The jury said "Guilty" and the Judge said "Life" but he didn't hear them. He wasn't listening. In fact, he hadn't been able to listen since that first day when the Judge banged his little wooden hammer on the high desk until he, Mink, dragged his gaze back from the far door of the courtroom to see what in the world the man wanted, and he, the Judge, leaned down across the desk hollering: "You, Snopes! Did you or didn't you kill Zack Houston?" and he, Mink, said, "Dont bother me now. Cant you see I'm busy?" then turned his own head to look again toward the distant door at the back of the room, himself hollering into, against, across the wall of little wan faces hemming him in: "Snopes! Flem Snopes! Anybody here that'll go and bring Flem Snopes! I'll pay you-Flem'll pay you!"
Because he hadn't had time to listen. In fact, that whole first trip, handcuffed to the deputy, from his jail cell to the courtroom, had been a senseless, a really outrageously foolish interference with and interruption, and each subsequent daily manacled trip and transference, of the solution to both their problems-his and the damned law's both-if they had only waited and let him alone: the watching, his dirty hands gripping among the grimed interstices of the barred window above the street, which had been his one, his imperious need during the entire two months between his incarceration and the opening of the Court.
At first, during the first few days behind the barred window, he had simply been impatient with his own impatience and-yes, he admitted it- his own stupidity. Long before the moment came when he had had to aim the gun and fire the shot, he knew that his cousin Flem, the only member of his clan with the power to and the reason to, or at least to be expected to, extricate him from its consequences, would not be there to do it. He even knew why Flem would not be there for at least a year; Frenchman's Bend was too small: everybody in it knew everything about everybody else; they would all have seen through that Texas trip even without the hurrah and hullabaloo that Varner girl had been causing ever since she (or whoever else it was) found the first hair on her bump, not to mention just this last past spring and summer while that durn McCarron boy was snuffing and fighting everybody else off exactly like a gang of rutting dogs.
So that long before Flem married her, he, Mink, and everybody else in ten miles of the Bend knew that old Will Varner was going to have to marry her off to somebody, and that quick, if he didn't want a woods- colt in his back yard next grass. And when it was Flem that finally married her, he, Mink, anyway was not surprised. It was Flem, with his usual luck. All right, more than just luck then: the only man in Frenchman's Bend that ever stood up to and held his own with old Will Varner; that had done already more or less eliminated Jody, old Will's only son, out of the store, and now was fixing to get hold of half of all the rest of it by being old Will's only son-in-law. That just by marrying her in time to save her from dropping a bastard, Flem would not only be the rightful husband of that damn girl that had kept every man under eighty years old in Frenchman's Bend in an uproar ever since she was fifteen years old by just watching her walk past, but he had got paid for it to boot: not only the right to fumble his hand every time the notion struck him under that dress that rutted a man just thinking even about somebody else's hand doing it, but was getting a free deed to that whole Old Frenchman place for doing it.
So he knew Flem would not be there when he would need him, since he knew that Flem and his new wife would have to stay away from Frenchman's Bend at least long enough for what they would bring back with them to be able to call itself only twelve months old without everybody that looked at it dying of laughing. Only, when the moment finally came, when the instant finally happened when he could no longer defer having to aim the gun and pull the trigger, he had forgot that. No, that was a lie. He hadn't forgot it. He simply could wait no longer: Houston himself would not let him wait longer-and that too was one more injury which Zack Houston in the very act of dying, had done him: compelled him, Mink, to kill him at a time when the only person who had the power to save him and would have had to save him whether he wanted to or not because of the ancient immutable laws of simple blood kinship, was a thousand miles away; and this time it was an irreparable injury because in the very act of committing it, Houston had escaped forever all retribution for it.
He had not forgotten that his cousin would not be there. He simply couldn't wait any longer. He had simply had to trust them-the Them of whom it was promised that not even a sparrow should fall unmarked. By them he didn't mean that whatever-it-was that folks referred to as Old Moster. He didn't believe in any Old Moster. He had seen too much in his time that, if any Old Moster existed, with eyes as sharp and power as strong as was claimed He had, He would have done something about. Besides, he, Mink, wasn't religious. He hadn't been to a church since he was fifteen years old and never aimed to go again-places which a man with a hole in his gut and a rut in his britches that he couldn't satisfy at home, used, by calling himself a preacher of God, to get conveniently together the biggest possible number of women that he could tempt with the reward of the one in return for the job of the other-the job of filling his hole in payment for getting theirs plugged the first time the husband went to the field and she could slip off to the bushes where the preacher was waiting; the wives coming because here was the best market they knowed of to swap a mess of fried chicken or a sweet potato pie; the husbands coming not to interrupt the trading because he knowed he couldn't interrupt it or even keep up with it, but at least to try and find out if his wife's name would come to the head of the waiting list today or if maybe he could still finish scratching that last forty before he would have to tie her to the bedpost and hide behind the door watching; and the young folks not even bothering to enter the church a-tall for already running to be the first couple behind the nearest handy thicket-bush.
He meant, simply, that them-they-it, whichever and whatever you wanted to call it, who represented a simple fundamental justice and equity in human affairs, or else a man might just as well quit; the they, them, it, call them what you like, which simply would not, could not harass and harry a man forever without someday, at some moment, letting him get his own just and equal licks back in return. They could harass and worry him, or They could even just sit back and watch everything go against him right along without missing a lick, almost like there was a pattern to it; just sit back and watch and-all right, why not? he-a man-didn't mind, as long as he was a man and there was a justice to it- enjoy it too; maybe in fact They were even testing him, to see if he was a man or not, man enough to take a little harassment and worry and so deserve his own licks back when his turn came. But at least that moment would come when it was his turn, when he had earned the right to have his own just and equal licks back, just as They had earned the right to test him and even to enjoy the testing; the moment when They would have to prove to him that They were as much a man as he had proved to Them that he was; when he not only would have to depend on Them but had won the right to depend on Them and find Them faithful; and They dared not, They would not dare, to let him down, else it would be as hard for Them to live with themselves afterward as it had finally become for him to live with himself and still keep on taking what he had taken from Zack Houston.
So he knew that morning that Flem was not going to be there. It was simply that he could wait no longer; the moment had simply come when he and Zack Houston could, must, no longer breathe the same air. And so, lacking his cousin's presence, he must fall back on that right to depend on them which he had earned by never before in his life demanding anything of them.
It began in the spring. No, it began in the fall before. No, it began a long time before that even. It began at the very instant Houston was born already shaped for arrogance and intolerance and pride. Not at the moment when the two of them, he, Mink Snopes also, began to breathe the same north Mississippi air, because he, Mink, was not a contentious man. He had never been. It was simply that his own bad luck had all his life continually harassed and harried him into the constant and unflagging necessity of defending his own simple rights.
Though it was not until the summer before that first fall that Houston's destiny had actually and finally impinged on his, Mink's, own fate-which was another facet of the outrage: that nothing, not even they, least of all they, had vouchsafed him any warning of what that first encounter would end in. This was the year after Houston's young wife had gone into the stallion's stall hunting a hen-nest and the horse had killed her and any decent man would have thought that any decent husband would have destroyed the horse as fast as he could have run to the house and got his pistol. But not Houston. Houston was not only rich enough to own a blooded stallion capable of killing his wife, but arrogant and intolerant enough to defy all decency afterward and keep the horse: supposed to be so grieving over his wife that even the neighbors didn't dare knock on his front door anymore, yet two or three times a week ripping up and down the road on that next murderer of a horse, with that big Bluetick hound running like a greyhound or another horse along beside it, right up to Varner's store and not even getting down: the three of them just waiting there in the road-the arrogant intolerant man and the bad-eyed horse and the dog that bared its teeth and raised its hackles any time anybody went near it-while Houston ordered whoever was on the front gallery to step inside and fetch him out whatever it was he had come for like they were Negroes.
Until one morning when he, Mink, was walking to the store (he had no horse to ride when he had to go for a tin of snuff or a bottle of quinine or a piece of meat); he had just come over the brow of a short hill when he heard the horse behind him, coming fast and hard, and he would have given Houston the whole road if he had had time, the horse already on top of him until Houston wrenched it savagely off and past, the damn hound leaping so close it almost brushed his chest, snarling right into his face, Houston whirling the horse and holding it dancing and plunging, shouting down at him: "Why in hell didn't you jump when you heard me coming? Get off the road! Do you still want him to beat your brains out too before I can get him down again?"
Well, maybe that was what they call grieving for the wife that maybe you didn't actually kill her yourself but at least you were either too fond of the horse or rich enough to afford to be too stingy to get rid of what did kill her. Which was all right with him, Mink, especially since all anybody had to do was just wait until sooner or later the son of a bitching horse would kill Houston too; until the next thing happened which he had not counted on, planned on, not even anticipated.
It was his milk cow, the only one he owned, not being a rich man like Houston but only an independent one, asking no favors of any man, paying his own way. She-the cow-had missed someway, failed to freshen; and there he was, not only having gone a winter without milk and now faced with another whole year without it, he had also missed out on the calf for which he had had to pay a fifty-cents cash bull fee since the only bull in reach he could get for less than a dollar was the scrub bull belonging to a Negro who insisted on cash at the gate.
So he fed the cow all that winter, waiting for the calf which wasn't even there. Then he had to lead the cow the three miles back to the Negro's house, not to claim the return of the fifty cents but only to claim a second stand from the bull, which the Negro refused to permit without the payment in advance of another fifty cents, he, Mink, standing in the empty yard cursing the Negro until the Negro went back into the house and shut the door, Mink standing in the empty yard cursing the Negro and his family inside the blank house until he had exhausted himself enough to lead the still-barren cow the three miles again back home.
Then he had to keep the barren and worthless cow up inside fence while she exhausted his own meagre pasture, then he had to feed her out of his meagre crib during the rest of that summer and fall, since the local agreement was that all stock would be kept up until all crops were out of the field. Which meant November before he could turn her out for the winter. And even then he had to divert a little feed to her from his winter's meat-hogs, to keep her in the habit of coming more or less back home at night; until she had been missing three or four days and he finally located her in Houston's pasture with his beef herd.
William Faulkner was born in New Albany, Mississippi, on September 25, 1897. His family was rooted in local history: his great-grandfather, a Confederate colonel and state politician, was assassinated by a former partner in 1889, and his grandfather was a wealth lawyer who owned a railroad. When Faulkner was five his parents moved to Oxford, Mississippi, where he received a desultory education in local schools, dropping out of high school in 1915. Rejected for pilot training in the U.S. Army, he passed himself off as British and joined the Canadian Royal Air Force in 1918, but the war ended before he saw any service. After the war, he took some classes at the University of Mississippi and worked for a time at the university post office. Mostly, however, he educated himself by reading promiscuously.
Faulkner had begun writing poems when he was a schoolboy, and in 1924 he published a poetry collection, The Marble Faun, at his own expense. His literary aspirations were fueled by his close friendship with Sherwood Anderson, whom he met during a stay in New Orleans. Faulkner's first novel, Soldier’s Pay, was published in 1926, followed a year later by Mosquitoes, a literary satire. His next book, Flags in the Dust, was heavily cut and rearranged at the publisher’s insistence and appeared finally as Sartoris in 1929. In the meantime he had completed The Sound and the Fury, and when it appeared at the end of 1929 he had finished Sanctuary and was ready to begin writing As I Lay Dying. That same year he married Estelle Oldham, whom he had courted a decade earlier.
Although Faulkner gained literary acclaim from these and subsequent novels— Light in August (1932), Pylon (1935), Absalom, Absalom! (1936), The Unvanquished (1938), The Wild Palms (1939), The Hamlet (1940), and Go Down, Moses (1942)—and continued to publish stories regularly in magazines, he was unable to support himself solely by writing fiction. he worked as a screenwriter for MGM, Twentieth Century-Fox, and Warner Brothers, forming a close relationship with director Howard Hawks, with whom he worked on To Have and Have Not, The Big Sleep, and Land of the Pharaohs, among other films. In 1944 all but one of Faulkner's novels were out of print, and his personal life was at low ebb due in part to his chronic heavy drinking. During the war he had been discovered by Sartre and Camus and others in the French literary world. In the postwar period his reputation rebounded, as Malcolm Cowley's anthology The Portable Faulkner brought him fresh attention in America, and the immense esteem in which he was held in Europe consolidated his worldwide stature.
Faulkner wrote seventeen books set in the mythical Yoknapatawpha County, home of the Compson family in The Sound and the Fury. “No land in all fiction lives more vividly in its physical presence than this county of Faulkner’s imagination,” Robert Penn Warren wrote in an essay on Cowley’s anthology. “The descendants of the old families, the descendants of bushwhackers and carpetbaggers, the swamp rats, the Negro cooks and farm hands, the bootleggers and gangsters, tenant farmers, college boys, county-seat lawyers, country storekeepers, peddlers—all are here in their fullness of life and their complicated interrelations.” In 1950, Faulkner traveled to Sweden to accept the 1949 Nobel Prize for Literature. In later books— Intruder in the Dust (1948), Requiem for a Nun (1951), A Fable (1954), The Town (1957), The Mansion (1959), and The Reivers (1962)—he continued to explore what he had called “the problems of the human heart in conflict with itself,” but did so in the context of Yoknapatawpha’s increasing connection with the modern world. He died of a heart attack on July 6, 1962.
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