The Merchant of Venice - Couverture souple

Lippman, Laura

 
9780671006372: The Merchant of Venice

Synopsis

Book by Shakespeare William

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Présentation de l'éditeur

The stage for which Shakespeare wrote used costume and other accessories merely to suggest, not to illustrate, the ideas of the playwright. To the audience of Shakespeare sday, the human passions which form the groundwork of a fictitious plot were abstract conceptions; actors and action were of interest only so far as they assisted the dramatist in presenting these conceptions vividly. The modern mind has outgrown this childlike faculty of appreciating a story merely as a story. Fiction must now be presented as history, and the characters introduced must be real men and women moving amid appropriate surroundings. THE MERCHANT OF VENICE will have no interest in the class-room, unless a real Venice, with its concourse of merchants, magnificoes, and Jews, exist in the mind of the pupil. It is to aid the teacher and student in forming such a mental picture that the notes on costume and stage accessories found in this text are designed. The usual authorities on mediaeval costume have been followed without regard to theatrical usage. The modern stage in presenting Shakespeare has difficulties to surmount and purposes of its own to serve which do not concern the reader of the plays.
(Typographical errors above are due to OCR software and don't occur in the book.)

About the Publisher

Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.

Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org

Présentation de l'éditeur

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

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