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Price, Reynolds A Long and Happy Life ISBN 13 : 9780689119477

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9780689119477: A Long and Happy Life
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Chapter 1

Just with his body and from inside like a snake, leaning that black motorcycle side to side, cutting in and out of the slow line of cars to get there first, staring due-north through goggles towards Mount Moriah and switching coon tails in everybody's face was Wesley Beavers, and laid against his back like sleep, spraddle-legged on the sheepskin seat behind him was Rosacoke Mustian who was maybe his girl and who had given up looking into the wind and trying to nod at every sad car in the line, and when he even speeded up and passed the truck (lent for the afternoon by Mr. Isaac Alston and driven by Sammy his man, hauling one pine box and one black boy dressed in all he could borrow, set up in a ladder-back chair with flowers banked round him and a foot on the box to steady it) -- when he even passed that, Rosacoke said once into his back "Don't" and rested in humiliation, not thinking but with her hands on his hips for dear life and her white blouse blown out behind her like a banner in defeat.

It was because Wesley was a motorcycle man since his discharge (or would be, come Monday) and wouldn't have brought her in a car if fire had fallen in balls on every side. He had intended taking her to the picnic that way, and when Mildred Sutton died having her baby without a husband and Rosacoke felt compelled to go to the funeral first and asked Wesley please to take her, he said he would, but he saw no reason to change to a car for a Negro funeral. Rosacoke had to get there and couldn't walk three miles in dust and couldn't risk him going on ahead so she didn't argue but pulled her skirt up over her knees for all to see and put her hat in the saddlebag and climbed on.

Riding like that she didn't see the land they passed through -- nothing new or strange but what she had passed every day of her life almost, except for the very beginning and some summer clays when she had left for 4-H camp at White Lake or to stay with Aunt Oma in Newport News or to set with somebody in the hospital, like Papa before he died. But the land was there, waiting.

The road passed a little way from the Mustians' porch, and if you came up their driveway and turned left, you would be at the Afton store and the paving soon, and that took you on to Warrenton where she worked. But they turned right today and the road narrowed as it went till it was only wide enough for one thing going one way -- a car or a truck or a mule and wagon -- and it being July, whatever passed, even the smallest foot, ground more dirt to dust that rose several times every hour of the day and occasionally -- invisibly -- at night and lingered awhile and at sunset hung like fog and if there was no breeze, settled back on whatever was there to receive it -- Rosacoke and Mama and Rato and Milo walking to church, if it had been a first Sunday and ten years ago before Milo got his driving license -- but settling mostly on Negro children aiming home in a slow line, carrying blackberries they had picked to eat (and if you stopped and said, "How much you asking for your berries?" they would be so surprised and shy and forget the price their mother told them to say if anybody stopped, and hand them over, bucket and all, for whatever you wanted to give, and all the dust you raised would be on those berries when you got home). It settled on leaves too -- on dogwood and hickory and thin pine and holly and now and then a sycamore and on Mr. Isaac Alston's cherry trees that huddled around the pond he had made for the hot air to pass over, choked and tan till there would come a rain -- trees he had set out as switches twelve years ago on his seventieth birthday and poured fish in the water smaller than the eye could see and claimed he would live to sit in that cool cherry shade and pull out the dim descendants of those first minnows. And he might, as the Alstons didn't die under ninety.

What Alstons had died were the things they came to, after trees -- the recent ones, overflowed from the family graves and laid out on this side of Delight Baptist Church, looking shorter than anybody would have guessed, with people around them that never had family graves to begin with -- Rosacoke's Papa (who was her grandfather and who by the time he died had completely forgotten Miss Pauline his wife and asked to be buried beside his mother and then forgot to tell them where his mother was) and Miss Pauline, the size of a dressed rabbit, and Rosacoke's own father who was no Baptist (who wasn't much of anything) and whose grave had sunk into the ground. The graves went towards the church, taking grass with them, and then the white sand began that had been hauled in from a creek bed. The church stood in the sand under two oak trees, wooden and bleached and square as a gun-shell box, daring people not to come. The Mustians went and even Wesley Beavers, with his name.

But it wasn't where they were going now so they passed by, and the graves and Delight Church and the sand and the two long picnic tables turned to the woods that Milo and Rosacoke and Rato had run in as children with Mildred Sutton and any other Negroes she brought along (that had scattered now, to Baltimore mostly). The woods began by the road and went back farther than Rosacoke or even the boys had ever gone, not because they were scared but because they got tired -- the woods went on that long, and every leaf of them belonged to Mr. Isaac Alston. Once Rosacoke and Mildred packed them a dinner and said to themselves, "We will walk till we come to an open field where somebody is growing something." So they walked on slowly in a straight line through the cool damp air under trees where sun never came but only this green light the mushrooms grew by. When they had walked an hour, they were breathing in air that nothing but possums and owls had breathed before, and snakes if snakes breathed. Mildred didn't like the idea but Rosacoke kept going, and Mildred came on behind, looking mostly up, checking on the sky to still be there and to see what snakes were studying down on them. Then they came to an open field the size of a circus ring where there were no trees but only bitter old briars and broomstraw the color of Milo's beard that was just then arriving. They sat on the edge of that to eat their biscuits and syrup and for Mildred to rest her feet, but Rosacoke thought and decided they couldn't stop here as it wasn't a field where anybody had meant to grow anything. (Nothing ate broomstraw but mules and mules only ate it if they thought it was something you valued.) So they stood up to go, and Mildred's mouth fell open and said "Great God A-mighty" because there was one deer behind them in the trees for quicker than it took to say if it had horns. But its eyes were black and it had looked at them. When its last sound had gone, Rosacoke said, "Don't let's go no farther" and Mildred said "All right." They were not afraid of any deer, but if those woods offered things like that, that would take the time to look at you, when you had only walked an hour, where would they end, and what would be growing in any field they found on the other side, and who would be tending it there? So they came out, taking their time, proving they hadn't given up for fear, and when they got to the road, Mildred spoke for the first time since calling on God to see that deer -- "Rosacoke, it's time for me some supper" -- and they parted. It was no more time for supper than it was for snow, but Mildred meant to get home quick and unload that deer on somebody -- his streak he made through the trees and the sound of his horn feet in the old leaves and his eyes staring on through all those biscuits at what they did, and waiting.

If Rosacoke had looked up from Wesley's back at the woods, she might have remembered that day and how it was only nine years ago and here she was headed to bury that same Mildred, and was that black-eyed deer still waiting, and did he belong to Mr. Isaac? -- that deer? But she didn't look up and she didn't remember. If you were with Wesley Beavers, what good was remembering? You couldn't tell him what you remembered. He said he lived in the present, and that meant that maybe when he went a hundred and thirty miles from home to spend three years in the U.S. Navy, lounging around in a tight uniform fixing radios and not moving a step out of Norfolk, Virginia (or so he said) except to come home a few weekends, maybe he seldom thought of her. Not the way she thought of him anyhow -- wondering every night if she was his, hoping she was, even when he didn't write for weeks and then sent sassy post cards. But he had been home a civilian three days now, and tomorrow he was headed back to Norfolk to sell motorcycles with a friend of his, and she didn't know a thing she hadn't known for years -- which was that he still came to get her Saturday night and took her to a place called Danceland and danced with every woman there in succession so fast he seemed to be ten Wesleys or a dozen, swarming, and then rode her home and kissed her good night for an hour, without a question or a word.

She thought that through once. It was the deepest thinking she could manage on a motorcycle with dust running up her legs, and she was just changing to something new -- that at last Wesley had found the vehicle he was meant for (being with Wesley had always been like being on a motorcycle) -- when she felt the shift of his shoulders under her cheek and his hips under her hands. The way he moved she slackened her grip for a second. It was too much like holding your eye through the lid while it turns, smooth in the socket but easy to ruin.

She looked up and they were at Mount Moriah Church where they meant to be, and Wesley was turning in, not slowing up at all but gouging a great rut in the dusty yard. He stuck out a leg and his black ankle boots plowed a little way, and that halted them under the one low tree. The coon tails relaxed but Wesley kept the motor going, racing it with twitches of his hand, listening as if he expected it to speak, till Rosa-coke said in his ear, "Hush your noise, Wesley."

"Don't it sound funny to you?"

"No," she said. So he let the motor die, and in the astonished quiet where every bird had surrendered to Wesley's roar, the only sound was that truck and the cars coming on behind, rambling like distant buffaloes, with Mildred. "Get down, Wesley. They'll all be here in a minute." Wesley swung off the seat and watched while Rosacoke got herself down. Now they were still, the heat settled back on them, and they both shook their heads under the burden. But they didn't speak. They had given up talking about it long ago. Rosacoke took out her handkerchief and wiped her face before the sweat could streak the dust. She looked in the round mirror on the handlebars and combed out her hair that had the wind in it still after the ride. With the black tree behind her, you could see the dust fly up around her head from out of her hair, and in the round mirror it outlined her with a sudden halo. Even Wesley noticed that. Then she put on her hat and said, "We didn't need to come that quick" and took off towards the church, sinking through the thin crust of ground with her high heels. When she had walked ten yards alone and her white shoes were tan, she turned and said, "Come on, Wesley. Let's don't be standing around staring when they get here."

pard"Well, I'm going to work on this motor awhile to make sure we can get out when we want to. I'll be in there in a little bit. You just save me a seat by the window."

She only blushed -- all she ever did now when Wesley let her down (which pretty nearly kept her blushing non-stop) -- and said, "Don't go playing that harp" (the harmonica was another thing he had taken up in the Navy) and climbed the steps. She stopped at the top and looked back towards the road. That way, Wesley saw her and thought how far she had come in three years to being this -- tall almost as he was, maybe five foot-nine, and her skin pale as candles laid close on her long bones, and what wind there was, twitching at her hair pulled to the back of her neck, falling down long and dry and the color of straw from under her level hat, stopping below her shoulders where your hand would have been if you had been holding her and dancing with her, close (the only way Wesley danced since his discharge). Then his eyes moved on. And every time he passed below her swinging hair -- looking -- he got onto women he knew in Norfolk or at the beach and how they smelled, twisting in the dark, and how their smell stayed on him now he didn't recollect their names or how they looked though he had labored in them whole nights of his life and the feel of them was on his fingers like oil, real as if they were by him now under that tree, calling him Junior with their hands working and him starting and them crying "Sweet Jesus? to him in the night.

But suddenly a bird sang in the tree over Wesley's head, holding up its one clear voice like a deed in the scorching day, and Rosacoke looked at Wesley as if he might have done it -- that song -- looking clear through him and all he thought, it seemed, shaking her head at what she saw. But Wesley was twenty-two years old his last birthday, and what was so wrong, he wanted to know, with thinking all those things? -- except maybe they didn't fit Rosacoke, not the way she was now, new and changed since the times three years ago when they went in to shows in Warrenton and drove nearly home and stopped and spent an hour or longer telling each other good night with the windows misted up, sitting under a tree with pecans falling on the car to make them laugh. Those other women, he had touched and claimed whenever he needed to, but how much of Rosacoke had he touched? Knowing her all that time, how much of her could he see whenever his eyes were dosed? How much of her could he claim? -- her standing on church steps in Sunday white, straining to see where Mildred was -- how much of that could he just walk up and ask for and get?

He might have tried to find out if she hadn't turned and vanished in the dark church, not meaning to roll her hips but letting loose all the power she had there (which was enough to grind rocks) and showing, last thing, her white ankles flexing firm on her heels, and Jesus, he was back in Norfolk sure as the sun poured down. And it did -- all over Wesley Beavers from head to foot which was half the trouble. So to change the subject he took out his cycle tools and tightened screws that were tighter already than God ever meant them to be.

Rosacoke remembered in the vestibule that she hadn't been here since the day she slipped off with Mildred and came to the meeting where Aunt Mannie Mayfield stood at age eighty and named the fathers of all her children, far as she could recall. Rosacoke looked round now and the same three things to notice were there -- a bell rope hanging from the steeple for anybody to pull, and a gray paper hornets' nest (built in the window by mistake during the war but deserted now far as the eye could see though nobody would tear it down for fear one hornet might be there still, getting older and meaner), and by the open door to the auditorium, a paper bag nailed to the wall with a note saying, Kindly Leave Gum Here. She took one deep breath -- as if it was the last she would get all afternoon -- and went in, and the hot air came out to meet her like a member.

It looked empty -- just a choir at the back around a piano and a pulpit in front of that and on the side a stove and then hard seats enough for a hundred people though it would hold half again that many for anything special like a funeral, but it gave no signs of a funeral today. There was not a flower in sight -- they were comin...
Biographie de l'auteur :
Reynolds Price (1933-2011) was born in Macon, North Carolina. Educated at Duke University and, as a Rhodes Scholar, at Merton College, Oxford University, he taught at Duke beginning in 1958 and was the James B. Duke Professor of English at the time of his death. His first short stories, and many later ones, are published in his Collected Stories. A Long and Happy Life was published in 1962 and won the William Faulkner Award for a best first novel. Kate Vaiden was published in 1986 and won the National Book Critics Circle Award. The Good Priest's Son in 2005 was his fourteenth novel. Among his thirty-seven volumes are further collections of fiction, poetry, plays, essays, and translations. Price is a member of both the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and his work has been translated into seventeen languages.

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