Matisse and the Subject of Modernism

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9780691119472: Matisse and the Subject of Modernism

Book by Wright Alastair

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Alistair Wright
ISBN 10 : 0691119473 ISBN 13 : 9780691119472
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Description du livre État : New. N° de réf. du libraire 2576069-n

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Alistair Wright
Edité par Princeton University Press, United States (2006)
ISBN 10 : 0691119473 ISBN 13 : 9780691119472
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Description du livre Princeton University Press, United States, 2006. Paperback. État : New. New.. 267 x 216 mm. Language: English . Brand New Book. Focusing on the period 1905-1913, this provocative and groundbreaking new book refutes the popular view of Matisse as the painter of relaxed pleasures, the master of decorative line and sensuous color. Alastair Wright discovers a darker, more complex side to Matisse: an artist whose work, caught in the uneasy space between modernism and tradition, was fundamentally engaged with the most pressing of modernity s artistic and ideological debates. Presenting a series of brilliant and highly original analyses of Matisse s most important early paintings, Wright locates the artist within a wider cultural field in which the identities of modernism--and of its viewers--were highly contested. Wright offers a penetrating examination of the public response to Matisse s work, arguing that his early-twentieth-century audience found in his painting a deeply disturbing challenge to contemporary concepts of the self, of the nation, and of the West. This sumptuously illustrated book positions the work of Matisse and a number of his contemporaries in relation to key aspects of modernity--the commodification of the individual, the dislocation of cultural identity, and the effacement of racial boundaries under the pressure of imperial expansion--and provides a compelling account of how these contradictory historical materials fused to give birth to Matisse s modernism. What emerges is a renewed sense of the rich complexity of an artistic practice suspended between the seductive potential of pure color and an always ambivalent engagement with tradition. Tracing the interplay between Matisse s painting and discourses of art and subjectivity, Wright offers a significant new reading of one of the central figures of early-twentieth-century modernism. N° de réf. du libraire AAH9780691119472

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3.

Alistair Wright
Edité par Princeton University Press, United States (2006)
ISBN 10 : 0691119473 ISBN 13 : 9780691119472
Neuf(s) Paperback Quantité : 10
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The Book Depository
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Description du livre Princeton University Press, United States, 2006. Paperback. État : New. New.. 267 x 216 mm. Language: English . Brand New Book. Focusing on the period 1905-1913, this provocative and groundbreaking new book refutes the popular view of Matisse as the painter of relaxed pleasures, the master of decorative line and sensuous color. Alastair Wright discovers a darker, more complex side to Matisse: an artist whose work, caught in the uneasy space between modernism and tradition, was fundamentally engaged with the most pressing of modernity s artistic and ideological debates. Presenting a series of brilliant and highly original analyses of Matisse s most important early paintings, Wright locates the artist within a wider cultural field in which the identities of modernism--and of its viewers--were highly contested. Wright offers a penetrating examination of the public response to Matisse s work, arguing that his early-twentieth-century audience found in his painting a deeply disturbing challenge to contemporary concepts of the self, of the nation, and of the West. This sumptuously illustrated book positions the work of Matisse and a number of his contemporaries in relation to key aspects of modernity--the commodification of the individual, the dislocation of cultural identity, and the effacement of racial boundaries under the pressure of imperial expansion--and provides a compelling account of how these contradictory historical materials fused to give birth to Matisse s modernism. What emerges is a renewed sense of the rich complexity of an artistic practice suspended between the seductive potential of pure color and an always ambivalent engagement with tradition. Tracing the interplay between Matisse s painting and discourses of art and subjectivity, Wright offers a significant new reading of one of the central figures of early-twentieth-century modernism. N° de réf. du libraire AAH9780691119472

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Description du livre Princeton University Press, 2006. PAP. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire WP-9780691119472

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Description du livre Princeton University Press. Paperback. État : new. BRAND NEW, Matisse and the Subject of Modernism, Alastair Wright, Focusing on the period 1905-1913, this provocative and groundbreaking new book refutes the popular view of Matisse as the painter of relaxed pleasures, the master of decorative line and sensuous color. Alastair Wright discovers a darker, more complex side to Matisse: an artist whose work, caught in the uneasy space between modernism and tradition, was fundamentally engaged with the most pressing of modernity's artistic and ideological debates. Presenting a series of brilliant and highly original analyses of Matisse's most important early paintings, Wright locates the artist within a wider cultural field in which the identities of modernism--and of its viewers--were highly contested. Wright offers a penetrating examination of the public response to Matisse's work, arguing that his early-twentieth-century audience found in his painting a deeply disturbing challenge to contemporary concepts of the self, of the nation, and of the West. This sumptuously illustrated book positions the work of Matisse and a number of his contemporaries in relation to key aspects of modernity--the commodification of the individual, the dislocation of cultural identity, and the effacement of racial boundaries under the pressure of imperial expansion--and provides a compelling account of how these contradictory historical materials fused to give birth to Matisse's modernism. What emerges is a renewed sense of the rich complexity of an artistic practice suspended between the seductive potential of pure color and an always ambivalent engagement with tradition. Tracing the interplay between Matisse's painting and discourses of art and subjectivity, Wright offers a significant new reading of one of the central figures of early-twentieth-century modernism. N° de réf. du libraire B9780691119472

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Description du livre Princeton University Press, 2006. Paperback. État : New. N° de réf. du libraire DADAX0691119473

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Description du livre Princeton University Press, 2006. Paperback. État : New. book. N° de réf. du libraire 0691119473

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Description du livre 2006. Paperback. État : NEW. 9780691119472 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. N° de réf. du libraire HTANDREE01145413

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Alistair Wright
Edité par Princeton Univ Pr (2006)
ISBN 10 : 0691119473 ISBN 13 : 9780691119472
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Description du livre Princeton Univ Pr, 2006. Paperback. État : Brand New. 287 pages. 10.50x8.75x0.75 inches. In Stock. N° de réf. du libraire __0691119473

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Alistair Wright
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Description du livre 2006. Paperback. État : New. 216mm x 21mm x 268mm. Paperback. Focusing on the period 1905-1913, this provocative and groundbreaking new book refutes the popular view of Matisse as the painter of relaxed pleasures, the master of decorative line and se.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 288 pages. 1.288. N° de réf. du libraire 9780691119472

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