A study of sexual politics in literary and political plots in the seventeenth and eighteenth centuries.
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Richard Braverman's study of literary and political plots looks at the ways in which the rhetoric of seventeenth- and eighteenth-century dynastic politics finds its formal expression in narrative evocations of the family romance. Its point of departure is the political conflict that led to the rupture between crown and parliament in the earlier seventeenth century, and the ensuing quest for a discourse that might bridge the division. Beginning with the restoration of the monarchy in 1660 and ending with the rise of oligarchy in the 1720s, it traverses a wide literary territory, from royalist lyrics celebrating the Restoration, to Butler, Marvell, Etherege, Dryden, Congreve, Defoe and Thomson, amongst others. Covering an equally broad range of genres, including satire, tragedy, comedy, romance, georgic and the novel, Braverman's argument is focused by the notion of sexual politics, offering an idiom in which to address the larger framework of dynastic politics.
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Destinations, frais et délaisVendeur : David Strauss, FOLKINGHAM, Lincolnshire, Royaume-Uni
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Cambridge studies in eighteenth-century English literature and thought, 18] Contents: Political plottings: history, sexual politics, adn the body politic -- Counterplotting restoration: widows and other fatal women -- The plots thicken: dogma and its discontents through exclusion -- Revolutionary plottings: from whig myth to revisionary history -- Whigs and husbands: politics and cultivation -- Coda: cultural politics from the Sout Sea Bubble to Tom Jones. 225 x 150 mm. xviii, 333 pp. [ISBN: 978-0521619301] Hardbound. A very good bright copy free from ownership inscriptions in like dustwrapper. N° de réf. du vendeur 32988
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Paperback. Etat : new. Paperback. Richard Braverman's study of literary and political plots looks at the ways in which the rhetoric of seventeenth- and eighteenth-century dynastic politics finds its formal expression in narrative evocations of the family romance. Its point of departure is the political conflict that led to the rupture between crown and parliament in the earlier seventeenth century, and the ensuing quest for a discourse that might bridge the division. Beginning with the restoration of the monarchy in 1660 and ending with the rise of oligarchy in the 1720s, it traverses a wide literary territory, from royalist lyrics celebrating the Restoration, to Butler, Marvell, Etherege, Dryden, Congreve, Defoe and Thomson, amongst others. Covering an equally broad range of genres, including satire, tragedy, comedy, romance, georgic and the novel, Braverman's argument is focused by the notion of sexual politics, offering an idiom in which to address the larger framework of dynastic politics. Richard Braverman's study of literary and political plots looks at the ways in which the rhetoric of seventeenth- and eighteenth-century dynastic politics finds its formal expression in narrative evocations of the family romance. Its point of departure is the political conflict that led to the rupture between crown and parliament in the earlier seventeenth century, and the ensuing quest for a discourse that might bridge the division. Beginning with the restoration of the monarchy in 1660 and ending with the rise of oligarchy in the 1720s, it traverses a wide literary territory, from royalist lyrics celebrating the Restoration, to Butler, Marvell, Etherege, Dryden, Congreve, Defoe and Thomson, amongst others. Covering an equally broad range of genres, including satire, tragedy, comedy, romance, georgic and the novel, Braverman's argument is focused by the notion of sexual politics, offering an idiom in which to address the larger framework of dynastic politics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780521619301
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