33. Weight in Grams: 704. . . . . . N° de réf. du vendeur V9780520229396
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