The Truth Teller - Couverture rigide

Katherine-govier

Couverture rigide

ISBN 10 : 0679310266 ISBN 13 : 9780679310266

Editeur : Random House Canada, 2000

Synopsis

Book by Katherine Govier

A propos du livre

Extrait :

HEROES IN OUR PAST

"Ladies and gentlemen. We have inherited a vision.”

Dr. Laird’s voice resounded like the clapper of a bell, like the first chords of a hymn. Hearts rose to its beat. Backs straightened, chins lifted. Everyone knew what was to come. He always began that way. And his audience always sat on folding chairs, no less rapt for the discomfort or the repetition, which was anticipated, and annual. It was a glorious fall day. When was it not a glorious day for the Manor’s commencement exercises?

October was perhaps a strange time for a commencement. School had been over for months; results were in; these students seated on stage were already history, off at universities across the country. But Commencement had always been on the third of October. To “commence” was not only to graduate, but to begin, and all beginnings at the Manor led back to the day Dr. Dugald Laird met Miss Francesca Morrow, his wife, Vice-Principal and Headmistress. Fifty years ago today fate caused their paths to cross right here on Taddle Creek Drive; they fell both in love and into eudaimonía, the state of being happy following their demons, in running the Manor School for Classical Studies in an unsuspecting Toronto.

As if to catch the glory, the giant Norway maple dominating the terraced lawn had leaves of gold worthy of Byzantium. So thought Amelia, general factotum of the school, seated in the second row. Weeks ago, its big, waxy, five-point paws had begun to dazzle and twist in the light winds of early autumn; now one by one the thin red stems snapped from the branches, each leaf taking a zigzag, fitful journey to the ground. The palm-sized gilt was piled up around the tree’s enormous base. Gold above, gold below: it was as if, somewhere between sky and ground, there was the still, mirroring surface of an invisible lake.

Yes, as Amelia knew, a glimmer of prehistoric water did lie at the foot of the lawn, for the Manor sat atop the Escarpment, that ragged, ten-metre cliff marking the shore of the once-great Lake Iroquois. Many millennia ago the lake shrank southward leaving the sloping flatlands, which had been its bottom, traversed with lush, deep ravines and shallow creeks. The natives grew rice on the shore, and dried their fish. When the British sailed up they decided to build a fort at the mouth of a creek, the one with a bend in its path. This creek came by the name of Taddle, some say, from the Tattle family, which homesteaded nearby. Others claim the name referred to the tadpoles inhabiting the water, still others that the name was an imitation of the sound of water running over rocks. Or it could have been a variant of “tattle,” a reference to the gossip exchanged on its banks.

No matter: at its mouth were the beginnings of a great city.

The sloping expanse between water and high ground began to fill with farms and wagons, with people and taverns. Amelia liked to picture it: the fields first ploughed and then paved; two hundred years passing until the people numbered two million, two and a half, plying trades from stock-trading to carpet-cleaning; the space clogged with factories, homes, a gothic pink-stone parliament, a glassed-in shopping mall and a streaming network of roads to carry those people back and forth. There were bank towers forty storeys high and ugly parking lots, but still there could be found gardens chock with roses and, in the deep ravines, vestiges of wilderness, foxes and even coyote. The city spread uphill unchecked, and along the banks of Taddle Creek were hospitals and museums and a university. The Taddle was buried as the clutter of untidy streets climbed to the escarpment, that old lake’s lip. But there, here, thought Amelia, above the cliff, at the headwaters of the creek, the city stopped. Was forced by both landscape and human foresight to turn aside. That seemingly unstoppable growth made a detour, leaving untouched this quiet enclave with its circle of homes, its huge old trees and its atmosphere of genteel withdrawal. Within that circle the Manor was the prettiest house, its stuccoed walls overgrown with creepers, its dormers snug with casement windows and the sloping roof rising in two levels to flow elegantly into the contours of the hill.

Proud that the onrush of time might be slowed for even a breath, Amelia straightened her spine. Under the metallic slant of the October sun, students and parents listened with hands folded. Copies of Renaissance paintings flapped in the light breeze on the divider where they were displayed. Skirted martial artists with medieval bows bobbed on their toes on the side stairs, warming their tendons. Miranda and Prospero yawned and rolled their necks to prepare for their scene. And the old man waxed on. It hardly mattered what he said. He had said it last year and the year before and he would say it again next year. Though rapt, his audience was not listening to his words. It was listening instead to his heart; it was basking in his fervour, magnified as usual by the reverence of his wife, who gazed steadily at her husband, a small smile playing on her lips.

Revue de presse :

"Grand and comic — The Truth Teller possesses the intelligence and emotive power of a novel of ideas grounded in its characters' psychology and vivified by its language."
—Maclean's

"The Truth Teller is a pleasurable and stimulating read. Katherine Govier is at the top of her form — clever, subtle, observant.... The Truth Teller makes you reflect on the uneasy way that ideals and self-knowledge jostle in our personal and cultural psyches."
—The Globe and Mail

"A well-written and inventive piece of fiction by a novelist at the height of her creative powers."
—National Post

"A grand and comic, richly patterned novel. ... [The Truth Teller] possesses the intelligence and emotive power of a novel of ideas grounded in its characters’ psychology."
—Kerri Sakamoto, Time magazine

"Katherine Govier is the kind of writer who, when you hear she has a new book coming out, makes you snap to attention. ... Govier will have secrets to reveal, things no one’s thought to tell you yet."
—The Toronto Sun

"Intelligent, well-crafted and wryly entertaining... a comic and original collection worthy of the best of Ann Beattie, Alison Lurie and Bonnie Burnard."
—The London Free Press on The Immaculate Conception Photography Gallery
From the Trade Paperback edition.

À propos de cette édition

• Éditeur: Random House Canada
• Date d'édition: 2000
• ISBN 10: 0679310266
• ISBN 13: 9780679310266
• Reliure: Relié
• Nombre de pages: 416