By examining the theme of idol-worship in medieval art, this book reveals the ideological basis of paintings, statues and manuscript illuminations that depict the worship of false gods in the thirteenth and fourteenth centuries. By showing that images of idolatry stood for those outside the Church - pagans, Muslims, Jews, heretics, homosexuals - Camille sheds light on how medieval society viewed both alien 'others' and itself. He links the abhorrence of worshipping false gods in images to an 'image-explosion' in the thirteenth century when the Christian Church was filled with cult statues, miracle-working relics, and 'real' representations in the Gothic style. In attempting to bring the Gothic image to life, Camille shows how images can teach us about attitudes and beliefs in a particular society.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
By examining the theme of idol-worship in medieval art, this book reveals the ideological basis of paintings, statues and manuscript illuminations that depict the worship of false gods in the thirteenth and fourteenth centuries. By showing that images of idolatry stood for those outside the Church - pagans, Muslims, Jews, heretics, homosexuals - Camille sheds light on how medieval society viewed both alien 'others' and itself. He links the abhorrence of worshipping false gods in images to an 'image-explosion' in the thirteenth century when the Christian Church was filled with cult statues, miracle-working relics, and 'real' representations in the Gothic style. In attempting to bring the Gothic image to life, Camille shows how images can teach us about attitudes and beliefs in a particular society.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Destinations, frais et délaisVendeur : Emile Kerssemakers ILAB, Heerlen, Pays-Bas
Study in English examining the theme of idol-worship in medieval art, revealing the ideological basis of paintings, statues, and manuscript illuminations depicting the worship of false gods in the 13th and 14th centuries. The author explores how images of idolatry represented those outside the Church?pagans, Muslims, Jews, heretics, homosexuals?shedding light on medieval society's views of 'others' and itself. The book includes 181 black-and-white illustrations. Bound in softcover, it comprises 442 pages and measures 25.6 x 17.7 x 2.9 cm. Very good, see picture. 1100g. N° de réf. du vendeur 78304
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Vendeur : SecondSale, Montgomery, IL, Etats-Unis
Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. N° de réf. du vendeur 00088598214
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Vendeur : Free Play Books, NEW HAVEN, CT, Etats-Unis
Soft cover. Etat : Very Good. Cambridge: Cambridge University Press, 1991. Octavo. Reprint. Octavo. xxxii, 407 pp. b/w illustrations. Illustrated wraps. Light edge-wear, rubbing, no internal markings. Very Good. N° de réf. du vendeur 4197
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Vendeur : Erika Wallington , Pawtucket, RI, Etats-Unis
Soft cover. Etat : Very Good --. Illustrated in black & white. xxxii, 407 pages. 4to. Trade paperback. Top edge and lower corner lightly soiled; clean inside, no markings or writing. Very Good --. N° de réf. du vendeur A5682
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Vendeur : dsmbooks, Liverpool, Royaume-Uni
Paperback. Etat : Good. Good. book. N° de réf. du vendeur D8S0-3-M-0521424305-2
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Vendeur : BennettBooksLtd, North Las Vegas, NV, Etats-Unis
Paperback. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-0521424305
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Softcover. Red, white pictorial wraps with black lettering, xxxii, 407 pp., bw illustrations throughout. "This book examines the theme of idol-worship in medieval art. Michael Camille reveals the ideological basis of paintings, statues, and manuscript illuminations that depicted the worship of false gods in the thirteenth and fourteenth centuries. By showing that images of idolatry stood for those outside the Church - pagans, Muslims, Jews, heretics, homosexuals - Camille sheds light on how medieval society viewed both alien 'others' and itself. He also links the abhorrence of worshiping false gods in images to an 'image-explosion' in the thriteenth century, when the Christian Church was filled with cult statues, miracle-working relics, and 'real' representations in the new Gothic style. The idea of idolatry was used to criticize some of the complex social changes of the period, especially those resulting from the increased secularization of society. Cult and magic images in royal propaganda are examined as are the conventions of courtly love, in which woman were represented on pedestals as objects of desire and simultaneously denigrated as idols of perversity in the eyes of the Church. In attempting to bring the Gothic image to life, Michael Camille shows how images can teach us about attitudes and beliefs in a particular society. His provocative book will be of interest not only to historians of medieval art, but to all scholars concerned with the way representations operate as tools of communication in society." - blurb from back of book. G+ (bend in bottom front corner of cover, previous owner's inscription on title page, minimal shelf wear, all pages clear and intact). N° de réf. du vendeur 181765
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Vendeur : Toscana Books, AUSTIN, TX, Etats-Unis
Paperback. Etat : new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. N° de réf. du vendeur Scanned0521424305
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