And Never Let Her Go: Thomas Capano: The Deadly Seducer - Couverture souple

Rule, Ann

Couverture souple

ISBN 10 : 0671868713 ISBN 13 : 9780671868710

Editeur : Pocket Books, 2000

Synopsis

Book by Rule Ann

A propos du livre

Extrait :

Chapter 1

Wilmington residents like to say that everyone who lives there is connected by only three degrees of separation, and it's true. If everyone in town doesn't actually know everyone else, they are at least related by marriage, employment, or coincidence. It would seem that keeping a secret in Wilmington would be akin to whispering it to a tabloid reporter, and yet deep and complicated clandestine relationships have survived Wilmington's sharpest eyes.

Perhaps because they know one another so well, Wilmingtonians can be initially standoffish to strangers, who don't fit into their grapevine of interconnected relationships. To truly belong, one has to be born and bred in Delaware and stay there until, as the natives say, "Mealey's carries you out." For many neighborhoods, Mealey's is the funeral parlor of choice.

The city's motto is carved into a sign on Delaware Avenue: WELCOME TO WILMINGTON, A PLACE TO BE SOMEBODY, a slogan that is either wildly ambiguous or optimistic. Wilmington is burnished with its patina of history, rife with somebodies who have made names for themselves.

Wilmington is almost as old as America itself, the largest city in a state so small that it has only three counties, a state 110 miles long and not much more than thirty-five miles across at its widest point. Delaware's land area is 1,982 square miles (compared to Montana's 145,556). But Delaware was the very first state to enter the Union -- on December 7, 1787 -- and it was a well-established region by then. It is an insular and even provincial state, fiercely proud. It always has been.

Delaware is a melting pot of cultures and origins, which is fitting for the first state. Sailing under the Dutch flag, Henry Hudson discovered Delaware in 1609, but the Swedes took over, at least temporarily, in 1638. England laid claim to Delaware three decades later and transferred its three counties to William Penn in 1682. Delaware fought as a separate state in the Revolutionary War, and although it was a slave state, it never seceded from the Union in the Civil War. There is, of course, a powerful French influence that permeates the state. In 1802, Eleuthère Irénée du Pont built a little gunpowder mill close by the shores of the Brandywine Creek, planting the first seed of a chemical industrial empire that would define Delaware ever after, bringing it prosperity and security.

Wilmington is a beautiful city, suspended between early-day history and the year 2000. It has block after block of row houses, most of them painted brick, with colorfully contrasting doors. Large private homes are built of brick or stone and wood, with wide porches, and the somewhat narrow streets are shadowy tunnels between grand old trees. The trees and bushes and houses -- and even some mammoth rocks -- have all been there so long that a feeling of permanence pervades everything.

Situated on Interstate 95 between the metropolises of Philadelphia and Baltimore, Wilmington has the sense of a city far larger than it really is; its population never topped a hundred thousand, and the race riots in 1968 blunted its growth when the national guard occupied the city for nine months. Since then, the population has steadily but inexorably dropped, to under seventy thousand today. The land in Wilmington is divided into both neighborhoods and areas that are almost towns in themselves. There is Brandywine Hundred, Mill Creek Hundred, Christiana Hundred; some say the names come from Revolutionary War days and signify that the regions could be counted on to muster a hundred men to fight. Other natives say it is only a geographical boundary.

Although Dover is the state's capital, Wilmington is its heart and blood supply, laced with waterways -- the Delaware River, the Brandywine Creek, the Christina River, and the Red Clay Creek -- and dotted with swaths of parkland. Brandywine Creek even divides the strata of society in Wilmington, with everything west of the creek north of Wilmington considered far more desirable. This is the Chateau Country where the du Ponts have their estates.

Cemeteries older than memory, with antiquated tombstones, rest where the city has grown around them. Professional offices are located in skyscrapers and in two-hundred-year-old one-story buildings, juxtaposed in the same block.

Wilmington looks like a major city. The magnificent Hotel du Pont, called simply "the hotel" by natives, takes up an entire block and challenges any hotel in America for elegance. The wind roars between narrow canyons created by the soaring downtown buildings that have sprung up in the last quarter century, and patriot Caesar Rodney rides forever atop his faithful horse in the square named for him in front of the grand hotel, while horseless and carless residents wait for buses beneath Rodney Square's flowering trees. Across another street, the Daniel Herrmann Courthouse fills its own block. In the late nineties, three major criminal proceedings would draw so many spectators, reporters, and photographers that even that huge courthouse would be crammed to its marble walls.

Despite the early Dutch, Swedish, and English settlers, Delaware today has as much Irish and Italian ethnicity as anything else. The tremendous success of the du Ponts opened doors to immigrants looking for a better life, and boom followed boom. The du Ponts (who have since capitalized the D: DuPont for the company) kept their workers from feeling the recessions that hit other parts of America. None of their employees had to worry about health care. Until the late 1970s they also owned both of the state's daily newspapers -- the Evening Journal and the Morning News. They founded the Delaware Trust Company and the Wilmington Trust Company, and they controlled high society. It was a cradle-to-grave security blanket. E. I. du Pont de Nemours & Co. was known as "the company," and few Delawareans minded that almost everything stemmed from that source or that the du Ponts controlled where they stood on the economic or social ladder. Membership in the Wil-mington Country Club came only with a tap on the shoulder from the company. It remains the most exclusive club in Delaware, and members are held to certain uncompromising standards. One commercial enterprise that came close to DuPont was Bancroft Mills.

Downtown Wilmington was the center of the world for business and shopping, before shopping malls and suburban sprawl took over and left even the grand old Wanamaker's department store an empty shell. After the Second World War, Wilmington changed, along with the rest of the country; cities all over America did. And some families would bloom while others faded.

The Irish and the Italians contributed greatly to the abundant traditions that make Wilmington such a remarkably alive city, full of celebration and mourning, passion and rumor. The annual St. Anthony's festival in June attracts almost everyone in the city; there they eat meatball sandwiches, sausage and greens, drink beer and wine, listen to music, and catch up with old friends. It is a festival where they can go every year and know they will find people they have lost touch with.

The Friends of Ireland St. Patrick's Day dinner is another big draw, although it's considerably more sedate. In the fifties, Lucy and Walter Brady and their friends wanted to change the stereotyped image of the Irish as mill hands and blue-collar workers who spent St. Patrick's Day sitting in bars and getting drunk. The Bradys initiated the grand St. Patrick's Day dinner, an opulent feast in the Gold Ballroom of the Hotel du Pont. The local Catholic and Episcopal bishops, along with the governor of Delaware, the mayor of Wilmington, and every other important political figure, were present. Dancers from the McAleer School of Irish Dance entertained a crowd dressed in their finest.

One of the couples who faithfully attended the St. Patrick's Day dinner was Robert Fahey and his wife, Kathleen. Ex-mayor Bill McLaughlin, over eighty now, recalled how the Faheys met and fell in love. Sitting on his favorite stool at O'Friel's Pub, McLaughlin smiled as he remembered. "Anne Marie used to say to me, 'If it weren't for you, I wouldn't be here now,' and I guess that's true -- I introduced her parents.

"Robert Sr. was a handsome young man, a salesman for IBM, as I recall, and he came calling to the DuPont plant in the early fifties," McLaughlin said. "Kathleen was working as a secretary in the chemical division, and he saw her there, and he thought she was the most beautiful girl he'd ever seen. She was a very pretty girl. He asked me to introduce him, and I did."

Kathleen's parents were both born in Ireland, and she had a soft brogue herself. It only made her more attractive. She was eight years younger than Robert, who was thirty.

"They got married in about 1953, and they had good years," McLaughlin recalled. "Really good years..."

For a while there were abundant and happy years. The Faheys bought a new house in McDaniel Crest, a neighborhood close by State Road 202 -- the Concord Pike -- in north Wilmington. In the postwar building boom, whole streets of houses were sprouting up overnight there on acreage that had long been farmland owned by the Weldin and Talley families. The Faheys' first house was small, a little over sixteen hundred square feet. It was more than adequate at first, but it soon seemed to shrink, as their children came along.

Robert switched to selling insurance. With his natural charm, he could sell anything. Kathleen stayed at home as most young wives did in the fifties. They had six children in a dozen years: Kevin first, in 1954, Mark in 1956, Robert Jr. in 1958, Kathleen in 1960, Brian in 1961, and the baby, Anne Marie Sinead Fahey, in 1966.

"Most of us kids were two years apart," Robert Jr. would remember. "Our house wasn't that big, and it seemed like there was never enough money."

Lucy and Walter Brady, strong proponents of preserving Irish heritage, met the young Fahey family through their friends the Whalens; all of them were interested in honoring their Irish roots, and Robert and Kathleen were enthusiastic about a program Lucy and Walter helped organize to bring Irish schoolteachers to America for a summer's visit. During the hot and humid Delaware summers, Robert and Kathleen opened their home to a number of the teachers from Ireland.

The Faheys had a good time together. They attended church faithfully for twelve years at St. Mary Magdalen Church on Concord Pike, and Kathleen tried to plan picnics and outings, always with a bunch of kids with curly heads bobbing in the backseat. If there was any precursor of trouble, it was Robert's problem with alcohol; if he was not an alcoholic yet, he had most of the danger signs. Kathleen tried to cope with it. At first his drinking didn't interfere with his job or with the family. They loved each other still, and their children were all exceptionally bright and attractive.

The five or more years between her siblings and little Anne Marie -- or Annie, as they called her -- put them virtually in different generations when they were children. Annie was a beautiful baby with huge blue eyes and a rollicking laugh that seemed too big for such a tiny girl, and her siblings and their friends made a fuss over her because she was the baby, probably the last Fahey baby.

When Anne Marie was born, on January 27, 1966, her mother, Kathleen, was almost thirty-six. The two of them were very close, partly because Kathleen's older five went off to school every day, and she and her baby girl were home together. It was natural that Anne Marie would form a special bond with her mother, even after she too started at Alfred I. du Pont elementary school. They were very much alike, both pretty and full of life and humor, both with a laugh you could hear a block away.

Kathleen was very protective of Annie, maybe because she was the baby. She was an exceptionally pretty little girl with her beautiful eyes, a spattering of freckles, and dark golden hair. Brian and Kathleen were ten and eleven, and their mother made them promise to hold Annie's hand on the way home from school -- not only across the busy Concord Pike but all the way home. They hated that, but they did it. For extra protection, their mother always let their dog, Butch, out so he could be waiting on the corner to see them home safely.

Rather than say all six of their names when she referred to them, Kathleen had long since divided her children into two groups: Kevin, Robert, and Mark were "the three boys," and Brian, Kathleen, and Annie were "the little ones." Theirs was a safe, warm circle, with their mother the center of their lives; and then everything changed for the Faheys in 1974. Kathleen Fahey became ill with symptoms that seemed innocuous enough at first -- but which got steadily worse. Unbelievably, tragically, she was diagnosed with lung cancer. She was just in her early forties, and she still had five children at home to raise. Only Kevin, who was twenty, had left.

Anne Marie was eight, and too young to understand how sick her mother was. She knew that she went to the doctor a lot and sometimes was confined in the hospital for a day or two, but her mother always came home, each time a little thinner and paler. Family and friends helped with meals and took care of the children when Kathleen was too weak to do it. Anne Marie was still cosseted in the bosom of the family she had always known, and she was a happy little girl.

Toward the end, Kathleen Fahey was in the hospital for almost two weeks before she was allowed to come home. And then she lay in bed all day, forcing a smile when her children tiptoed into her room. Of all of them, only Anne Marie seemed unaware that her mother had come home to die. No one realized that their little sister was worrying in silence. She asked her best friend, Beth Barnes, if her mother was going to die, and the two little girls tried to reassure each other that, of course, mothers didn't die and leave their children.

But on the gray day of March 16, 1975, Kathleen Fahey did die. Her older daughter and namesake, Kathleen, was fourteen, and would remember that day twenty-four years later: "The day that my mother died, our universe fell out from [under] us."

Anne Marie was two months past her ninth birthday when she lost her mother. Her father didn't want her to see her mother's body being carried from the house, so her uncle James, a Catholic priest, hurriedly took Anne Marie aside and tried to distract her long enough for the hearse from Mealey's to carry her mother away. As a priest, he had spent most of his life comforting the bereaved, but it was a terrible thing for him to accept that his sister, so young, was dead, leaving the little girl behind.

Ann Marie's brother Brian, who was thirteen when their mother died, has always believed that for a long time Anne Marie didn't realize their mother wasn't coming back. As her funeral arrangements were being made, the older children huddled upstairs. "The next day, none of us went to school," Brian said. "But you know, she was outside playing with her friends like it was just a normal day. So I don't thin...

Revue de presse :

Kirkus Reviews The stunning New York Times bestseller from "America's best true-crime writer".

The Orlando Sentinel (FL) Riveting....[a] page-turner.

Publishers Weekly (starred review) Most people like to think they recognize evil when they see it. But as this gripping story of a 1996 Delaware murder makes clear, most people are wrong. Much more than the profile of a handsome, insidious killer and the young woman he murdered,...And Never Let Her Go is also the story of three close-knit families and how thirty-year-old Anne Marie Fahey's death strengthened or destroyed them....In Rule's capable hands [this is] the raw matierial for a modern-day tragedy.

People [A] truly creepy true-crime story....This portrait of an evil prince needs no embellishment.

The State (Columbia, SC) Compelling...Ann Rule leaves nary a stone unturned in her examination of the Fahey case....One feels as if one knows the victim and her slayer.

More Rule peels away the layers of deception to reveal a monster who lived a secret life for decades.

The Plain Dealer (Cleveland) In her selection and treatment of the Fahey murder, [Rule] might have created her masterpiece.

The Orlando Sentinel (FL) Even crime buffs who followed the case closely are bound to gain new insights....The courtroom scenes of Capano are especially compelling.

The Washington Post [Rule] tell[s] the sad story with authority, flair, and pace.

Booklist [A] compassionate portrayal of the victim and a chilling portrayal of her killer....This is a true page-turner, a compelling rendering of a crime committed by a deeply troubled, egotistical sociopath.

À propos de cette édition

• Éditeur: Pocket Books
• Date d'édition: 2000
• ISBN 10: 0671868713
• ISBN 13: 9780671868710
• Reliure: Mass Market Paperback
• Nombre de pages: 688