Marketing Modernism in Fin-de-SiÃ..cle Europe

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9780691029269: Marketing Modernism in Fin-de-SiÃ..cle Europe

Marketing Modernism in Fin de Siecle Europe Describes the rise of modernism from its beginnings in the Impressionist movement. This book reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. Full description

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Robert Jensen
Edité par Princeton University Press (1997)
ISBN 10 : 0691029261 ISBN 13 : 9780691029269
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Description du livre Princeton University Press, 1997. PAP. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire WP-9780691029269

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Robert Jensen
Edité par Princeton University Press, United States (1997)
ISBN 10 : 0691029261 ISBN 13 : 9780691029269
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Description du livre Princeton University Press, United States, 1997. Paperback. État : New. Reprint. 229 x 155 mm. Language: English . Brand New Book. In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters. In describing the canon-building of modern dealerships, Jensen considers the new ideological dealer and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and independent art and through such institutional structures as the retrospective. His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as true heirs of Impressionism, and his look at a new form of art history emerging in Germany further expose a linear, dealer- oriented history of modernist art constructed by or through the modernists themselves. N° de réf. du libraire AAH9780691029269

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Robert Jensen
Edité par Princeton University Press, United States (1997)
ISBN 10 : 0691029261 ISBN 13 : 9780691029269
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Description du livre Princeton University Press, United States, 1997. Paperback. État : New. Reprint. 229 x 155 mm. Language: English . Brand New Book. In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters. In describing the canon-building of modern dealerships, Jensen considers the new ideological dealer and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and independent art and through such institutional structures as the retrospective. His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as true heirs of Impressionism, and his look at a new form of art history emerging in Germany further expose a linear, dealer- oriented history of modernist art constructed by or through the modernists themselves. N° de réf. du libraire AAH9780691029269

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Robert Jensen
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ISBN 10 : 0691029261 ISBN 13 : 9780691029269
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Description du livre Princeton University Press, 1997. PAP. État : New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du libraire I1-9780691029269

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Robert Jensen
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Description du livre Princeton University Press, 1997. PAP. État : New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du libraire I1-9780691029269

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Jensen, Robert
Edité par Princeton University Press (1996)
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Description du livre Princeton University Press, 1996. Paperback. État : New. book. N° de réf. du libraire 0691029261

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JENSEN
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Description du livre 1997. Paperback. État : NEW. 9780691029269 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. N° de réf. du libraire HTANDREE01144727

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Robert Jensen
Edité par Princeton University Press 1997-01-12 (1997)
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Description du livre Princeton University Press 1997-01-12, 1997. État : New. Brand new book, sourced directly from publisher. Dispatched within 2 working days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. N° de réf. du libraire NU-ING-00625652

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Robert Jensen
Edité par Princeton University Press
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Description du livre Princeton University Press. Paperback. État : New. Paperback. 376 pages. Dimensions: 9.0in. x 6.1in. x 1.3in.In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealergallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters. In describing the canon-building of modern dealerships, Jensen considers the new ideological dealer and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and independent art and through such institutional structures as the retrospective. His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as true heirs of Impressionism, and his look at a new form of art history emerging in Germany further expose a linear, dealer- oriented history of modernist art constructed by or through the modernists themselves. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. N° de réf. du libraire 9780691029269

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10.

Jensen, Robert
Edité par Princeton University Press (2017)
ISBN 10 : 0691029261 ISBN 13 : 9780691029269
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Description du livre Princeton University Press, 2017. Paperback. État : New. This item is printed on demand. N° de réf. du libraire P110691029261

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