Hollywood Highbrow - From Entertainment to Art

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9780691125275: Hollywood Highbrow - From Entertainment to Art

Hollywood Highbrow Moviegoers and critics generally consider some Hollywood products - even some blockbusters - to be legitimate works of art. This title tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. Full description

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Shyon Baumann
Edité par Princeton University Press, United States (2007)
ISBN 10 : 0691125279 ISBN 13 : 9780691125275
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Description du livre Princeton University Press, United States, 2007. Hardback. État : New. 236 x 157 mm. Language: English . Brand New Book. Today s moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie art. Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public s perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art. N° de réf. du libraire AAH9780691125275

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Shyon Baumann
Edité par Princeton University Press (2007)
ISBN 10 : 0691125279 ISBN 13 : 9780691125275
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Description du livre Princeton University Press, 2007. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire WP-9780691125275

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Shyon Baumann
Edité par Princeton University Press, United States (2007)
ISBN 10 : 0691125279 ISBN 13 : 9780691125275
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Description du livre Princeton University Press, United States, 2007. Hardback. État : New. 236 x 157 mm. Language: English . Brand New Book. Today s moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie art. Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public s perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art. N° de réf. du libraire AAH9780691125275

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Shyon Baumann
Edité par Princeton University Press (2007)
ISBN 10 : 0691125279 ISBN 13 : 9780691125275
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Description du livre Princeton University Press, 2007. Hardcover. État : New. N° de réf. du libraire DADAX0691125279

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Baumann, Shyon
Edité par Princeton University Press (2007)
ISBN 10 : 0691125279 ISBN 13 : 9780691125275
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Description du livre Princeton University Press, 2007. Hardcover. État : New. book. N° de réf. du libraire 0691125279

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Description du livre Princeton University Press, 2007. HRD. État : New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND.Established seller since 2000. N° de réf. du libraire IP-9780691125275

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Shyon Baumann
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Description du livre Princeton University Press, 2007. HRD. État : New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du libraire IP-9780691125275

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Description du livre 2007. Hardback. État : NEW. 9780691125275 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. N° de réf. du libraire HTANDREE01145593

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Baumann, Shyon
Edité par Princeton Univ Pr (2007)
ISBN 10 : 0691125279 ISBN 13 : 9780691125275
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Description du livre Princeton Univ Pr, 2007. Hardcover. État : Brand New. illustrated edition. 242 pages. 9.25x6.25x0.75 inches. In Stock. N° de réf. du libraire __0691125279

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Shyon Baumann
Edité par Princeton University Press
ISBN 10 : 0691125279 ISBN 13 : 9780691125275
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Description du livre Princeton University Press. Hardcover. État : New. Hardcover. 248 pages. Dimensions: 9.3in. x 6.2in. x 1.0in.Todays moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie art. Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the publics perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. N° de réf. du libraire 9780691125275

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