Revue de presse :
'... this fine and detailed study leaves us in no doubt as to Klemperer's heroic stature.' The Guardian
'... superb and meticulously researched ... It is a powerful and sobering tale, told with lucidity and force.' The Sunday Times
'Mr Heyworth tells Klemperer's heroic and tragic story with a fitting sense of drama and full human understanding and sympathy. It is difficult to see how any musical biography could be done better, and impossible to see how this particular one could.' Bernard Levin, The Observer
'... one of the finest accounts of a musician ever written. Heyworth's prose is unaffected and precise, his scholarship impeccable, his judgements fair and humane.' Michael Kennedy, The Sunday Telegraph
'He could not have hoped for a more devoted and percipient chronicler than Peter Heyworth. Always alive to the broader political and cultural context, Heyworth's biography is a landmark contribution to the story of musical life in our century. It would be hard to imagine a fairer assessment of the conductor; here we have the triumphs and disasters, the idiosyncrasies and even some of the elusive greatness of Klemperer's conducting.' Patrick Carnegy, The Times Literary Supplement
'This is a proper book, immaculately researched and lucidly written, a warts-and-all biography that none the less abides by the rule tha, whatever a great man's foibles, he deserves, in the final analysis, to be judged by the strongest links in his chain. In Klemperer's case, some links, some chain.' Richard Osborne, Gramophone
Présentation de l'éditeur :
Otto Klemperer was one of the great conductors of the century. This second volume of Peter Heyworth's celebrated biography follows the conductor's fortunes from his time as an émigré in the United States to his final years as conductor of the Philharmonia Orchestra of London. His time in America was frustrating and unhappy. He became chief conductor of the Los Angeles Philharmonic, but failed to secure important engagements on the East Coast. Bedevilled by manic depression, his euphoric moods led to wild escapades, on one occasion finding him in police cells. Returning to Europe in 1946, he found work at the Budapest State Opera until Stalin's grip forced him away. In the fifties he found work where he could, suffering illness, accidents and depression. Finally, he was given a contract with EMI and his concerts and recordings with the Philharmonia brought, at last, the worldwide recognition that had so long eluded him. The two volumes are also available as a set.
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