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Book by Yilmaz Dziewior Zhang Huan RoseLee Goldberg Robert
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SURVEY : YILMAZ DZIEWIOR is a critic and curator based in Hamburg, where he is Professor of Art Theory at the Hochschule für bildende Künste. Formerly Curator at the Ludwig Museum in Cologne and Director of the Kunstverein in Hamburg, where he organized an exhibition of Zhang Huan's work in 2002, he is currently Co-Curator of the 7th Biennial Exhibition of Visual Arts in Limerick (2009). His writing has been published in Artforum, Camera Austria and Texte zur Kunst, as well as in numerous exhibition catalogues. INTERVIEW : ROSELEE GOLDBERG is an art historian, critic and curator who pioneered the study of performance art. Author of several seminal books, including Performance Art : From Futurism to the Present (1979) and Performance : Live Art from the 1960s (1998), she is the Founding Director of "Performa", a non-profit organization for the development, commission and presentation of performance art. FOCUS : ROBERT STORR is Dean of the School of Art at Yale University. Formerly Senior Curator at the Museum of Modern Art in New York, he directed the SITE Santa Fe Biennial in 2004 and the Venice Biennale in 2007. He was a contributing author to Phaidon's Alex Katz (2005), Louise Bourgeois (2003) and Raymond Pettibon (2001), and writes regularly for numerous journals and magazines, including Art in America, Frieze and Parkett.
Présentation de l'éditeur :
"Zhang Huan è uno dei più apprezzati e innovativi artisti della Cina contemporanea. Negli anni 90, grazie a una seri di performance coraggiose e anticonformiste, ha portato l'allora nascente scena artistica cinese alla ribalta sul palcoscenico internazionale. Nelle sue opere più recenti Huan continua il suo viaggio attraverso la tragicità della condizione umana e la spiritualità buddista, passando dalla fotografia alla pittura, fino alla scultura monumentale. Questa monografia rappresenta la prima restrospettiva completa dell'intera carriera dell'artista, dagli inizi sperimentali del famoso "East Village" di Pechino ai successi newyorkesi, fino al riotrno a Shanghai, dove oggi dirige uno studio con più di 40 assistenti."
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurPhaidon Press
- Date d'édition2009
- ISBN 10 0714849243
- ISBN 13 9780714849249
- ReliureBroché
- Nombre de pages160
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Description du livre Etat : New. 2009. Paperback. A look at the remarkable Chinese performance artist, sculptor and painter. Series: Contemporary artists series. Num Pages: 160 pages. Dimension: 253 x 290 x 17. Weight in Grams: 1048. . . . . . N° de réf. du vendeur V9780714849249
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Description du livre Paperback. Etat : new. Paperback. Zhang Huan has emerged as one of the most important artists of the past decade, a fearless explorer of the limits of the human body and a key figure in the flourishing Chinese art scene. His earliest performances, including 12 Square Meters, 65 Kilograms, and To Raise the Water-Level in a Fishpond, subjected his body to grueling tests of endurance while addressing the relationship between physical endurance and spiritual tranquility. Zhang 's move to New York in 1998 contributed to establish himself as a widely recognized figure in the international contemporary art world, staging performances in several cities around the globe, including Sydney, Rome, Shanghai and Hamburg where he reflected on his experiences in the cities he visited and his ethnic identity in a foreign land. In 2006 Zhang established a studio in Shanghai, where he began to seek a greater connection to Chinese heritage and history. This marked a new direction in his work, as he turned from performance to sculpture, painting, and installation. Through creating large-scale sculpture in diverse media, such as ash from local Buddhist temples, and with found objects, such as doors from the Chinese countryside homes, Zhang Huan continues to explore new ways to render his interest in the body and its language.A significant aspect of Zhang's new work revolves around his interest in Buddhism. Although Buddhist themes figured indirectly into his early work, they took on a more prominent role after a visit to Tibet in 2005. There, Zhang began to collect fragments of Buddhist sculptures, which he then used as models for massive copper figures. Upon his return to Shanghai, Zhang Huan began to collect ash from local Buddhist temples for use in sculptures and paintings. The use of burnt incense, the product of religious offerings, strengthens the link between his art and Buddhist practices. A look at the remarkable Chinese performance artist, sculptor and painter. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780714849249
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