The 'do-it-yourself' Artwork: Participation from Fluxus to New Media

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9780719081446: The 'do-it-yourself' Artwork: Participation from Fluxus to New Media

The 'do-it-yourself' Artwork What happens when you touch or enter an artwork instead of looking at it? As artists since the 1950s have increasingly sought to involve viewers more actively in their artworks, this critical anthology sheds light on the nature of these new forms of participation and their historical, social and political significance.

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Présentation de l'éditeur :

Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' The volume consists of fifteen essays by art historians, critics and curators, which are divided into three sections. Part I addresses the emergence of spectator participation in the 1960s, while Part II brings together in-depth case studies of specific participatory practices in the 1960s, 1970s and 1990s, analysing the issues that they raise in their very modes of operation. The more general critical essays in Part III map out a range of theoretical approaches to the 'do-it-yourself' artwork. Together, the three sections provide invaluable historical perspectives and theoretical tools for scholars, students, artists and readers interested in contemporary art. Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork, and the socio-political relations between art and its contexts.

Biographie de l'auteur :

Anna Dezeuze is an Honorary Research Fellow in Art History and Visual Studies at the University of Manchester

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Dezeuze, Anna
Edité par Manchester University Press 2010-04-13, Manchester (2010)
ISBN 10 : 0719081440 ISBN 13 : 9780719081446
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Description du livre Manchester University Press 2010-04-13, Manchester, 2010. hardback. État : New. N° de réf. du libraire 9780719081446

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Dezeuze, Anna
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Description du livre MANCHESTER UNIVERSITY PRESS, United Kingdom, 2010. Hardback. État : New. 234 x 156 mm. Language: English . Brand New Book ***** Print on Demand *****. Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer s experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to do it yourself. Rather than a specialist topic in the history of twentieth- and twenty-first century art, the do-it-yourself artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts. N° de réf. du libraire APC9780719081446

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Edité par MANCHESTER UNIVERSITY PRESS, United Kingdom (2010)
ISBN 10 : 0719081440 ISBN 13 : 9780719081446
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Description du livre MANCHESTER UNIVERSITY PRESS, United Kingdom, 2010. Hardback. État : New. 234 x 156 mm. Language: English . Brand New Book ***** Print on Demand *****.Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer s experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to do it yourself. Rather than a specialist topic in the history of twentieth- and twenty-first century art, the do-it-yourself artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts. N° de réf. du libraire APC9780719081446

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Anna Dezeuze (Editor)
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ISBN 10 : 0719081440 ISBN 13 : 9780719081446
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Description du livre Manchester University Press, 2010. Hardcover. État : New. N° de réf. du libraire DADAX0719081440

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Edité par Manchester University Press
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Description du livre Manchester University Press. Hardcover. État : New. Hardcover. 336 pages. Dimensions: 9.2in. x 6.1in. x 1.1in.Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation In what ways does active participation affect the viewers experience and the status of the artwork Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you-- the viewer -- are invited to do it yourself. Rather than a specialist topic in the history of twentieth- and twenty-first century art, the do-it-yourself artwork raises broader issues concerning the role of the viewer in art, the status of the artwork, and the socio-political relations between art and its contexts. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. N° de réf. du libraire 9780719081446

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