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Description du livre Hardcover. Etat : Very Good. Etat de la jaquette : Fair. 1st Edition. Some shelf wear on the dustjacket but the book is in very good condition. N° de réf. du vendeur 004562C
Description du livre Etat : Very Good. 1ST. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. N° de réf. du vendeur 12307041-6
Description du livre Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0521246326. N° de réf. du vendeur 9902290
Description du livre Hardcover. Etat : Good. Underlining and annotations throughout, otherwise a very useful reader's copy. N° de réf. du vendeur TH-3101-24AA
Description du livre hardcover. Etat : Fine copy in fine dust jacket. 1st edition. 8vo, 340 pp. N° de réf. du vendeur 030033
Description du livre Hardback. Etat : Fine. Etat de la jaquette : Fine. 340 pages. Some b/w illustrations. This is a thorough re-evaluation of the drama written and performed in the decade leading up to the Civil War, the most seriously neglected period of English theatre. Martin Butler overturns long-held assumptions about the nature of Caroline theatre, its playwrights, plays and audiences. The theatrical tradition that was cut short in September 1642 was neither exhausted nor in retreat. Far from being subservient to or dependent on the court, the theatres were expressing sharply critical points of view. Dr Butler makes a strong argument for the value and vitality of Caroline theatre by tracing a drama of political unorthodoxy at court, in the non-courtly indoor theatres, and especially in the open-air theatres which voiced grievances that anticipated the political radicalism of the 1640s. At the heart of the book is a complete re-evaluation of two neglected playwrights, Richard Brome and James Shirley, and a fresh examination of the late plays of Philip Massinger. As a piece of closely integrated historical and literary criticism, with implications for Renaissance drama in general, this is an important and challenging book which will be read by historians as well as scholars and students of seventeenth-century drama. An attractive copy of this book in dustjacket. N° de réf. du vendeur HSH04701