Conversations with Friends - Couverture rigide

Rooney, Sally

Couverture rigide

ISBN 10 : 0571333125 ISBN 13 : 9780571333127

Editeur : Faber & Faber, 2017

A propos du livre

Extrait

***This excerpt is from an advance uncorrected copy proof***

Copyright © 2017 Sally Rooney

Chapter 1

Bobbi and I first met Melissa at a poetry night in town, where we were performing together. Melissa took our photograph outside, with Bobbi smoking and me self-consciously holding my left wrist in my right hand, as if I was afraid the wrist was going to get away from me. Melissa used a big professional camera and kept lots of different lenses in a special camera pouch. She chatted and smoked while taking the pictures. She talked about our performance and we talked about her work, which we’d come across on the inter- net. Around midnight the bar closed. It was starting to rain then, and Melissa told us we were welcome to come back to her house for a drink.

We all got into the back of a taxi together and started fixing up our seat belts. Bobbi sat in the middle, with her head turned to speak to Melissa, so I could see the back of her neck and her little spoon-like ear. Melissa gave the driver an address in Monkstown and I turned to look out the window. A voice came on the radio to say the words: eighties . . . pop. . . classics. Then a jingle played. I felt excited, ready for the challenge of visiting a stranger’s home, already preparing compliments and certain facial expressions to make myself seem charming.

The house was a semi-detached red-brick, with a sycamore tree outside. Under the streetlight the leaves looked orange and artificial. I was a big fan of seeing the insides of other people’s houses, especially people who were slightly famous like Melissa. Right away I decided to remember everything about her home, so I could describe it to our other friends later and Bobbi could agree.

When Melissa let us in, a little red spaniel came racing up the hall and started barking at us. The hallway was warm and the lights were on. Next to the door was a low table where someone had left a stack of change, a hairbrush and an open tube of lipstick. There was a Modigliani print hanging over the staircase, a nude woman reclining. I thought: this is a whole house. A family could live here.

We have guests, Melissa called down the corridor.

No one appeared so we followed her into the kitchen. I remember seeing a dark wooden bowl filled with ripe fruit, and noticing the glass conservatory. Rich people, I thought. I was always thinking about rich people then. The dog had followed us to the kitchen and was snuffling around at our feet, but Melissa didn’t mention the dog so neither did we.

Wine? Melissa said. White or red?

She poured huge, bowl-sized glasses and we all sat around a low table. Melissa asked us how we’d started out performing spoken word poetry together. We had both just finished our third year of university at the time, but we’d been per- forming together since we were in school. Exams were over by then. It was late May.

Melissa had her camera on the table and occasionally lifted it to take a photograph, laughing self-deprecatingly about being a ‘work addict’. She lit a cigarette and tipped the ash into a kitschy-looking glass ashtray. The house didn’t smell of smoke at all and I wondered if she usually smoked in there or not.

I made some new friends, she said.

Her husband was in the kitchen doorway. He held up his hand to acknowledge us and the dog started yelping and whining and running around in circles.

This is Frances, said Melissa. And this is Bobbi. They’re poets.

He took a bottle of beer out of the fridge and opened it on the countertop.

Come and sit with us, Melissa said.

Yeah, I’d love to, he said, but I should try and get some sleep before this flight.

The dog jumped up on a kitchen chair near where he was standing and he reached out absently to touch its head. He asked Melissa if she had fed the dog, she said no. He lifted the dog into his arms and let the dog lick his neck and jaw. He said he would feed her, and he went back out the kitchen door again.

Nick’s filming tomorrow morning in Cardiff, said Melissa. We already knew that the husband was an actor. He and Melissa were frequently photographed together at events, and we had friends of friends who had met them. He had a big, handsome face, and looked like he could comfortably pick Melissa up under one arm and fend off interlopers with the other.

He’s very tall, Bobbi said.

Melissa smiled as if ‘tall’ was a euphemism for some- thing, but not necessarily something flattering. The conversation moved on. We got into a short discussion about the government and the Catholic Church. Melissa asked us if we were religious and we said no. She said she found religious occasions, like funerals or weddings, ‘comforting in a kind of sedative way’. They’re communal, she said. There’s something nice about that for the neurotic individualist. And I went to a convent school so I still know most of the prayers.

We went to a convent school, said Bobbi. It posed issues. Melissa grinned and said: like what?

Well, I’m gay, said Bobbi. And Frances is a communist.

I also don’t think I remember any of the prayers, I said. We sat there talking and drinking for a long time. I

remember that we talked about the poet Patricia Lockwood, who we admired, and also about what Bobbi disparagingly called ‘pay gap feminism’. I started to get tired and a little drunk. I couldn’t think of anything witty to say and it was hard to arrange my face in a way that would convey my sense of humour. I think I laughed and nodded a lot. Melissa told us she was working on a new book of essays. Bobbi had read her first one, but I hadn’t.

It’s not very good, Melissa told me. Wait till the next one comes out.

At about three o’clock, she showed us to the spare room and told us how great it was to meet us and how glad she was that we were staying. When we got into bed I stared up at the ceiling and felt very drunk. The room was spinning repetitively in short, consecutive spins. Once I adjusted my eyes to one rotation, another would begin immediately. I asked Bobbi if she was also having a problem with that but she said no.

She’s amazing, isn’t she? said Bobbi. Melissa. I like her, I said.

We could hear her voice in the corridor, and her footsteps taking her from room to room. Once when the dog barked we could hear her yell something, and then her husband’s voice. But after that we fell asleep. We didn’t hear him leave.

/

Bobbi and I had first met in secondary school. Back then Bobbi was very opinionated, and frequently spent time in detention for a behavioural offence our school called ‘disrupting teaching and learning’. When we were sixteen she got her nose pierced and took up smoking. Nobody liked her. She got temporarily suspended once for writing ‘fuck the patriarchy’ on the wall beside a plaster cast of the crucifixion. There was no feeling of solidarity around this incident. Bobbi was considered a show-off. Even I had to admit that teaching and learning went a lot more smoothly during the week she was gone.

When we were seventeen we had to attend a fundraising dance in the school assembly hall, with a partially broken disco ball casting lights on the ceiling and the barred-up windows. Bobbi wore a flimsy summer dress and looked like she hadn’t brushed her hair. She was radiantly attractive, which meant everyone had to work hard not to pay her any attention. I told her I liked her dress. She gave me some of the vodka she was drinking from a Coke bottle and asked if the rest of the school was locked up. We checked the door up to the back staircase and found it was open. All the

 

lights were off and no one else was up there. We could hear the music buzzing through the floorboards, like a ringtone belonging to someone else. Bobbi gave me some more of her vodka and asked me if I liked girls. It was very easy to act unfazed around her. I just said: sure.

I wasn’t betraying anyone’s loyalties by being Bobbi’s girlfriend. I didn’t have close friends and at lunchtime I read textbooks alone in the school library. I liked the other girls, I let them copy my homework, but I was lonely and felt unworthy of real friendship. I made lists of the things I had to improve about myself. After Bobbi and I started seeing each other, everything changed. No one asked for my home- work anymore. At lunchtime we walked along the car park holding hands and people looked away from us maliciously. It was fun, the first real fun I’d ever had.

After school we used to lie in her room listening to music and talking about why we liked each other. These were long and intense conversations, and felt so momentous to me that I secretly transcribed parts of them from memory in the evenings. When Bobbi talked about me it felt like seeing myself in a mirror for the first time. I also looked in actual mirrors more often. I started taking a close interest in my face and body, which I’d never done before. I asked Bobbi questions like: do I have long legs? Or short?

At our school graduation ceremony we performed a spoken word piece together. Some of the parents cried, but our classmates just looked out the assembly-room windows or talked quietly amongst themselves. Several months later, after more than a year together, Bobbi and I broke up.

/

Melissa wanted to write a profile about us. She sent us an email asking if we were interested, and attached some of the photographs she had taken outside the bar. Alone in my room, I downloaded one of the files and opened it up to full- screen. Bobbi looked back at me, mischievous, holding a cigarette in her right hand and pulling on her fur stole with the other. Beside her, I looked bored and interesting. I tried to imagine my name appearing in a profile piece, in a serif font with thick stems. I decided I would try harder to impress Melissa next time we met.

Bobbi called me almost immediately after the email arrived. Have you seen the photographs? she said. I think I’m in

love with her.

I held my phone in one hand and zoomed in on Bobbi’s face with the other. It was a high-quality image but I zoomed until I could see the pixellation.

Maybe you’re just in love with your own face, I said.

Just because I have a beautiful face doesn’t mean I’m a narcissist.

I let that one go. I was involved in the zooming process still. I knew that Melissa wrote for several big literary web- sites, and her work circulated widely online. She had written a famous essay about the Oscars which everyone reposted every year during awards season. Sometimes she also wrote local profiles, about artists who sold their work on Grafton Street or buskers in London; these were always accompanied by beautiful photographs of her subjects, looking human and full of ‘character’. I zoomed back out and tried to look at my own face as if I were a stranger on the internet seeing it for the first time. It looked round and white, the eyebrows like overturned parentheses, my eyes averted from the lens, almost shut. Even I could see I had character.

We emailed her back saying we’d be delighted, and she invited us over for dinner to talk about our work and get some additional photographs. Bobbi and I discussed at length what Bobbi would wear to this event, under the guise of talking about what we should both wear. I lay in my room watching her look at herself in the mirror, moving pieces of her hair back and forth critically.

So when you say you’re in love with Melissa, I said. I mean I have a crush on her.

You know she’s married.

You don’t think she likes me? said Bobbi.

She was holding up one of my white brushed-cotton shirts in front of the mirror.

What do you mean likes you? I said. Are we being serious or just joking?

I am partly being serious. I think she does like me. In an extramarital affair kind of way?

Bobbi just laughed at that. With other people I generally had a sense of what to take seriously and what not to, but with Bobbi it was impossible. She never seemed to be either fully serious or fully joking. As a result I had learned to adopt a kind of Zen acceptance of the weird things she said. I watched her take her blouse off and pull on the white shirt. She rolled up the sleeves carefully.

Good? she said. Or terrible? Good. It looks good.

 

Chapter 2

It rained all day before we went for dinner at Melissa’s. I sat in bed in the morning writing poetry, hitting the return key whenever I wanted. Eventually I opened my blinds, read the news online and showered. My apartment had a door out into the courtyard of the building, which was lavish with greenery and featured a cherry blossom tree in the far corner. It was almost June now, but in April the blossoms were bright and silky like confetti. The couple next door had a little baby who cried sometimes at night. I liked living there.

Bobbi and I met in town that evening and got a bus to Monkstown. Finding our way back to the house felt like unwrapping something in a game of pass the parcel. I mentioned this to Bobbi on the way and she said: is it the prize, or just another layer of wrapping?

We’ll catch up on that after dinner, I said.

When we rang the bell, Melissa answered the door with her camera slung over one shoulder. She thanked us for coming. She had an expressive, conspiratorial smile, which I thought she probably gave to all of her subjects, as if to say: you’re no ordinary subject to me, you’re a special favourite. I knew I would enviously practise this smile later in a mirror. The spaniel yapped in the kitchen doorway while we hung up our jackets.

In the kitchen her husband was chopping vegetables. The dog was really excited by this gathering. It leapt onto a kitchen chair and barked for ten or twenty seconds before he told it to stop.

Can we get you both a glass of wine? Melissa said.

We said sure, and Nick poured the glasses. I had looked him up online since the first time we met him, partly because I didn’t know any other actors in real life. He had mainly worked in theatre, but also did some TV and film. He had once, several years previously, been nominated for a major award, which he didn’t win. I’d happened on a whole selection of shirtless photographs, most of which showed him looking younger, coming out of a swimming pool or showering on a TV show that had long ago been cancelled. I sent Bobbi a link to one of these photographs with the message: trophy husband.

Melissa didn’t appear in many photographs on the inter- net, though her collection of essays had generated a lot of publicity. I didn’t know how long she had been married to Nick. Neither of them was famous enough for that kind of information to be online.

So you guys write everything together? Melissa said.

Oh God, no, said Bobbi. Frances writes everything. I don’t even help.

That’s not true, I said. That’s not true, you do help. She’s just saying that.

Melissa cocked her head to the side and gave a kind of laugh.

Alright, so, which one of you is lying? she said.

I was lying. Except in the sense of enriching my life, Bob- bi didn’t help me write the poetry. As far as I knew she had never written creatively at all. She liked to perform dramatic monologues and sing anti-war ballads. Onstage she...

Revue de presse

Praise for Conversations with Friends:

A Publishers Weekly Pick of the Week

“A writer of rare confidence, with a lucid, exacting style... [O]ne wonderful aspect of Rooney’s consistently wonderful novel is the fierce clarity with which she examines the self-delusion that so often festers alongside presumed self-knowledge... But Rooney’s natural power is as a psychological portraitist. She is acute and sophisticated about the workings of innocence; the protagonist of this novel about growing up has no idea just how much of it she has left to do.”
– The New Yorker

“Rooney has the gift of imbuing everyday life with a sense of high stakes...a novel of delicious frictions.”
– Christian Lorentzen, New York Magazine

"[A] bracing, miraculous debut."
– The Millions

“Sally Rooney’s debut novel is a remarkably charming exploration of that very uncharming subject: the human ego...Conversations With Friends sparkles with controlled rhetoric. But it ends up emphasizing the truths exploding in the silences.”
– Slate

“In this searing, insightful debut, Rooney offers an unapologetic perspective on the vagaries of relationships... a treatise on married life, the impact of infidelity, the ramifications of one’s actions, and how the person one chooses to be with can impact one’s individuality. Throughout, Rooney’s descriptive eye lends beauty and veracity to this complex and vivid story.”
– Publishers Weekly (starred)

“Readers who enjoyed Belinda McKeon's Tender and Caitriona Lally's Eggshells will enjoy this exceptional debut."
– Library Journal (starred)

"A smart, sexy, realistic portrayal of a woman finding herself."
– Booklist (starred)

“An astonishing assured debut.”
– The Bookseller 

"The book of the summer...the wider issues underscoring her book – including race, sex and gender – which in her careful treatment, emerge far more complex and often funnier, than we could have ever imagined." 
– Refinery29

"A very funny, very humanly messy tale of sexual and artistic self-discovery in which every page reveals shrewd emotional insight. Caught between laser-eyed irony and heart-melting sincerity, the book is a masterclass in narrative tone that left me desperate to read whatever Rooney writes next... An addictive, funny and truthful first novel about love and literature."
– Metro 

“[Sally] Rooney has managed to take something old, the romance novel, and make it new: Frances is a bisexual communist student, allergic to expressing emotion, and her love affair is with a married man, and yet the book makes no attempt to make a moral stand on fidelity or punish its characters for their passions. The effect is, frankly, riveting, and creates a peculiar sensation of danger...An addictive read.”
– Rufi Thorpe, author of The Girls From Corona del Mar and Dear Fang, With Love

"Sally Rooney's writing is cool, wry and smooth, and gives the reader a sense of being in the lucky position of overhearing not only what fascinating strangers are talking about, but also what they're thinking. I was riveted til the last page." 
– Emily Gould, author of Friendship

"Fascinating, ferocious and shrewd. Sally Rooney has the sharpest eye for all of the most delicate cruelties of human interaction."
– Lisa McInerney, author of The Glorious Heresies (winner of the Baileys Women's Prize for Fiction)

“[Sally] Rooney captures the mood and voice of contemporary women and their interpersonal connections and concerns without being remotely predictable...A clever and current book about a complicated woman and her romantic relationships.”
- Kirkus 

"Rooney writes so well of the condition of being a young, gifted but self-destructive woman, both the mentality and physicality of it. She is alert to the invisible bars imprisoning the apparently free. Though herself young – she was born in 1991 – she has already been shortlisted for this year’s Sunday Times EFG short story award. Her hyperarticulate characters may fail to communicate their fragile selves, but Rooney does it for them in a voice distinctively her own."
- The Guardian

"A novelist to watch: An addictive debut, with nods to Tender is the Night, heralds a bright new talent."
- Sunday Times

“A contemporary love story so powerful, graceful and honest it left me reeling. [Conversations with Friends] is, by turns, astonishing, heart-rending and perfect; there's not a word out of place.”
– Luke Kennard, author of The Transition

"Sally Rooney is a writer going all the way to the top. Conversations with Friends features the 21st century, Irish descendents of Salinger's guileless wiseasses brought to life in prose as taut and coolly poised as early Bret Easton Ellis."
– Colin Barrett, author of Young Skins

"There's not a beat out of place in Sally Rooney’s astonishingly poised writing. Conversations with Friends is the most sophisticated and perceptive novel I've read about relationships in the 2010s."
– Gavin Corbett, author of This Is The Way and Green Glowing Skull

"Written with such precision and perceptiveness, full of arid humour and reckless despair, a novel of spine-tingling salience."
– Sara Baume, author of Spill Simmer Falter Wither and winner of the 2015 Geoffrey Faber Memorial Prize

À propos de cette édition

• Éditeur: Faber & Faber
• Date d'édition: 2017
• ISBN 10: 0571333125
• ISBN 13: 9780571333127
• Reliure: Relié
• Nombre de pages: 336