'I would have a poet able bodied, fond of talking, a reader of the newspapers, capable of pity and laughter, informed in economics, appreciative of women, involved in personal relationships, actively interested in politics, susceptible to physical impressions.'
Louis MacNeice's prescription is designed to look ordinary, rather than esoteric, but very little poetry can claim to meet these specifications, stringent in their very wideness. MacNeice's work matches the world he famously described as 'incorrigibly plural.'
Michael Longley, himself a distinguished Ulster poet, has written an introductory essay of meticulous advocacy. His wife, the critic Edna Longley, has supplied the apparatus for students and the general reader.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Louis MacNeice was born in Belfast in 1907, the son of a Church of Ireland rector, later a bishop. He was educated in England at Sherborne, Marlborough and Merton College, Oxford. His first book of poems, Blind Fireworks, appeared in 1929, and he subsequently worked as a translator, literary critic, playwright, autobiographer, BBC producer and feature writer. The Burning Perch, his last volume of poems, appeared shortly before his death in 1963.
Michael Longley was born in Belfast in 1939, and educated at Trinity College, Dublin, where he read Classics. He has published eleven collections of poetry including Gorse Fires (1991) which won the Whitbread Poetry Award, The Weather in Japan (2000) which won both the Hawthornden Prize and the T. S. Eliot Prize, and The Stairwell (2014) which won the Griffin International Prize. His Collected Poems appeared in 2006. In 2001 he received the Queen's Gold Medal for Poetry, and in 2003 the Wilfred Owen Award. He was appointed a CBE in 2010, and from 2007 to 2010 was Ireland Professor of Poetry. In 2015 he was elected a Freeman of the City of Belfast. His most recent collection, Angel Hill, appeared in 2017, as did Sidelines: Selected Prose 1962-2015. He was awarded the 2017 PEN Pinter Prize.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. In the decades since his death in 1963, Louis MacNeice's reputation as a poet - and amongst poets - has grown steadily, and there are now several generations of readers in Great Britain and beyond for whom he is one of the essential poets of the twentieth century. To readers and critics alike, the nature of MacNeice's poetic work as a whole is a matter of importance, and the new Collected Poems, entirely re-edited by Peter McDonald, prints the poetry in groupings corresponding closely to the individual volumes published by Faber between 1935 and 1963.The texts of the poems are based on a comparison of all printed versions, as revised in the light of the poet's later thoughts. This has resulted in a large number of changes, presenting MacNeice's poetry more accurately, as well as more fully, than all previous collections. The new Collected Poems includes, as appendices, The Last Ditch - the short book of poems which MacNeice published with the Cuala Press in 1940 - and The Revenant, a cycle of songs written for MacNeice's wife, the singer Hedli Anderson. This new edition includes a selection of uncollected early poems and juvenilia, notably from Blind Fireworks, MacNeice's first published book of verse. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780571233816
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Paperback. Etat : New. Main. 'I would have a poet able bodied, fond of talking, a reader of the newspapers, capable of pity and laughter, informed in economics, appreciative of women, involved in personal relationships, actively interested in politics, susceptible to physical impressions.'Louis MacNeice's prescription is designed to look ordinary, rather than esoteric, but very little poetry can claim to meet these specifications, stringent in their very wideness. MacNeice's work matches the world he famously described as 'incorrigibly plural.'Michael Longley, himself a distinguished Ulster poet, has written an introductory essay of meticulous advocacy. His wife, the critic Edna Longley, has supplied the apparatus for students and the general reader. N° de réf. du vendeur LU-9780571233816
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