Celluloid Symphonies: Texts and Contexts in Film Music History

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9780520241022: Celluloid Symphonies: Texts and Contexts in Film Music History

Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Julie Hubbert’s introductory essays offer a stimulating overview of film history as well as critical context for the close study of these primary documents. In identifying documents that form a written and aesthetic history for film music, Celluloid Symphonies provides an astonishing resource for both film and music scholars and for students.

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From the Inside Flap :

“This is an amazing resource and a required text for just about any serious film music course in the United States, undergraduate or graduate. The research involved is enormous, thorough, and intelligently undertaken. The choice of readings skillfully reflects the industry, the audience, and many of the critical issues in the development of film, sound, and music in the 20th century."

--Michael Pisani, author of Imagining Native America in Music

About the Author :

Julie Hubbert is Associate Professor of Music at the University of South Carolina.

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Edité par University of California Press, United States (2011)
ISBN 10 : 0520241029 ISBN 13 : 9780520241022
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Description du livre University of California Press, United States, 2011. Paperback. État : New. Language: English . Brand New Book. Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music - Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore - and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Julie Hubbert s introductory essays offer a stimulating overview of film history as well as critical context for the close study of these primary documents. In identifying documents that form a written and aesthetic history for film music, Celluloid Symphonies provides an astonishing resource for both film and music scholars and for students. N° de réf. du libraire AAZ9780520241022

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Edité par University of California Press, United States (2011)
ISBN 10 : 0520241029 ISBN 13 : 9780520241022
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Description du livre University of California Press, United States, 2011. Paperback. État : New. Language: English . Brand New Book. Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music - Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore - and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Julie Hubbert s introductory essays offer a stimulating overview of film history as well as critical context for the close study of these primary documents. In identifying documents that form a written and aesthetic history for film music, Celluloid Symphonies provides an astonishing resource for both film and music scholars and for students. N° de réf. du libraire AAZ9780520241022

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Julie Hubbert (editor)
Edité par University of California Press 2011-03-18, Berkeley, Calif. |London (2011)
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Description du livre University of California Press 2011-03-18, Berkeley, Calif. |London, 2011. paperback. État : New. N° de réf. du libraire 9780520241022

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Description du livre University of California Press, 2011. État : New. 2011. 0th Edition. Paperback. A sourcebook of writings on music for film, bringing together fifty-three critical documents. It includes essays by those who created the music and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Editor(s): Hubbert, Julie. Num Pages: 528 pages, 1 table, 9 music examples. BIC Classification: APF; AVG. Category: (P) Professional & Vocational. Dimension: 227 x 150 x 33. Weight in Grams: 720. Texts and Contexts in Film Music History. 528 pages, illustrations. Editor(s): Hubbert, Julie. A sourcebook of writings on music for film, bringing together fifty-three critical documents. It includes essays by those who created the music and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Cateogry: (P) Professional & Vocational. BIC Classification: APF; AVG. Dimension: 227 x 150 x 33. Weight: 712. . . . . . . N° de réf. du libraire V9780520241022

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Description du livre 2011. PAP. État : New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. N° de réf. du libraire KB-9780520241022

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Description du livre Paperback. État : New. Not Signed; Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music - Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore - and outline. book. N° de réf. du libraire ria9780520241022_rkm

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Description du livre University of California Press. État : New. 2011. 0th Edition. Paperback. A sourcebook of writings on music for film, bringing together fifty-three critical documents. It includes essays by those who created the music and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Editor(s): Hubbert, Julie. Num Pages: 528 pages, 1 table, 9 music examples. BIC Classification: APF; AVG. Category: (P) Professional & Vocational. Dimension: 227 x 150 x 33. Weight in Grams: 720. Texts and Contexts in Film Music History. 528 pages, illustrations. Editor(s): Hubbert, Julie. A sourcebook of writings on music for film, bringing together fifty-three critical documents. It includes essays by those who created the music and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Cateogry: (P) Professional & Vocational. BIC Classification: APF; AVG. Dimension: 227 x 150 x 33. Weight: 712. . . . . . Books ship from the US and Ireland. N° de réf. du libraire V9780520241022

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