Talk Talk - Couverture souple

Boyle, T. C

Couverture souple

ISBN 10 : 0747584249 ISBN 13 : 9780747584247

Editeur : Bloomsbury Publishing PLC, 2006

A propos du livre

Extrait

TALK
TALK

ALSO BY T. CORAGHESSAN BOYLE

NOVELS

The Inner Circle

Drop City

A Friend of the Earth

Riven Rock

The Tortilla Curtain

The Road to Wellville

East Is East

World’s End

Budding Prospects

Water Music

SHORT STORIES

Tooth and Claw

The Human Fly

After the Plague

T.C. Boyle Stories

Without a Hero

If the River Was Whiskey

Greasy Lake

Descent of Man

TALK
TALK

A NOVEL

T. Coraghessan Boyle

VIKING

Acknowledgments

Author’s Note

PART I

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

PART II

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

PART III

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

PART IV

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

PART V

Chapter One

Chapter Two

Chapter Three

Chapter Four

EPILOGUE

Acknowledgments

I would like to thank Marie Alex, Jamieson Fry, Susan Abramson and Linda Funesti-Benton for their generous help and advice.

Author’s Note

Except where indicated, it is not my intention to represent a literal translation of signed English, as a number of writers have done in the past, quite admirably, but rather to approximate what is being communicated by means of standard English dialogue.

We are our language, but our real language, our real identity, lies in inner speech, that ceaseless stream and generation of meaning that constitutes the inner mind.

—L. S. Vygotsky, Thought and Language

I learnt man’s tongue, to twist the shapes of thoughts
Into the stony idiom of the brain,

...

I learnt the verbs of will, and had my secret;
The code of night tapped on my tongue;
What had been one was many sounding minded.

—Dylan Thomas, “From love’s first fever to her plague”

PART I

One

SHE WAS RUNNING LATE, always running late, a failing of hers, she knew it, but then she couldn’t find her purse and once she did manage to locate it (underneath her blue corduroy jacket on the coat tree in the front hall), she couldn’t find her keys. They should have been in her purse, but they weren’t, and so she’d made a circuit of the apartment—two circuits, three—before she thought to look through the pockets of the jeans she’d worn the day before, but where were they? No time for toast. Forget the toast, forget food. She was out of orange juice. Out of butter and cream cheese. The newspaper on the front mat was just another obstacle. Piss-warm—was that an acceptable term? Yes—piss-warm coffee in a stained mug, a quick check of lipstick and hair in the rearview mirror, and then she was putting the car in gear and backing out onto the street.

She may have been peripherally aware of a van flitting by in the opposite direction, the piebald dog sniffing at a stain on the edge of the pavement, someone’s lawn sprinkler holding the light in a shimmer of translucent beads, but the persistent beat of adrenaline—or nerves, or whatever it was—wouldn’t allow her to focus. Plus, the sun was in her eyes, and where were her sunglasses? She thought she remembered seeing them on the bureau, in a snarl of jewelry—or was it the kitchen table, next to the bananas, and she’d considered taking a banana with her, fast food, potassium, roughage, but then she figured she wouldn’t because with Dr. Stroud it was better to have nothing at all in your stomach. Air. Air alone would sustain her.

To rush, to hurry, to fret: Old English and Latinate roots, the same sad connotative stab of meaning. She wasn’t thinking clearly. She was stressed, stressed out, running late. And when she got to the four-way stop at the end of the block she felt momentarily blessed because there was no one there to stop for, yet even as she made a feint of slowing and shifted from neutral to second with a quick deft plunge of clutch and accelerator, she spotted the patrol car parked just up the street in the bruised shadow of an SUV.

There was a moment of suspended time, the cop frozen at the wheel of his car, she giving him a helpless exculpatory look, and then she was past him and cursing herself as she watched him pull a lazy U-turn behind her and activate the flashing lights. All at once she saw the world complete, the palms with their pineapple trunks and peeling skirts, the armored spines of the yucca plants climbing the hill, yellow rock, red rock, a gunmetal pickup slowing to gape at her where she’d pulled over on a tan strip of dirt, and below her, a descending expanse of tiled rooftops and the distant blue wallop of the Pacific, no hurry now, no hurry at all. She watched the cop—the patrolman—in her side mirror as he sliced open the door, hitched up his belt (they all did that, as if the belt with its Mace and handcuffs and the hard black-handled revolver were all the badge they needed) and walked stiffly to her car.

She had her license and registration ready and held them out to him in offering, in supplication, but he didn’t take them, not yet. He was saying something, lips flapping as if he were chewing a wad of gristle, but what was it? It wasn’t License and registration, but what else could it be? Is that the sun in the sky? What’s the square root of a hundred forty-four? Do you know why I pulled you over? Yes. That was it. And she did know. She’d run a stop sign. Because she was in a hurry—a hurry to get to the dentist’s, of all places—and she was running late.

“I know,” she said, “I know, but...but I did shift down...”

He was young, this patrolman, no older than she, a coeval, a contemporary, somebody she might have danced alongside of—or with—at Velvet Jones or one of the other clubs on lower State. His eyes were too big for his head and they bulged out like a Boston terrier’s—and what was that called? Exophthalmia. The word came to her and she felt a quick glow of satisfaction despite the circumstances. But the cop, the patrolman. There was a softness to his jaw, that when combined with the eyes—liquid and weepy—gave him an unfinished look, as if he weren’t her age at all but an adolescent, a big-headed child all dressed up spick-and-span in his uniform and playing at authority. She saw his face change when she spoke, but she was used to that.

He said something then, and this time she read him correctly, handing him the laminated license and the thin wafer of the registration slip, and she couldn’t help asking him what was the matter, though she knew her face would give her away. A question always flared her eyebrows as if she were being accusatory or angry, and she’d tried to work on that but with mixed success. He backed away from the car and said something further—probably that he was going to go back to his own vehicle and run a standard check on her license before writing out the standard ticket for running the standard stop sign—and this time she kept her mouth shut.

For the first few minutes she wasn’t aware of the time passing. All she could think was what this was going to cost her, points on her license, the insurance—was it last year or the year before that she’d got her speeding ticket?—and that now she was definitely going to be late. For the dentist. All this for the dentist. And if she was late for the dentist and the procedure that was to take two hours minimum, as she’d been advised in writing to assure that there would be no misunderstanding, then she would be late for her class too and no one to cover for her. She thought of the problem of the telephone—she supposed she could use the dentist’s receptionist as an intermediary, but what a hassle. Hassle. And what was the derivation of that? she wondered. She made a note to herself to look it up in her Dictionary of American Slang when she got home. But what was taking him so long? She had an urge to look over her shoulder, fix the glowing sun-blistered windshield with a withering stare, but she resisted the impulse and lowered her left shoulder to peer instead through the side mirror.

Nothing. There was a form there, the patrolman’s form, a bulked-up shadow, head bent. She glanced at the clock on the dash. Ten minutes had passed since he’d left her. She wondered if he was a slow learner, dyslexic, the sort of person who would have trouble recollecting the particular statute of the motor vehicle code she stood in violation of, who would fumble with the nub of his pencil, pressing extra hard for the duplicate. A dope, a dummy, a half-wit. A Neanderthal. She tried out the word on her tongue, beating out the syllables—Ne-an-der-thal—and watched in the mirror as her lips pursed and drew back and pursed again.

She was thinking of her dentist, an inveterate talker, with eyebrows that seemed to crawl across his inverted face as he hung over her, oblivious to the fact that she couldn’t respond except with grunts and deep-throated cries as the cotton wads throttled her tongue and the vacuum tube tugged at her lip, when the door of the police car caught the light as it swung open again and the patrolman emerged. Right away she could see that something was wrong. His body language was different, radically different, the stiffness gone out of his legs, his shoulders hunched forward and his feet stalking the gravel with exaggerated care. She watched till his face loomed up in the mirror—his mouth drawn tight, his eyes narrowed and deflated—and then turned to face him.

That was when she had her first shock.

He was standing three paces back from the driver’s door and he had his weapon drawn and pointed at her and he was saying something about her hands—barking, his face discomposed, furious—and he had to repeat himself, more furious each time, until she understood: Put your hands where I can see them.

 

At first, she’d been too scared to speak, numbly complying, stung by the elemental violence of the moment. He’d jerked her out of the car, the gun still on her, shoved her face into the hot metal and glass of her own vehicle and twisted her arms round behind her to clamp the cuffs over her wrists, the weight of him pressing into her until she felt him forcing her legs apart with the anvil of his knee. His hands were on her then, gripping her ankles first, sliding up her legs to her hips, her abdomen, her armpits, patting, probing. There was the sharp hormonal smell of him, of his contempt and outrage, his hot breath exploding in her ear with the fricatives and plosives of speech. He was brisk, brutal, sparing nothing. There might have been questions, orders, a meliorating softness in his tone, but she couldn’t hear and she couldn’t see his face—and her hands, her hands were caught like fish on a stringer.

Now, in the patrol car, in the cage of the backseat that was exactly like the cage they put stray dogs in, she felt the way they wanted you to feel: small, helpless, without hope or recourse. Her heart was hammering. She was on the verge of tears. People were staring at her, slowing their cars to get a good look, and there was nothing she could do but turn away in shame and horror and pray that one of her students didn’t happen to be passing by—or anybody she knew, her neighbors, the landlord. She slouched down in the seat, dropped her head till her hair shook loose. She’d always wondered why the accused shielded their faces on the courthouse steps, why they tried so hard to hide their identities even when everyone in the world knew who they were, but now she understood, now she felt it for herself.

The color rose to her face—she was being arrested, and in public no less—and for a moment she was paralyzed. All she could think of was the shame of it, a shame that stung like some physical hurt, like the bite of an insect, a thousand insects seething all over her body—she could still feel the hot clamp of his hands on her ankles, her thighs. It was as if he’d burned her, scored her flesh with acid. She studied the back of the seat, the floormat, her right foot tapping and jittering with the uncontainable pulse of her nerves, and then all at once, as if a switch had been thrown in her brain, she felt the anger rising in her. Why should she feel shame? What had she done?

It was the cop. He was the one. He was responsible for all this. She lifted her eyes and there he was, the idiot, the pig, a pair of squared-off shoulders in the tight blue-black uniform, the back of his head as flat and rigid as a paddle strapped to his neck, and he was saying something into his radio, the microphone at his mouth even as the cruiser lurched out into the street and she felt herself flung helplessly forward against the seat restraint. Suddenly she was furious, ready to explode. What was wrong with him? What did he think, she was a drug dealer or something? A thief? A terrorist? She’d run a stop sign, for Christ’s sake, that was all—a stop sign. Jesus.

Before she knew it, the words were out of her mouth. “Are you crazy?” she demanded, and she didn’t care if her voice was too loud, if it was toneless and ugly and made people wince. She didn’t care what she sounded like, not now, not here. “I said, are you crazy?”

But he wasn’t hearing her, he didn’t understand. “Listen,” she said, “listen,” leaning forward as far as the seat restraint would allow her, struggling to enunciate as carefully as she could, though she was choked and wrought up and the manacles were too tight and her heart was throbbing like a trapped bird trying to beat its way out of the nest, “there must be some mistake. Don’t you know who I am?”

The world chopped by in a harsh savage glide, the car jolting beneath her. She strained to see his face reflected in the rearview mirror, to see if his lips were moving, to get a clue—the smallest hint, anything—as to what was happening to her. He must have read her her rights as he handcuffed her—You have the right to remain silent and all the rest of it, the obligatory phrases she’d seen on the TV screen a hundred times and more. But why? What had she done? And why did his eyes keep leaping from the road to the mirror and back again as if she couldn’t be trusted even in the cage and the cuffs, as if he expected her to change shape, vomit bile, ooze and leak and smell? Why the hate? The bitterness? The intransigence?

It took her a moment, the blood burning in her veins, her face flushed with shame and anger and frustration, until she understood: it was a case o...

Présentation de l'éditeur

Over the past twenty-five years, T.C. Boyle has earned wide acclaim and an enthusiastic following with such adventurous, inimitable novels as The Tortilla Curtain, Drop City, and The Road to Wellville. For his riveting eleventh novel, Boyle offers readers the closest thing to a thriller he has ever written, a tightly scripted page turner about the trials of Dana Halter, a thirty-three-year-old deaf woman whose identity has been stolen. Featuring a woman in the lead role (a Boyle first), Talk Talk is both a suspenseful chase across America and a moving story about language, love, and identity from one of America?s most versatile and entertaining novelists.

À propos de cette édition

• Éditeur: Bloomsbury Publishing PLC
• Date d'édition: 2006
• ISBN 10: 0747584249
• ISBN 13: 9780747584247
• Reliure: Broché
• Nombre de pages: 352