“
I Hear Your Voice is compulsively readable—it zips along on light feet, relating sad and often horrifying events without judgement. Young-ha Kim is kin to those writers of more experimental times than ours: Daniel Defoe and Thomas Nashe, writers who followed their stories and themes into whatever haunted, humid dark corners they found, and who weren't afraid to linger in those places to see what else might be there. Kim shares their unmoored curiosity as well as their deep discipline—usually, you have to pick one. In a relatively short space, Kim accomplishes much, and saves his very best work for the book's miraculous final act: a rare treat.”
—John Darnielle, New York Times bestselling author of Universal Harvester and National Book Award-finalist Wolf in White Van “
Elegantly rendered into English by Lee, author of
How I Became a North Korean (she is also translating Kim’s next novel), this is
a wrenching examination of discarded youth, abuses of power, and the irreparable disintegration of societal structures.” —
BOOKLIST "
Kim (I Have the Right to Destroy Myself, 2010, etc.), a prolific and eclectic Korean novelist, has found artistically fertile ground in the broken lives of his country’s misfits... Like the shifting gears of an engine, Kim’s narrative changes perspectives from Donggyu’s first-person recollections to wide-screen omniscience to the point of view of an enigmatic police officer and even to that of the author himself, following a climactic motorcycle rally whose stunning denouement leaves behind many more questions than answers...
[Kim’s]own empathetic gifts applied toward even the quirkiest and seediest of his characters evoke a vivid panorama of what life along the edges is like in Seoul." ?KIRKUS REVIEWS “
I Hear Your Voice is compulsively readable—it zips along on light feet, relating sad and often horrifying events without judgement. Young-ha Kim is kin to those writers of more experimental times than ours: Daniel Defoe and Thomas Nashe, writers who followed their stories and themes into whatever haunted, humid dark corners they found, and who weren't afraid to linger in those places to see what else might be there. Kim shares their unmoored curiosity as well as their deep discipline—usually, you have to pick one. In a relatively short space, Kim accomplishes much, and saves his very best work for the book's miraculous final act: a rare treat.”
—John Darnielle, New York Times bestselling author of Universal Harvester and National Book Award-finalist Wolf in White VanIncluded on TIME's "What to Read Now: Summer Reading" “The plight of an orphan whose teenage mother disappears after giving birth to him in a bus terminal sets of Kim’s dark tale about teenage gangs and the underside of Korean city life... Donggyu, though still a teenager, leaves the comforts of home to join him, and his feelings about Jae, which waver from adoration to murderous jealousy, are vividly portrayed... Kim casts an unwavering spotlight on the gritty street life of teenagers, capturing their angst, ennui, and vulnerability.”
?PUBLISHERS WEEKLY “
Elegantly rendered into English by Lee, author of
How I Became a North Korean (she is also translating Kim’s next novel), this is
a wrenching examination of discarded youth, abuses of power, and the irreparable disintegration of societal structures.” —
BOOKLIST "
Kim (I Have the Right to Destroy Myself, 2010, etc.), a prolific and eclectic Korean novelist, has found artistically fertile ground in the broken lives of his country’s misfits... Like the shifting gears of an engine, Kim’s narrative changes perspectives from Donggyu’s first-person recollections to wide-screen omniscience to the point of view of an enigmatic police officer and even to that of the author himself, following a climactic motorcycle rally whose stunning denouement leaves behind many more questions than answers...
[Kim’s]own empathetic gifts applied toward even the quirkiest and seediest of his characters evoke a vivid panorama of what life along the edges is like in Seoul." ?KIRKUS REVIEWS “
I Hear Your Voice is compulsively readable—it zips along on light feet, relating sad and often horrifying events without judgement. Young-ha Kim is kin to those writers of more experimental times than ours: Daniel Defoe and Thomas Nashe, writers who followed their stories and themes into whatever haunted, humid dark corners they found, and who weren't afraid to linger in those places to see what else might be there. Kim shares their unmoored curiosity as well as their deep discipline—usually, you have to pick one. In a relatively short space, Kim accomplishes much, and saves his very best work for the book's miraculous final act: a rare treat.”
—John Darnielle, New York Times bestselling author of Universal Harvester and National Book Award-finalist Wolf in White VanIncluded on TIME's "What to Read Now: Summer Reading" Included on THE MILLIONS's "Most Anticipated: The Great Second-Half 2017 Book Preview" Included on BOOKRIOT's "New and Noteworthy" “Kim, an acclaimed South Korean writer, snares us with his
taut and eventful opening...a gritty account of what might best be called trying to survive while sinking... Kim has created bleak scenarios before... but here he goes further, blending dark hues with coarse textures...Kim excels with his tour of Seoul’s underbelly and his examination, or evisceration, of urban culture.
His warts-and-all portrayal of young disaffected, disenfranchised or delinquent misfits recalls Bret Easton Ellis’s Less Than Zero, and his characters’ anguished alienation is as palpable as that found in Haruki Murakami’s fiction. Krys Lee deserves credit for her skilled translation...
An absorbing novel about life lived on the skids, on the margins, and, ultimately, in the fast lane.”
?THE NATIONAL “The plight of an orphan whose teenage mother disappears after giving birth to him in a bus terminal sets of Kim’s dark tale about teenage gangs and the underside of Korean city life... Donggyu, though still a teenager, leaves the comforts of home to join him, and his feelings about Jae, which waver from adoration to murderous jealousy, are vividly portrayed... Kim casts an unwavering spotlight on the gritty street life of teenagers, capturing their angst, ennui, and vulnerability.”
?PUBLISHERS WEEKLY “
Elegantly rendered into English by Lee, author of
How I Became a North Korean (she is also translating Kim’s next novel), this is
a wrenching examination of discarded youth, abuses of power, and the irreparable disintegration of societal structures.” —
BOOKLIST "
Kim (I Have the Right to Destroy Myself, 2010, etc.), a prolific and eclectic Korean novelist, has found artistically fertile ground in the broken lives of his country’s misfits... Like the shifting gears of an engine, Kim’s narrative changes perspectives from Donggyu’s first-person recollections to wide-screen omniscience to the point of view of an enigmatic police officer and even to that of the author himself, following a climactic motorcycle rally whose stunning denouement leaves behind many more questions than answers...
[Kim’s]own empathetic gifts applied toward even the quirkiest and seediest of his characters evoke a vivid panorama of what life along the edges is like in Seoul." ?KIRKUS REVIEWS “
I Hear Your Voice is compulsively readable—it zips along on light feet, relating sad and often horrifying events without judgement. Young-ha Kim is kin to those writers of more experimental times than ours: Daniel Defoe and Thomas Nashe, writers who followed their stories and themes into whatever haunted, humid dark corners they found, and who weren't afraid to linger in those places to see what else might be there. Kim shares their unmoored curiosity as well as their deep discipline—usually, you have to pick one. In a relatively short space, Kim accomplishes much, and saves his very best work for the book's miraculous final act: a rare treat.”
—JOHN DARNIELLE, New York Times bestselling author of Universal Harvester and National Book Award-finalist Wolf in White Van"
Kim (I Have the Right to Destroy Myself, 2010, etc.), a prolific and eclectic Korean novelist, has found artistically fertile ground in the broken lives of his country’s misfits... Like the shifting gears of an engine, Kim’s narrative changes perspectives from Donggyu’s first-person recollections to wide-screen omniscience to the point of view of an enigmatic police officer and even to that of the author himself, following a climactic motorcycle rally whose stunning denouement leaves behind many more questions than answers...
[Kim’s]own empathetic gifts applied toward even the quirkiest and seediest of his characters evoke a vivid panorama of what life along the edges is like in Seoul." ?KIRKUS REVIEWS “
I Hear Your Voice is compulsively readable—it zips along on light feet, relating sad and often horrifying events without judgement. Young-ha Kim is kin to those writers of more experimental times than ours: Daniel Defoe and Thomas Nashe, writers who followed their stories and themes into whatever haunted, humid dark corners they found, and who weren't afraid to linger in those places to see what else might be there. Kim shares their unmoored curiosity as well as their deep discipline—usually, you have to pick one. In a relatively short space, Kim accomplishes much, and saves his very best work for the book's miraculous final act: a rare treat.”
—John Darnielle, New York Times bestselling author of Universal Harvester and National Book Award-finalist Wolf in White VanPraise for Black Flower:
Longlisted for 2012 Man Asian Literary Prize Shortlisted for 2013 Daesan Foundation Literary Award for Translated Literature Winner, Korean Literature Translation Prize "
Black Flower offers exquisitely detailed stories of its varied characters and their struggle in the New World. . . A deeply engaging work by a highly regarded South Korean writer."—
Washington Independent Review of Books "A clear-eyed epic."—
Minneapolis Star Tribune Praise for Your Republic Is Calling You:"A deft departure from espionage norms . . . Dear reader, you could do worse than pick up the novel." —Time
"[A] tense, expertly constructed novel . . .
Your Republic Is Calling You recalls John le Carre and late Graham Greene, and its noirish view of squelched dreams amid the general crumminess of life has a bit of Raymond Chandler, too...A grave, witty book." —
Bloomberg "A smart new literary thriller by Young-ha Kim, who at 41 is one of South Korea's best and most worldly writers, with a knack for Kafkaesque surrealism and irony." —NPR
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