Critical Readings in Impressionism and Post-Impressionism

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9780520250222: Critical Readings in Impressionism and Post-Impressionism

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Mary Tomkins Lewis
Edité par University of California Press, United States (2007)
ISBN 10 : 0520250222 ISBN 13 : 9780520250222
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Description du livre University of California Press, United States, 2007. Paperback. État : New. 234 x 183 mm. Language: English . Brand New Book. The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement s historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors of this title include: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward. N° de réf. du libraire AAZ9780520250222

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Mary Tomkins Lewis
Edité par University of California Press 2007-03-15, Berkerley (2007)
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Description du livre University of California Press 2007-03-15, Berkerley, 2007. paperback. État : New. N° de réf. du libraire 9780520250222

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Mary Tomkins Lewis
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Description du livre University of California Press, United States, 2007. Paperback. État : New. 234 x 183 mm. Language: English . Brand New Book. The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement s historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors of this title include: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward. N° de réf. du libraire AAZ9780520250222

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Mary Tomkins Lewis
Edité par University of California Press (2007)
ISBN 10 : 0520250222 ISBN 13 : 9780520250222
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Description du livre University of California Press, 2007. État : New. 2007. 1st Edition. Paperback. Includes essays that capture the theoretical range and scholarly rigor of the criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. This title offers fascinating perspectives, placing the artworks from this period in wider social and historical contexts. Editor(s): Lewis, Mary Tompkins. Num Pages: 358 pages, 8 color illustrations, 125 black / white photographs. BIC Classification: ACVT; AFC. Category: (P) Professional & Vocational. Dimension: 234 x 187 x 23. Weight in Grams: 766. An Anthology. 358 pages, Illustrations (some col.). Editor(s): Lewis, Mary Tompkins. Includes essays that capture the theoretical range and scholarly rigor of the criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. This title offers fascinating perspectives, placing the artworks from this period in wider social and historical contexts. Cateogry: (P) Professional & Vocational. BIC Classification: ACVT; AFC. Dimension: 234 x 187 x 23. Weight: 868. . . . . . . N° de réf. du libraire V9780520250222

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Mary Tomkins Lewis
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Description du livre University of California Press, 2007. PAP. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire WF-9780520250222

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Mary Tomkins Lewis
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Description du livre University of California Press, 2007. Paperback. État : New. Brand New Book. Shipping: Once your order has been confirmed and payment received, your order will then be processed. The book will be located by our staff, packaged and despatched to you as quickly as possible. From time to time, items get mislaid en route. If your item fails to arrive, please contact us first. We will endeavour to trace the item for you and where necessary, replace or refund the item. Please do not leave negative feedback without contacting us first. All orders will be dispatched within two working days. If you have any quesions please contact us. N° de réf. du libraire V9780520250222

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Mary Tomkins Lewis
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Description du livre University of California Press, 2007. État : New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France--including detailed looks at Monet, Manet, Pissarro, Degas, Czanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward. N° de réf. du libraire ABE_book_new_0520250222

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Mary Tomkins Lewis
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Description du livre University of California Press. Paperback. État : new. BRAND NEW, Critical Readings in Impressionism and Post-impressionism: An Anthology, Philip G. Nord, Mary Tompkins Lewis, Nicholas Green, Martha Ward, Philip G. Nord, The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors of this title include: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward. N° de réf. du libraire B9780520250222

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Mary Tomkins Lewis
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Description du livre University of California Press. État : New. 2007. 1st Edition. Paperback. Includes essays that capture the theoretical range and scholarly rigor of the criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. This title offers fascinating perspectives, placing the artworks from this period in wider social and historical contexts. Editor(s): Lewis, Mary Tompkins. Num Pages: 358 pages, 8 color illustrations, 125 black / white photographs. BIC Classification: ACVT; AFC. Category: (P) Professional & Vocational. Dimension: 234 x 187 x 23. Weight in Grams: 766. An Anthology. 358 pages, Illustrations (some col.). Editor(s): Lewis, Mary Tompkins. Includes essays that capture the theoretical range and scholarly rigor of the criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. This title offers fascinating perspectives, placing the artworks from this period in wider social and historical contexts. Cateogry: (P) Professional & Vocational. BIC Classification: ACVT; AFC. Dimension: 234 x 187 x 23. Weight: 868. . . . . . Books ship from the US and Ireland. N° de réf. du libraire V9780520250222

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