Black Leopard, Red Wolf - Couverture rigide

James, Marlon

Couverture rigide

ISBN 10 : 0735220174 ISBN 13 : 9780735220171

Editeur : Riverhead Books, 2019

A propos du livre

Extrait :

ONE
 
The child is dead. There is nothing left to know.
I hear there is a queen in the south who kills the man who brings her bad news. So when I give word of the boy’s death, do I write my own death with it? Truth eats lies just as the crocodile eats the moon, and yet my witness is the same today as it will be tomorrow. No, I did not kill him. Though I may have wanted him dead. Craved for it the way a glutton craves goat flesh. Oh, to draw a bow and fire it through his black heart and watch it explode black blood, and to watch his eyes for when they stop blinking, when they look but stop seeing, and to listen for his voice croaking and hear his chest heave in a death rattle saying, Look, my wretched spirit leaves this most wretched of bodies, and to smile at such tidings and dance at such a loss. Yes, I glut at the conceit of it. But no, I did not kill him.
Bi oju ri enu a pam o.
Not everything the eye sees should be spoken by the mouth.
This cell is larger than the one before. I smell the dried blood of executed men; I hear their ghosts still screaming. Your bread carries weevils, and your water carries the piss of ten and two guards and the goat they fuck for sport. Shall I give you a story?
I am just a man who some have called a wolf. The child is dead. I know the old woman brings you different news. Call him murderer, she says. Even though my only sorrow is that I did not kill her. The redheaded one said the child’s head was infested with devils. If you believe in devils. I believe in bad blood. You look like a man who has never shed blood. And yet blood sticks between your fingers. A boy you circumcised, a young girl too small for your big . . . Look how that thrills you. Look at you.
I will give you a story.
It begins with a Leopard. And a witch.
Grand Inquisitor. Fetish priest.
No, you will not call for the guards.
My mouth might say too much before they club it shut.
Regard yourself. A man with two hundred cows who delights in a patch of boy skin and the koo of a girl who should be no man’s woman. Because that is what you seek, is it not? A dark little thing that cannot be found in thirty sacks of gold or two hundred cows or two hundred wives. Something that you have lost—no, it was taken from you. That light, you see it and you want it—not light from the sun, or from the thunder god in the night sky, but light with no blemish, light in a boy who has no knowledge of women, a girl you bought for marriage, not because you need a wife, for you have two hun- dred cows, but a wife you can tear open, because you search for it in holes, black holes, wet holes, undergrown holes for the light that vampires look for, and you will have it, you will dress it up in ceremony, circumcision for the boy, consummation for the girl, and when they shed blood, and spit, and sperm and piss you leave it all on your skin, to go to the iroko tree and use any hole you find.
The child is dead, and so is everyone.
I walked for days, through swarms of flies in the Blood Swamp and skin- slicing rocks in salt plains, through day and night. I walked as far south as Omororo and did not know or care. Men detained me as a beggar, took  me for a thief, tortured me as a traitor, and when news of the dead child reached your kingdom, arrested me as a murderer. Did you know there were five men in my cell? Four nights ago. The scarf around my neck belongs to the only man who left on two feet. He might even see from his right eye again one day.
The other four. Make record as I have said it.
Old men say night is a fool. It will not judge, but whatever comes it will not warn. The first came for my bed. I woke up to my own death rattle, and it was a man, crushing my throat. Shorter than an Ogo, but taller than a horse. Smelled like he butchered a goat. Grabbed me by the neck and hoisted me up in the air while the other men kept quiet. I tried to pull his fingers but a devil was in his grip. Kicking his chest was kicking stone. He held me up as if admiring a precious jewel. I kneed him in the jaw so hard his teeth sliced his tongue. He dropped me, and I charged for his balls like a bull. He fell, I grabbed his knife, razor sharp, and cut his throat. The second grabbed for my arms, but I was naked and slippery. The knife— my knife—I rammed it between his ribs and heard his heart pop. The third man danced with his feet and fists, like a night fly, whistling like a mosquito. Made a fist I did, then stuck two fingers out, like rabbit ears. Jabbed his left eye in the quick and pulled the whole thing out. He screamed. Watching him bawl on the floor, searching for his eye, I forgot the other two men. The fat one behind me, he swung, I ducked, he tripped, he fell, I jumped, I grabbed the rock that was my pillow and bashed his head until his face smelled fleshy.
The last man was a boy. He cried. He was too shaken to beg for his life. I told him to be a man in his next life, for he is less than a worm in this one, and flung the knife right into his neck. His blood hit the floor before his knees. I let the half-blind man live because we need stories in order to live, don’t we, priest? Inquisitor. I don’t know what to call you.
But these are not your men. Good. Then you have no death song to sing to their widows.
You have come for a story and I am moved to talk, so the gods have smiled on both of us.
There was a merchant in the Purple City, who said he lost his wife. She went missing with five gold rings, ten and two pairs of earrings, twenty and two bracelets, and ten and nine anklets. It is said you have a nose for finding what would rather stay lost, he said. I was near twenty in years, and long ban- ished from my father’s house. The man thought I was some kind of hound,
but I said yes, it has been said that I have a nose. He threw me his wife’s undergarment. Her trail was so faint it was almost dead. Maybe she knew that one day men would come hunting, for she had a hut in three villages and no one could tell which one she lived in. In each house was a girl who looked exactly like her and even answered to her name. The girl in the third house invited me in and pointed to a stool for me to sit. She asked if I was thirsty and reached for a jug of masuku beer before I said yes. Let me remind you that my eyes are ordinary but it has been said that I have a nose. So when she brought over the mug of beer I had already smelled the poison she put in it, a wife’s poison called cobra spit that loses taste once you mix it with water. She gave me the mug and I took it, grabbed her hand, and bent it behind her back. I put the mug to her lips and forced it between her teeth. Her tears ran down and I took away the mug.
She took me to her mistress, who lived in a hut by the river. My husband beat me so hard that my child fell out, the mistress said. I have five gold rings, ten and two pairs of earrings, twenty and two bracelets, and ten and nine anklets, which I will give you, as well as a night in my bed. I took four anklets, and I took her back to her husband because I wanted his money more than  her jewelry. Then I told her to have the woman from the third hut make him masuku beer.
The second story.
My father came home one night smelling of a fisher woman. She was on him, and so was the wood of a Bawo board. And the blood of a man not my father. He played a game against a binga, a Bawo master, and lost. The binga demanded his winnings, and my father grabbed the Bawo board and smashed it on the master’s forehead. He said he was at an inn far away so that he could drink, tickle women, and play Bawo. My father beat the man until he stopped moving and then left the bar. But no stink of sweat was on him, not much dust, no beer on his breath, nothing. He had not been in a bar but in the den of an opium monk.
So Father came into the house and shouted for me to come from the grain shed I was living in, for by now he had banished me from the house.
“Come, my son. Sit and play Bawo with me,” he said.
The board was on the floor, many balls missing. Too many for a good game. But my father was looking to win, not to play.
Surely you know Bawo, priest; if not I must explain it to you. Four rows of eight holes on the board, each player gets two rows. Thirty and two seeds for each player, but we had fewer than that, I cannot remember how much. Each player puts six seeds in the nyumba hole, but my father placed eight. I would have said, Father, are you playing the game southern style, eight instead of six? But my father never speaks when he can punch, and he has punched me for less. Every time I placed a seed he would say, Capture and take my seeds. But he was hungry for drink and asked for palm wine. My mother brought him water, and he pulled her by the hair, slapped her twice, and said, Your skin will forget these marks by sunset. My mother would not give him the pleasure of her tears, so she left and came back with wine. I smelled for poison, and would have let it be. But while he was beating my mother for using witchcraft to either slow her ag- ing or hurry his, he missed the game. I sowed my seeds, two to a hole right to the end of the board, and captured his seeds. This did not please my father.
“You took the game to mtaji phase,” he said. “No, we are just beginning,” I said.
“How dare you speak to me with disrespect? Call me Father when you talk to me,” he said.
I said nothing and blocked him on the board.
He had no seeds left in his inner row and could not move.
“You have cheated,” he said. “There are more than thirty and two seeds on your board.”
I said, “Either you are blind from wine or you cannot count. You sowed seeds, and I captured them. I sowed seeds all along my row and built a wall that you have no seed to break.”
He punched me in the mouth before I could say another word. I fell off the stool and he grabbed the Bawo board to hit me the way he hit the binga. But my father was drunk and slow, and I had been watching the Ngolo mas- ters practice their fight craft by the river. He swung the board and seeds went scattering in the sky. I flipped backways three times like I saw them do and crouched down like a waiting cheetah. He looked around for me as if I had vanished.
“Come out, you coward. Coward like your mother,” he said. “This is why it brings me joy to disgrace her. First I will beat you, then I will beat her for raising you, then I will leave a mark so that both of you remember that she raised a boy to be a mistress of men,” he said.
Fury is a cloud that leaves my mind empty and my heart black. I jumped and kicked my legs out in the air, each time higher.
“Now he hops like an animal,” he said.
He charged at me but I was no longer a boy. I charged at him in the small house, dived to the ground with my hands, turned my hands to feet, and flipped up, spun my whole body like a wheel with my legs in the air, spun towards him and locked him with my two feet around his neck and brought him down hard. His head smacked the ground so loud that my mother out- side heard the crack. She ran inside and screamed.
“Get away from him, child. You have ruined both of us.” I looked at her and spat. Then I left.
There are two endings to this story. In the first, my legs locked around his neck and broke it when I brought him down to the ground. He died right there on the floor and my mother gave me five cowries and sorghum wrapped in palm leaf and sent me away. I told her that I would leave with nothing he owned, not even clothes.
In the second ending, I do not break his neck, but he still lands on his head, which cracks and bleeds. He wakes up an imbecile. My mother gives me five cowries and a sorghum wrapped in banana leaf and says, Leave this place, your uncles are all worse than he.
My name was my father’s possession, so I left it by his gate. He dressed in nice robes, silks from lands he had never seen, sandals from men who owed him money, anything to make him forget that he came from a tribe in the river valley. I left my father’s house wanting nothing that reminded me of him. The old ways called out to me before I even left and I wanted to take every piece of garment off. To smell like a man, with funk and stink, not the perfume of city women and eunuchs. People would look at me with the scorn they save for swamp folk. I would step into the city, or the bedchamber, headfirst like a prized beast. The lion needs no robe and neither does the cobra. I would go to Ku, where my father came from, even if I did not know the way.
My name is Tracker. Once I had a name, but have long forgotten it. The third story.
A queen of a kingdom in the West said she would pay me well to find her King. Her court thought she was mad, for the King was dead, drowned five years now, but I had no problem with finding the dead. I took her down payment and left for where those dead by drowning lived.
I kept walking until I came to an old woman by a river with a tall stick sitting at the banks. Her hair white at the sides, her head bald at the top. Her face had lines like paths in the forest and her yellow teeth meant her breath was foul. The stories say she rises each morning youthful and beautiful, blooms full and comely by midday, ages to a crone by nightfall, and dies at midnight to be born again the next hour. The hump in her back was higher than her head, but her eyes twinkled, so her mind was sharp. Fish swam right up to the point of the stick but never went beyond.
“Why have you come to this place?” she asked. “This is the way to Monono,” I said.
“Why have you come to this place? A living man?”
“Life is love and I have no love left. Love has drained itself from me, and run to a river like this one.”
“It’s not love you have lost, but blood. I will let you pass. But when I lay with a man I live without dying for seventy moons.”
So I fucked the crone. She lay on her back by the bank, her feet in the river. She was nothing but bones and leather, but I was hard for her and full with vigor. Something was swimming between my legs that felt like fishes. Her hand touched my chest and my white clay stripes turned into waves around my heart. I thrust in and out of her, unnerved by her silence. In the dark I felt she was getting younger even though she was getting older. Flame spread inside me, spread to the tips of my fingers and the tip of me inside her. Air gathered around water, water gathered around air and I yelled, and pulled out, and rained on her belly, her arms, and her breasts. A shudder ran through me five times. She was still a crone, but I was not angry. She scooped my rain off her chest and flicked it off in the river. At once fish leapt up and dived in, leapt up again. This was a night when dark ate the moon, but the fishes had a light within them. The fishes had the head, arms, and breasts of women.
“Follow them,” she said.
I followed them through day and night, and day again. Sometimes the river was as low as my ankle. Sometimes the river was as high as my neck. Water washed all the white from my body, leaving just my face. The fish- women, womenfish, took me down the river for days and days and days until we came to a place I cannot describe. It was either a wall of river, which stood firm even though I could push my hand through it, or the ri...

Revue de presse :

Praise for Black Leopard, Red Wolf:

“Gripping, action-packed... The literary equivalent of a Marvel Comics universe — filled with dizzying, magpie references to old movies and recent TV, ancient myths and classic comic books, and fused into something new and startling by his gifts for language and sheer inventiveness.” —Michiko Kakutani, The New York Times

“The first volume of a promised trilogy, a fabulist reimagining of Africa, with inevitable echoes of Tolkien, George R.R. Martin and Black Panther, but highly original, its language surging with power, its imagination all-encompassing. . . . Marlon is a writer who must be read.” —Salman Rushdie, TIME 

“James’ visions don’t jettison you from reality so much as they trap you in his mad-genius, mercurial mind. . . . Drenched in African myth and folklore, and set in an astonishingly realized pre-colonized sub-Saharan region, Black Leopard crawls with creatures and erects kingdoms unlike any I’ve read. . . .  This is a revolutionary book.” —Entertainment Weekly

“Marlon James is one of those novelists who aren’t afraid to give a performance, to change the states of language from viscous to gushing to grand, to get all the way inside the people he’s created... [Black Leopard, Red Wolf] looks like another great, big tale of death, murder and mystery but more mystically fantastical... Not only does this book come with a hefty cast of characters (like Seven Killings), there are also shape shifters, fairies, trolls, and, apparently, a map. The map might be handy. But it might be the opposite of why you come to James—to get lost in him.” —The New York Times

“Fantasy fiction gets a shot of adrenaline.” —Newsday

“Stand aside, Beowulf. There’s a new epic hero slashing his way into our hearts, and we may never get all the blood off our hands. . . . James is clear-cutting space for a whole new kingdom. ‘Black Leopard, Red Wolf,’ the first spectacular volume of a planned trilogy, rises up from the mists of time, glistening like viscera. James has spun an African fantasy as vibrant, complex and haunting as any Western mythology, and nobody who survives reading this book will ever forget it. That thunder you hear is the jealous rage of Olympian gods. . . . ‘Ocean’s Eleven’ has got nothing on this ensemble.” —Washington Post

“Black Leopard, Red Wolf is bawdy (OK, filthy), lyrical, poignant, violent (sometimes hyperviolent), riotous, funny (filthily hilarious), complex, mysterious, and always under tight and exquisite control...A world that is both fresh and beautifully realized....Absolutely brilliant.” —LA Times

“James is a professed fantasy nerd, so Black Leopard, Red Wolf will certainly appeal to fans of all the well-acknowledged authors with at least two initials — George R.R. Martin, J.R.R. Tolkien, J.K. Rowling, etc. But if you’ve read James’ 2014 novel A Brief History of Seven Killings (decidedly not a sci-fi or fantasy book but a 700-page world-building epic about the attempted assassination of Bob Marley), you’ll drag yourself to the midnight queue to buy Black Leopard regardless of the whole ‘Game of Thrones’ selling point.” —Huffington Post

“Black Leopard, Red Wolf is the kind of novel I never realized I was missing until I read it. A dangerous, hallucinatory, ancient Africa, which becomes a fantasy world as well-realized as anything Tolkien made, with language as powerful as Angela Carter's. It's as deep and crafty as Gene Wolfe, bloodier than Robert E. Howard, and all Marlon James. It's something very new that feels old, in the best way. I cannot wait for the next installment.” —Neil Gaiman
“This book begins like a fever dream and merges into world upon world of deadly fairy tales rich with political magic. Black Leopard, Red Wolf is a fabulous cascade of storytelling. Sink right in. I guarantee you will be swept downstream.” —Louise Erdrich
“The novel teems with nightmares: devils, witches, giants, shape-shifters, haunted woods, magic portals. It’s terrifying, sensual, hard to follow—but somehow indelible, too.” —Vogue 

“Black Leopard, Red Wolf aims to be an event, and to counter the dominant impression of the genre it inhabits. . . . Black Leopard delivers some genre-specific satisfactions: the fight scenes are choreographed with comic-book wit . . . But it deliberately upends others. When I first saw the news that James was writing a fantasy trilogy, I had assumed that, after reaching the pinnacle of critical acclaim, with the Booker, he was pivoting to the land of the straightforward best-seller. . . . Instead, he’d written not just an African fantasy novel but an African fantasy novel that is literary and labyrinthine to an almost combative degree.” —The New Yorker
 
“He’s produced a sprawling fantasy novel set in a dark-age Africa of witches, spirits, dazzling imperial citadels and impenetrable forests. In a genre dominated by imagery derived from the European middle ages, Black Leopard, Red Wolf feels new and exciting.” —Wall Street Journal

“A miracle... If Charles R. Saunders’ Imaro series opened the door to new ways of telling epic fantasy, and N.K. Jemisin’s Inheritance trilogy leapt over the threshold, then Marlon James’ Black Leopard, Red Wolf just ripped the whole damn door off its hinges.” —Tor

“A sprawling, epic fantasy... Fuses mythology, fantasy, and African history into a sensual, psychological triumph.” —Esquire

“Like the best fantasy, like the best literary fiction, like the best art period, Black Leopard, Red Wolf is uncanny.” —Boston Globe

“Black Leopard, Red Wolf [will] surely redefine fantasy for many years to come.” —Houston Chronicle

“A standard-bearer for future fantasies.” —Minneapolis Star Tribune

“This is the kind of immersive fantasy saga that develops a devoted following, an impressive display of inspired storytelling that’s only just getting started.” — San Francisco Chronicle

“Perhaps no other contemporary fiction writer takes such risks and uses such provocative, sensual descriptions as James (who masterfully mixes in smells and sounds as well as sights to build a world).” —Interview Magazine “What marks James’s tale as his own is the wonder evoked through descriptive, unrelenting prose along with a focus on a distinct mythology cobbled from history and folk tale. The propulsive narrative has already been optioned by Michael B Jordan, so expect to see this one coming to screens fairly soon.” —The Guardian 

“James' sensual, beautifully rendered prose and sweeping, precisely detailed narrative cast their own transfixing spell upon the reader. He not only brings a fresh multicultural perspective to a grand fantasy subgenre, but also broadens the genre's psychological and metaphysical possibilities. If this first volume is any indication, James' trilogy could become one of the most talked-about and influential adventure epics since George R.R. Martin's A Song of Ice and Fire was transformed into Game of Thrones.” —Kirkus Reviews (starred review)

À propos de cette édition

• Éditeur: Riverhead Books
• Date d'édition: 2019
• ISBN 10: 0735220174
• ISBN 13: 9780735220171
• Reliure: Relié
• Nombre de pages: 640