the shadow of a crow
At the first gesture of morning, flies began stirring. Inman's eyes and the long wound at his neck drew them, and the sound of their wings and the touch of their feet were soon more potent than a yardful of roosters in rousing a man to wake. So he came to yet one more day in the hospital ward. He flapped the flies away with his hands and looked across the foot of his bed to an open triple-hung window. Ordinarily he could see to the red road and the oak tree and the low brick wall. And beyond them to a sweep of fields and flat piney woods that stretched to the western horizon. The view was a long one for the flatlands, the hospital having been built on the only swell within eyeshot. But it was too early yet for a vista. The window might as well have been painted grey.
Had it not been too dim, Inman would have read to pass the time until breakfast, for the book he was reading had the effect of settling his mind. But he had burned up the last of his own candles reading to bring sleep the night before, and lamp oil was too scarce to be striking the hospital's lights for mere diversion. So he rose and dressed and sat in a ladderback chair, putting the gloomy room of beds and their broken occupants behind him. He flapped again at the flies and looked out the window at the first smear of foggy dawn and waited for the world to begin shaping up outside.
The window was tall as a door, and he had imagined many times that it would open onto some other place and let him walk through and be there. During his first weeks in the hospital, he had been hardly able to move his head, and all that kept his mind occupied had been watching out the window and picturing the old green places he recollected from home. Childhood places. The damp creek bank where Indian pipes grew. The corner of a meadow favored by brown-and-black caterpillars in the fall. A hickory limb that overhung the lane, and from which he often watched his father driving cows down to the barn at dusk. They would pass underneath him, and then he would close his eyes and listen as the cupping sound of their hooves in the dirt grew fainter and fainter until it vanished into the calls of katydids and peepers. The window apparently wanted only to take his thoughts back. Which was fine with him, for he had seen the metal face of the age and had been so stunned by it that when he thought into the future, all he could vision was a world from which everything he counted important had been banished or had willingly fled.
By now he had stared at the window all through a late summer so hot and wet that the air both day and night felt like breathing through a dishrag, so damp it caused fresh sheets to sour under him and tiny black mushrooms to grow overnight from the limp pages of the book on his bedside table. Inman suspected that after such long examination, the grey window had finally said about all it had to say. That morning, though, it surprised him, for it brought to mind a lost memory of sitting in school, a similar tall window beside him framing a scene of pastures and low green ridges terracing up to the vast hump of Cold Mountain. It was September. The hayfield beyond the beaten dirt of the school playground stood pant-waist high, and the heads of grasses were turning yellow from need of cutting. The teacher was a round little man, hairless and pink of face. He owned but one rusty black suit of clothes and a pair of old overlarge dress boots that curled up at the toes and were so worn down that the heels were wedgelike. He stood at the front of the room rocking on the points. He talked at length through the morning about history, teaching the older students of grand wars fought in ancient England.
After a time of actively not listening, the young Inman had taken his hat from under the desk and held it by its brim. He flipped his wrist, and the hat skimmed out the window and caught an updraft and soared. It landed far out across the playground at the edge of the hayfield and rested there black as the shadow of a crow squatted on the ground. The teacher saw what Inman had done and told him to go get it and to come back and take his whipping. The man had a big paddleboard with holes augered in it, and he liked to use it. Inman never did know what seized him at that moment, but he stepped out the door and set the hat on his head at a dapper rake and walked away, never to return.
The memory passed on as the light from the window rose toward day. The man in the bed next to Inman's sat and drew his crutches to him. As he did every morning, the man went to the window and spit repeatedly and with great effort until his clogged lungs were clear. He ran a comb through his black hair, which hung lank below his jaw and was cut square around. He tucked the long front pieces of hair behind his ears and put on his spectacles of smoked glass, which he wore even in the dim of morning, his eyes apparently too weak for the warmest form of light. Then, still in his nightshirt, he went to his table and began working at a pile of papers. He seldom spoke more than a word or two at a time, and Inman had learned little more of him than that his name was Balis and that before the war he had been to school at Chapel Hill, where he had attempted to master Greek. All his waking time was now spent trying to render ancient scribble from a fat little book into plain writing anyone could read. He sat hunched at his table with his face inches from his work and squirmed in his chair, looking to find a comfortable position for his leg. His right foot had been taken off by grape at Cold Harbor, and the stub seemed not to want to heal and had rotted inch by inch from the ankle up. His amputations had now proceeded past the knee, and he smelled all the time like last year's ham.
For a while there was only the sound of Balis's pen scratching, pages turning. Then others in the room began to stir and cough, a few to moan. Eventually the light swelled so that all the lines of the varnished beadboard walls stood clear, and Inman could cock back on the chair's hind legs and count the flies on the ceiling. He made it to be sixty-three.
As Inman's view through the window solidified, the dark trunks of the oak trees showed themselves first, then the patchy lawn, and finally the red road. He was waiting for the blind man to come. He had attended to the man's movements for some weeks, and now that he had healed enough to be numbered among the walking, Inman was determined to go out to the cart and speak to the man, for Inman figured him to have been living with a wound for a long time.
Inman had taken his own during the fighting outside Petersburg. When his two nearest companions pulled away his clothes and looked at his neck, they had said him a solemn farewell in expectation of his death. We'll meet again in a better world, they said. But he lived as far as the field hospital, and there the doctors had taken a similar attitude. He was classed among the dying and put aside on a cot to do so. But he failed at it. After two days, space being short, they sent him on to a regular hospital in his own state. All through the mess of the field hospital and the long grim train ride south in a boxcar filled with wounded, he had agreed with his friends and the doctors. He thought he would die. About all he could remember of the trip was the heat and the odors of blood and of shit, for many of the wounded had the flux. Those with the strength to do so had knocked holes in the sides of the wood boxcars with the butts of rifles and rode with their heads thrust out like crated poultry to catch the breeze.
At the hospital, the doctors looked at him and said there was not much they could do. He might live or he might not. They gave him but a grey rag and a little basin to clean his own wound. Those first few days, when he broke consciousness enough to do it, he wiped at his neck with the rag until the water in the basin was the color of the comb on a turkey-cock. But mainly the wound had wanted to clean itself. Before it started scabbing, it spit out a number of things: a collar button and a piece of wool collar from the shirt he had been wearing when he was hit, a shard of soft grey metal as big as a quarter dollar piece, and, unaccountably, something that closely resembled a peach pit. That last he set on the nightstand and studied for some days. He could never settle his mind on whether it was a part of him or not. He finally threw it out the window but then had troubling dreams that it had taken root and grown, like Jack's bean, into something monstrous.
His neck had eventually decided to heal. But during the weeks when he could neither turn his head nor hold up a book to read, Inman had lain every day watching the blind man. The man would arrive alone shortly after dawn, pushing his cart up the road, doing it about as well as any man who could see. He would set up his business under an oak tree across the road, lighting a fire in a ring of stones and boiling peanuts over it in an iron pot. He would sit all day on a stool with his back to the brick wall, selling peanuts and newspapers to those at the hospital whole enough to walk. Unless someone came to buy something, he rested as still as a stuffed man with his hands together in his lap.
That summer, Inman had viewed the world as if it were a picture framed by the molding around the window. Long stretches of time often passed when, for all the change in the scene, it might as well have been an old painting of a road, a wall, a tree, a cart, a blind man. Inman had sometimes counted off slow numbers in his head to see how long it would be before anything of significance altered. It was a game and he had rules for it. A bird flying by did not count. Someone walking down the road did. Major weather changes did-the sun coming out, fresh rain-but shadows of passing clouds did not. Some days he'd get up in the thousands before there was any allowable alteration in the elements of the picture. He believed the scene would never leave his mind-wall, blind man, tree, cart, road-no matter how far on he lived. He imagined...
"Cold Mountain is a heartbreakingly beautiful story, elegantly told and utterly convincing down to the last haunting detail."—John Berendt, author of Midnight in the Garden of Good and Evil
"This novel is so magnificent — in every conceivable aspect, and others previously unimagined — that it has occurred to me that the shadow of this book, and the joy I received in reading it, will fall over every other book I have ever read."—Rick Bass
"Lush, poetic, moving and artfully exciting—A heightened, thrilling love story—Perhaps the most eloquent writing about the awful drudgery and desperation of the Civil War since Thomas Keneally's Confederates—A great read."—John Doyle, The Globe and Mail
"Charles Frazier has taken on a daunting task — and has done extraordinarily well by it.... In prose filled with grace notes and trenchant asides, he has reset much of the Odyssey in 19-century America, near the end of the Civil War.... A Whitmanesque foray into America; into its hugeness, its freshness, its scope and its soul—Such a memorable book."—The New York Times Book Review
"A page-turner that attains the status of literature—Natural-born storytellers come along only rarely. Charles Frazier joins the ranks of that elite cadre on the first page of his astonishing debut."—Newsweek
"A rare and extraordinary book—Heart-stopping—Spellbinding."—San Francisco Chronicle
"A great read — a stirring Civil War tale told with...epic sweep...loaded with vivid historical detail."—People
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Description du livre État : New. Depending on your location, this item may ship from the US or UK. N° de réf. du libraire 97805828198940000000