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Book by Shields David
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Extrait :
Letter to My Father
Let the wrestling match begin: my stories versus his stories.
This book is an autobiography of my body, a biography of my father’s body, an anatomy of our bodies together–especially my dad’s, his body, his relentless body.
This is my research; this is what I now know: the brute facts of existence, the fragility and ephemerality of life in its naked corporeality, human beings as bare, forked animals, the beauty and pathos in my body and his body and everybody else’s body as well.
Accept death, I always seem to be saying.
Accept life, is his entirely understandable reply.
Why am I half in love with easeful death? I just turned 51. As Martin Amis has said, “Who knows when it happens, but it happens. Suddenly you realize that you’re switching from saying ‘Hi’ to saying ‘Bye.’ And it’s a full-time job: death. You really have to wrench your head around to look in the other direction, because death’s so apparent now, and it wasn’t apparent before. You were intellectually persuaded that you were going to die, but it wasn’t a reality.” So, too, for myself, being the father of an annoyingly vital 14-year-old girl only deepens these feelings. I’m no longer athletic (really bad back–more on this later). Natalie is. After a soccer game this season, a parent of one of the players on the other team came up to her and said, “Turn pro.”
Why, at 97, is my father so devoted to longevity per se, to sheer survival? He is–to me–cussedly, maddeningly alive and interesting, but I also don’t want to romanticize him. He’s life force as life machine–exhausting and exhaustive. Rest in peace? Hard to imagine.
Mark Harris, trying to explain why he thought Saul Bellow was a better writer than any of his contemporaries, said Bellow was simply more alive than anyone else, and there’s something of that in my father. D. H. Lawrence was said to have lived as if he were a man without skin. That, too, is my father: I keep on urging him to don skin, and he keeps declining.
I seem to have an Oedipal urge to bury him in a shower of death data. Why do I want to cover my dad in an early shroud? He’s strong and he’s weak and I love him and I hate him and I want him to live forever and I want him to die tomorrow.
Our Birth Is Nothing But Our Death Begun
A fetus doesn't sit passively in its mother's womb and wait to be fed. Its placenta aggressively sprouts blood vessels that invade its mother's tissues to extract nutrients. A mother and her unborn child engage in an unconscious struggle over the nutrients she will provide it. Pregnancy is, as the evolutionary biologist David Haig says, a tug of war: each side pulls hard; the flag tied to the middle of the rope barely moves. Existence is warfare.
Human beings have existed for 250,000 years; during that time, 90 billion individuals have lived and died. You're one of 6.5 billion people now on the planet, and 99.9 percent of your genes are the same as everyone else's. The difference is in the remaining 0.1 percent—one nucleotide base in every 1,000.
You're born with 350 bones (long, short, flat, and irregular); as you grow, the bones fuse together: an adult's body has 206 bones. Approximately 70 percent of your body weight is water—which is about the same percentage of the earth's surface that is water.
A newborn baby, whose average heart rate is 120 beats per minute, makes the transition from a comfortable, fluid-filled environment to a cold, air-filled one by creating a suction 50 times stronger than the average adult breath. I was a breech birth, the danger of which is that the head (in this case, my head) comes out last, which dramatically increases the possibility that the umbilical cord will get wrapped around the neck (in this case, my neck). I entered the world feet first, then remained in the hospital an extra week to get a little R & R in a warm incubator that my father guarded like a goalie whenever anyone came within striking distance. If I laid still for more than a few minutes, my father reportedly pounded on the glass dome. I wasn't dead, Dad. I was only sleeping. All my life I've pretended to seek a cold, air-filled environment (danger), but really what I'm drawn to is that comfortable, fluid-filled environment (safety).
I remember once being complimented by my mother for not entering a playground when the gate was locked and my father being disgusted that I hadn't climbed the fence. As a wide receiver, I would run intricate patterns, then stand all alone in the middle of the field, waving my hands, calling for the ball. I never dropped a pass, but when I was hit hard, I would typically tighten up and fumble. I was the best softball player in the neighborhood, but as we grew older, we began to play overhand, fast-pitch hardball, and I started flinching. Trying to beat out a ground ball, I would always slow down so that the throw to first base would arrive ahead of me and I'd avoid getting hit in the head with a wild toss. Batting, I was afraid of getting hit with the pitch; fielding, I dreaded bad hops off the rocky infield. I could run 100 yards in 10.8 seconds, but I had very long legs and the track coach insisted that I run high hurdles; I stutter-stepped before each hurdle to make sure I cleared it and came in last. Having never learned to dive, I jumped in the pool feet first. The swimming instructor dragged me to the edge of the diving board, positioned my arms and legs, held me in the air for a second, then dropped me into the pool. At the last instant, I turned my face, and water broke my fall like a bed of electric needles. What was I scared of? Why have I always been so afraid of getting hurt?
In the Bhagavad Gita, the human body is defined as a wound with nine openings.
A newborn baby is, objectively, no beauty. The fat pads that will fill out the cheeks are missing. The jaws are unsupported by teeth. Hair, if there is any, is often so fine as to make the baby (especially Caucasian babies) appear bald. Cheesy material—called vernix caseosa—covers the body, providing a protective dressing for the skin, which is reddened, moist, and deeply creased. Swelling formed by pressure during the passage through the birth canal may have temporarily deformed the nose, caused one or both eyes to swell up, or elongated the head into a strange shape. The skull is incompletely formed: in some places, the bones haven't fully joined together, leaving the brain covered only by soft tissue. External genitalia in both sexes are disproportionately larger because of stimulation by the mother's hormones. For the same reason, the baby's breasts may be somewhat enlarged and secrete a watery discharge called "witch's milk." The irises are pale blue; true eye color develops later. The head is very large in proportion to the body, and the neck can't support it, while the buttocks are tiny.
The average baby weighs 7 1/4 pounds and is 21 inches long. Newborns lose 5 to 8 percent of their birth weight in the first few days of life—owing, mainly, to water loss. They can hear little during the first 24 hours until air enters the eustachian tubes. They miss the womb and resent any stimulus. They will suck anything placed in or near their mouth. Their eyes wander and cross. Their body temperature is erratic, and their breathing is often irregular.
At 1 month, a baby can wobble its head and practice flexing its arms and legs. At 2 months, it can face straight ahead while lying on its back. On its stomach, it can lift its head about 45 degrees. At 3 months, a baby's neck muscles are strong enough to support its head for a second or two.
Babies are born with brains 25 percent of adult size, because the mechanics of walking upright impose a constraint on the size of the mother's pelvis. The channel through which the baby is born can't get any bigger. The baby's brain quickly makes up for that initial constraint: by age 1, the brain is 75 percent of adult size.
Infants have accurate hearing up to 40,000 cycles per second and may wince at a dog whistle that adults, who can't register sounds above 20,000 cycles per second, don't even notice. Your ear contains sensory hair cells, which turn mechanical fluid energy inside the cochlea into electrical signals that can be picked up by nerve cells; these electrical signals are delivered to the brain and allow you to hear. Beginning at puberty, these hair cells begin to disappear, decreasing your ability to hear specific frequencies; higher tones are the first to go.
A newborn's hands tend to be held closed, but if the area between the thumb and forefinger is stroked, the hand clenches it and holds on with sufficient strength to support the baby's weight if both hands are grasping. This innate "grasp reflex" serves no purpose in the human infant but was crucial in the last prehuman phase of evolution when the infant had to cling to its mother's hair.
My father reminds me that according to Midrash—the ever-evolving commentary upon the Hebrew scriptures—when you arrive in the world as a baby, your hands are clenched, as though to say, "Everything is mine. I will inherit it all." When you depart from the world, your hands are open, as though to say, "I have acquired nothing from the world."
If a baby is dropped, an immediate change from the usual curled posture occurs, as all four extremities are flung out in extension. The "startle reflex," or "embrace reflex," probably once served to help a simian mother catch a falling infant by causing it to spread out as fully as possible.
When Natalie was born, I cried, and my wife, Laurie, didn't—too busy. One minute, we were in the hospital room, holding hands and reading magazines, and the next, Laurie looked at me, with a commanding seriousness I'd never seen in her before, and said, &qu...
Revue de presse :
Let the wrestling match begin: my stories versus his stories.
This book is an autobiography of my body, a biography of my father’s body, an anatomy of our bodies together–especially my dad’s, his body, his relentless body.
This is my research; this is what I now know: the brute facts of existence, the fragility and ephemerality of life in its naked corporeality, human beings as bare, forked animals, the beauty and pathos in my body and his body and everybody else’s body as well.
Accept death, I always seem to be saying.
Accept life, is his entirely understandable reply.
Why am I half in love with easeful death? I just turned 51. As Martin Amis has said, “Who knows when it happens, but it happens. Suddenly you realize that you’re switching from saying ‘Hi’ to saying ‘Bye.’ And it’s a full-time job: death. You really have to wrench your head around to look in the other direction, because death’s so apparent now, and it wasn’t apparent before. You were intellectually persuaded that you were going to die, but it wasn’t a reality.” So, too, for myself, being the father of an annoyingly vital 14-year-old girl only deepens these feelings. I’m no longer athletic (really bad back–more on this later). Natalie is. After a soccer game this season, a parent of one of the players on the other team came up to her and said, “Turn pro.”
Why, at 97, is my father so devoted to longevity per se, to sheer survival? He is–to me–cussedly, maddeningly alive and interesting, but I also don’t want to romanticize him. He’s life force as life machine–exhausting and exhaustive. Rest in peace? Hard to imagine.
Mark Harris, trying to explain why he thought Saul Bellow was a better writer than any of his contemporaries, said Bellow was simply more alive than anyone else, and there’s something of that in my father. D. H. Lawrence was said to have lived as if he were a man without skin. That, too, is my father: I keep on urging him to don skin, and he keeps declining.
I seem to have an Oedipal urge to bury him in a shower of death data. Why do I want to cover my dad in an early shroud? He’s strong and he’s weak and I love him and I hate him and I want him to live forever and I want him to die tomorrow.
Our Birth Is Nothing But Our Death Begun
A fetus doesn't sit passively in its mother's womb and wait to be fed. Its placenta aggressively sprouts blood vessels that invade its mother's tissues to extract nutrients. A mother and her unborn child engage in an unconscious struggle over the nutrients she will provide it. Pregnancy is, as the evolutionary biologist David Haig says, a tug of war: each side pulls hard; the flag tied to the middle of the rope barely moves. Existence is warfare.
Human beings have existed for 250,000 years; during that time, 90 billion individuals have lived and died. You're one of 6.5 billion people now on the planet, and 99.9 percent of your genes are the same as everyone else's. The difference is in the remaining 0.1 percent—one nucleotide base in every 1,000.
You're born with 350 bones (long, short, flat, and irregular); as you grow, the bones fuse together: an adult's body has 206 bones. Approximately 70 percent of your body weight is water—which is about the same percentage of the earth's surface that is water.
A newborn baby, whose average heart rate is 120 beats per minute, makes the transition from a comfortable, fluid-filled environment to a cold, air-filled one by creating a suction 50 times stronger than the average adult breath. I was a breech birth, the danger of which is that the head (in this case, my head) comes out last, which dramatically increases the possibility that the umbilical cord will get wrapped around the neck (in this case, my neck). I entered the world feet first, then remained in the hospital an extra week to get a little R & R in a warm incubator that my father guarded like a goalie whenever anyone came within striking distance. If I laid still for more than a few minutes, my father reportedly pounded on the glass dome. I wasn't dead, Dad. I was only sleeping. All my life I've pretended to seek a cold, air-filled environment (danger), but really what I'm drawn to is that comfortable, fluid-filled environment (safety).
I remember once being complimented by my mother for not entering a playground when the gate was locked and my father being disgusted that I hadn't climbed the fence. As a wide receiver, I would run intricate patterns, then stand all alone in the middle of the field, waving my hands, calling for the ball. I never dropped a pass, but when I was hit hard, I would typically tighten up and fumble. I was the best softball player in the neighborhood, but as we grew older, we began to play overhand, fast-pitch hardball, and I started flinching. Trying to beat out a ground ball, I would always slow down so that the throw to first base would arrive ahead of me and I'd avoid getting hit in the head with a wild toss. Batting, I was afraid of getting hit with the pitch; fielding, I dreaded bad hops off the rocky infield. I could run 100 yards in 10.8 seconds, but I had very long legs and the track coach insisted that I run high hurdles; I stutter-stepped before each hurdle to make sure I cleared it and came in last. Having never learned to dive, I jumped in the pool feet first. The swimming instructor dragged me to the edge of the diving board, positioned my arms and legs, held me in the air for a second, then dropped me into the pool. At the last instant, I turned my face, and water broke my fall like a bed of electric needles. What was I scared of? Why have I always been so afraid of getting hurt?
In the Bhagavad Gita, the human body is defined as a wound with nine openings.
A newborn baby is, objectively, no beauty. The fat pads that will fill out the cheeks are missing. The jaws are unsupported by teeth. Hair, if there is any, is often so fine as to make the baby (especially Caucasian babies) appear bald. Cheesy material—called vernix caseosa—covers the body, providing a protective dressing for the skin, which is reddened, moist, and deeply creased. Swelling formed by pressure during the passage through the birth canal may have temporarily deformed the nose, caused one or both eyes to swell up, or elongated the head into a strange shape. The skull is incompletely formed: in some places, the bones haven't fully joined together, leaving the brain covered only by soft tissue. External genitalia in both sexes are disproportionately larger because of stimulation by the mother's hormones. For the same reason, the baby's breasts may be somewhat enlarged and secrete a watery discharge called "witch's milk." The irises are pale blue; true eye color develops later. The head is very large in proportion to the body, and the neck can't support it, while the buttocks are tiny.
The average baby weighs 7 1/4 pounds and is 21 inches long. Newborns lose 5 to 8 percent of their birth weight in the first few days of life—owing, mainly, to water loss. They can hear little during the first 24 hours until air enters the eustachian tubes. They miss the womb and resent any stimulus. They will suck anything placed in or near their mouth. Their eyes wander and cross. Their body temperature is erratic, and their breathing is often irregular.
At 1 month, a baby can wobble its head and practice flexing its arms and legs. At 2 months, it can face straight ahead while lying on its back. On its stomach, it can lift its head about 45 degrees. At 3 months, a baby's neck muscles are strong enough to support its head for a second or two.
Babies are born with brains 25 percent of adult size, because the mechanics of walking upright impose a constraint on the size of the mother's pelvis. The channel through which the baby is born can't get any bigger. The baby's brain quickly makes up for that initial constraint: by age 1, the brain is 75 percent of adult size.
Infants have accurate hearing up to 40,000 cycles per second and may wince at a dog whistle that adults, who can't register sounds above 20,000 cycles per second, don't even notice. Your ear contains sensory hair cells, which turn mechanical fluid energy inside the cochlea into electrical signals that can be picked up by nerve cells; these electrical signals are delivered to the brain and allow you to hear. Beginning at puberty, these hair cells begin to disappear, decreasing your ability to hear specific frequencies; higher tones are the first to go.
A newborn's hands tend to be held closed, but if the area between the thumb and forefinger is stroked, the hand clenches it and holds on with sufficient strength to support the baby's weight if both hands are grasping. This innate "grasp reflex" serves no purpose in the human infant but was crucial in the last prehuman phase of evolution when the infant had to cling to its mother's hair.
My father reminds me that according to Midrash—the ever-evolving commentary upon the Hebrew scriptures—when you arrive in the world as a baby, your hands are clenched, as though to say, "Everything is mine. I will inherit it all." When you depart from the world, your hands are open, as though to say, "I have acquired nothing from the world."
If a baby is dropped, an immediate change from the usual curled posture occurs, as all four extremities are flung out in extension. The "startle reflex," or "embrace reflex," probably once served to help a simian mother catch a falling infant by causing it to spread out as fully as possible.
When Natalie was born, I cried, and my wife, Laurie, didn't—too busy. One minute, we were in the hospital room, holding hands and reading magazines, and the next, Laurie looked at me, with a commanding seriousness I'd never seen in her before, and said, &qu...
Praise for The Thing About Life Is That One Day You'll Be Dead
“A double-memoir-commonplace book in which [Shields] presents his and his father’s life stories, lovingly encrusted with facts about aging and death (it turns out your soul doesn’t weigh 21 grams after all) . . . The result is an edifying, wise, unclassifiable mixture of filial love and Oedipal rage.” —Lev Grossman, Time Magazine
“Shields is a sharp-eyed, self-deprecating, at times hilarious writer. Approaching the flatline of the last page, we want more.” –Stephen Bates, The Wall Street Journal
“Enthralling . . . Fascinating . . . Ultimately, the humanity of Shields’ interior and exterior exploration is what makes The Thing About Life–and life itself–worthwhile.” —Meredith Maran, The San Francisco Chronicle
“Shields undergoes his midlife crisis and comes out the other side– more accessible than ever before, more tender, ‘nicer.’ And yet The Thing About Life adroitly sidesteps sentimentality–very hard to do when the core of it is a son’s love for his cranky, tenacious, irascible, geriatric, Jewish father. I love this book.”–David Guterson
“[An] informative and occasionally unsettling meditation on [Shields’s] own aging body and his [97-year-old] nonagenarian father’s seemingly endless vigor and strength . . . He writes with great candor about the vitality of his father. . . Also woven into the text are clever quotes on matters corporeal from the likes of Wordsworth, Wittgenstein, Woody Allen, and Martha Graham. Shields’s memoir is a sobering, at times poignant, reminder that none of us gets out of this life alive.”–Booklist
“David Shields has accomplished something here so pure and wide in its implications that I think of it almost as a secular, unsentimental Kahlil Gibran: a textbook for the acceptance of our fate on earth.” —Jonathan Lethem
“It’ s a bold writer who dares to tackle head-on the subject of what it means to be human– something that David Shields does with an extraordinary mixture of tenderness, humor, and inexhaustible curiosity.” —Jonathan Raban
“The Thing About Life grabbed me from the start. It’s extremely compelling, gorgeous in many places. I loved it. And I wish I had written it.”–Lauren Slater
From the Hardcover edition.
“A double-memoir-commonplace book in which [Shields] presents his and his father’s life stories, lovingly encrusted with facts about aging and death (it turns out your soul doesn’t weigh 21 grams after all) . . . The result is an edifying, wise, unclassifiable mixture of filial love and Oedipal rage.” —Lev Grossman, Time Magazine
“Shields is a sharp-eyed, self-deprecating, at times hilarious writer. Approaching the flatline of the last page, we want more.” –Stephen Bates, The Wall Street Journal
“Enthralling . . . Fascinating . . . Ultimately, the humanity of Shields’ interior and exterior exploration is what makes The Thing About Life–and life itself–worthwhile.” —Meredith Maran, The San Francisco Chronicle
“Shields undergoes his midlife crisis and comes out the other side– more accessible than ever before, more tender, ‘nicer.’ And yet The Thing About Life adroitly sidesteps sentimentality–very hard to do when the core of it is a son’s love for his cranky, tenacious, irascible, geriatric, Jewish father. I love this book.”–David Guterson
“[An] informative and occasionally unsettling meditation on [Shields’s] own aging body and his [97-year-old] nonagenarian father’s seemingly endless vigor and strength . . . He writes with great candor about the vitality of his father. . . Also woven into the text are clever quotes on matters corporeal from the likes of Wordsworth, Wittgenstein, Woody Allen, and Martha Graham. Shields’s memoir is a sobering, at times poignant, reminder that none of us gets out of this life alive.”–Booklist
“David Shields has accomplished something here so pure and wide in its implications that I think of it almost as a secular, unsentimental Kahlil Gibran: a textbook for the acceptance of our fate on earth.” —Jonathan Lethem
“It’ s a bold writer who dares to tackle head-on the subject of what it means to be human– something that David Shields does with an extraordinary mixture of tenderness, humor, and inexhaustible curiosity.” —Jonathan Raban
“The Thing About Life grabbed me from the start. It’s extremely compelling, gorgeous in many places. I loved it. And I wish I had written it.”–Lauren Slater
From the Hardcover edition.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurRandom House
- Date d'édition2008
- ISBN 10 0739359282
- ISBN 13 9780739359280
- ReliureCD
- Evaluation vendeur
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The Thing About Life Is That One Day You'll Be Dead
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Random House Audio, UNITED STATES
(2008)
ISBN 10 : 0739359282
ISBN 13 : 9780739359280
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Evaluation vendeur
Description du livre AUDIO CD. Etat : Good. 6 AUDIO CDs withdrawn from the library collection. Some library marking. We will polish the Audio CDs for smooth listening. You will receive a good set. Enjoy this reliable AUDIO CD performance. N° de réf. du vendeur CREATIVECDS844
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