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Description du livre paperback. Etat : New. Language: ENG. N° de réf. du vendeur 9780525566373
Description du livre Soft Cover. Etat : new. N° de réf. du vendeur 9780525566373
Description du livre Taschenbuch. Etat : Neu. Neuware -Own it, snowflakes: you've lost everything you claim to hold dear.White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho, Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates his admonishment of received truths as expressed by today's version of 'the left.' Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at the relentless anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, 'woke' cultural watchdogs, the obfuscation of ideals once both cherished and clear, and the fugue state of American democracy. In a young century marked by hysterical correctness and obsessive fervency on both sides of an aisle that's taken on the scale of the Grand Canyon, White is a clarion call for freedom of speech and artistic freedom. 'The central tension in Ellis's art-or his life, for that matter-is that while [his] aesthetic is the cool reserve of his native California, detachment over ideology, he can't stop generating heat. He's hard-wired to break furniture.'-Karen Heller, The Washington Post 'Sweating with rage . . . humming with paranoia.'-Anna Leszkiewicz, The Guardian 'Snowflakes on both coasts in withdrawal from Rachel Maddow's nightly Kremlinology lesson can purchase a whole book to inspire paroxysms of rage . . . a veritable thirst trap for the easily microaggressed. It's all here. Rants about Trump derangement syndrome; MSNBC; #MeToo; safe spaces.'-Bari Weiss, The New York Times. N° de réf. du vendeur 9780525566373
Description du livre Taschenbuch. Etat : Neu. Neuware - Own it, snowflakes: you've lost everything youclaim tohold dear.White is Bret Easton Ellis's first work of nonfiction. Already thebad boy of American literature, from Less Than Zero to American Psycho, Ellis has alsoearned the wrath of right-thinking people everywhere with his provocations on social media, and here heescalates his admonishment of received truths asexpressed by today's version of 'the left.' Eschewing convention, he embraces views that will make many in literary andmedia communitiescringe, as he takes aim at the relentless anti-Trump fixation, coastal elites, corporatecensorship, Hollywood, identity politics, Generation Wuss, 'woke'cultural watchdogs, the obfuscation of idealsonce bothcherished and clear, and the fugue state of American democracy. In a young century marked by hysterical correctness and obsessive fervency on both sides of an aisle that's taken on the scale of the Grand Canyon, White is a clarion call for freedom of speech and artistic freedom. 'The central tension in Ellis's art or his life, for that matter is that while [his] aesthetic is the cool reserve of his native California, detachment over ideology, he can't stop generating heat. He's hard-wired to break furniture.' Karen Heller, TheWashington Post 'Sweating with rage . . . humming with paranoia.' Anna Leszkiewicz, The Guardian 'Snowflakes on both coasts in withdrawal from Rachel Maddow's nightly Kremlinology lesson can purchase a whole book to inspire paroxysms of rage . . . a veritable thirst trap for the easily microaggressed. It's all here. Rants about Trump derangement syndrome; MSNBC; #MeToo; safe spaces.' Bari Weiss, The New York TimesLook for Bret Easton Ellis s new novel, The Shards! 272 pp. Englisch. N° de réf. du vendeur 9780525566373
Description du livre Taschenbuch. Etat : Neu. Neuware -Own it, snowflakes: you've lost everything you claim to hold dear.White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho, Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates his admonishment of received truths as expressed by today's version of 'the left.' Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at the relentless anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, 'woke' cultural watchdogs, the obfuscation of ideals once both cherished and clear, and the fugue state of American democracy. In a young century marked by hysterical correctness and obsessive fervency on both sides of an aisle that's taken on the scale of the Grand Canyon, White is a clarion call for freedom of speech and artistic freedom. 'The central tension in Ellis's art-or his life, for that matter-is that while [his] aesthetic is the cool reserve of his native California, detachment over ideology, he can't stop generating heat. He's hard-wired to break furniture.'-Karen Heller, The Washington Post 'Sweating with rage . . . humming with paranoia.'-Anna Leszkiewicz, The Guardian 'Snowflakes on both coasts in withdrawal from Rachel Maddow's nightly Kremlinology lesson can purchase a whole book to inspire paroxysms of rage . . . a veritable thirst trap for the easily microaggressed. It's all here. Rants about Trump derangement syndrome; MSNBC; #MeToo; safe spaces.'-Bari Weiss, The New York Times 272 pp. Englisch. N° de réf. du vendeur 9780525566373
Description du livre Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. N° de réf. du vendeur B9780525566373
Description du livre Taschenbuch. Etat : Neu. Neuware -Own it, snowflakes: you've lost everything youclaim tohold dear.White is Bret Easton Ellis's first work of nonfiction. Already thebad boy of American literature, from Less Than Zero to American Psycho, Ellis has alsoearned the wrath of right-thinking people everywhere with his provocations on social media, and here heescalates his admonishment of received truths asexpressed by today's version of 'the left.' Eschewing convention, he embraces views that will make many in literary andmedia communitiescringe, as he takes aim at the relentless anti-Trump fixation, coastal elites, corporatecensorship, Hollywood, identity politics, Generation Wuss, 'woke'cultural watchdogs, the obfuscation of idealsonce bothcherished and clear, and the fugue state of American democracy. In a young century marked by hysterical correctness and obsessive fervency on both sides of an aisle that's taken on the scale of the Grand Canyon, White is a clarion call for freedom of speech and artistic freedom. 'The central tension in Ellis's art or his life, for that matter is that while [his] aesthetic is the cool reserve of his native California, detachment over ideology, he can't stop generating heat. He's hard-wired to break furniture.' Karen Heller, TheWashington Post 'Sweating with rage . . . humming with paranoia.' Anna Leszkiewicz, The Guardian 'Snowflakes on both coasts in withdrawal from Rachel Maddow's nightly Kremlinology lesson can purchase a whole book to inspire paroxysms of rage . . . a veritable thirst trap for the easily microaggressed. It's all here. Rants about Trump derangement syndrome; MSNBC; #MeToo; safe spaces.' Bari Weiss, The New York TimesLook for Bret Easton Ellis s new novel, The Shards! 272 pp. Englisch. N° de réf. du vendeur 9780525566373
Description du livre Paperback. Etat : Brand New. reprint edition. 261 pages. 8.00x5.00x0.75 inches. In Stock. N° de réf. du vendeur __0525566376
Description du livre Kartoniert / Broschiert. Etat : New. BRET EASTON ELLIS is the author of six novels and a collection of stories, which have been translated into thirty-two languages. He lives in Los Angeles and is the host of The Bret Easton Ellis Podcast available on Patreon.Own it, snowflakes: you ve . N° de réf. du vendeur 315005255
Description du livre Etat : New. N° de réf. du vendeur 26377616066