Unaccustomed Earth - Couverture rigide

Lahiri, Jhumpa

Couverture rigide

ISBN 10 : 0747590001 ISBN 13 : 9780747590002

Editeur : Bloomsbury Publishing PLC, 2008

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EXCERPT
Unaccustomed Earth

After her mother’s death, Ruma’s father retired from the pharmaceutical company where he had worked for many decades and began traveling in Europe, a continent he’d never seen. In the past year he had visited France, Holland, and most recently Italy. They were package tours, traveling in the company of strangers, riding by bus through the countryside, each meal and museum and hotel prearranged. He was gone for two, three, sometimes four weeks at a time. When he was away Ruma did not hear from him. Each time, she kept the printout of his flight information behind a magnet on the door of the refrigerator, and on the days he was scheduled to fly she watched the news, to make sure there hadn’t been a plane crash anywhere in the world.

Occasionally a postcard would arrive in Seattle, where Ruma and Adam and their son Akash lived. The postcards showed the facades of churches, stone fountains, crowded piazzas, terra-cotta rooftops mellowed by late afternoon sun. Nearly fifteen years had passed since Ruma’s only European adventure, a month-long EuroRail holiday she’d taken with two girlfriends after college, with money saved up from her salary as a para- legal. She’d slept in shabby pensions, practicing a frugality that was foreign to her at this stage of her life, buying nothing but variations of the same postcards her father sent now. Her father wrote succinct, impersonal accounts of the things he had seen and done: “Yesterday the Uffizi Gallery. Today a walk to the other side of the Arno. A trip to Siena scheduled tomorrow.” Occasionally there was a sentence about the weather. But there was never a sense of her father’s presence in those places. Ruma was reminded of the telegrams her parents used to send to their relatives long ago, after visiting Calcutta and safely arriving back in Pennsylvania.

The postcards were the first pieces of mail Ruma had received from her father. In her thirty-eight years he’d never had any reason to write to her. It was a one-sided correspondence; his trips were brief enough so that there was no time for Ruma to write back, and besides, he was not in a position to receive mail on his end. Her father’s penmanship was small, precise, slightly feminine; her mother’s had been a jumble of capital and lowercase, as though she’d learned to make only one version of each letter. The cards were addressed to Ruma; her father never included Adam’s name, or mentioned Akash. It was only in his closing that he acknowledged any personal connection between them. “Be happy, love Baba,” he signed them, as if the attainment of happiness were as simple as that.

In August her father would be going away again, to Prague. But first he was coming to spend a week with Ruma and see the house she and Adam had bought on the Eastside of Seattle. They’d moved from Brooklyn in the spring, for Adam’s job. It was her father who suggested the visit, calling Ruma as she was making dinner in her new kitchen, surprising her. After her mother’s death it was Ruma who assumed the duty of speaking to her father every evening, asking how his day had gone. The calls were less frequent now, normally once a week on Sunday afternoons. “You’re always welcome here, Baba,” she’d told her father on the phone. “You know you don’t have to ask.” Her mother would not have asked. “We’re coming to see you in July,” she would have informed Ruma, the plane tickets already in hand. There had been a time in her life when such presumptuousness would have angered Ruma. She missed it now.

Adam would be away that week, on another business trip. He worked for a hedge fund and since the move had yet to spend two consecutive weeks at home. Tagging along with him wasn’t an option. He never went anywhere interesting—usually towns in the Northwest or Canada where there was nothing special for her and Akash to do. In a few months, Adam assured her, the trips would diminish. He hated stranding Ruma with Akash so often, he said, especially now that she was pregnant again. He encouraged her to hire a babysitter, even a live-in if that would be helpful. But Ruma knew no one in Seattle, and the prospect of finding someone to care for her child in a strange place seemed more daunting than looking after him on her own. It was just a matter of getting through the summer—in September, Akash would start at a preschool. Besides, Ruma wasn’t working and couldn’t justify paying for something she now had the freedom to do.

In New York, after Akash was born, she’d negotiated a part-time schedule at her law firm, spending Thursdays and Fridays at home in Park Slope, and this had seemed like the perfect balance. The firm had been tolerant at first, but it had not been so easy, dealing with her mother’s death just as an important case was about to go to trial. She had died on the operating table, of heart failure; anesthesia for routine gallstone surgery had triggered anaphylactic shock.

After the two weeks Ruma received for bereavement, she couldn’t face going back. Overseeing her clients’ futures, preparing their wills and refinancing their mortgages, felt ridiculous to her, and all she wanted was to stay home with Akash, not just Thursdays and Fridays but every day. And then, miraculously, Adam’s new job came through, with a salary generous enough for her to give notice. It was the house that was her work now: leafing through the piles of catalogues that came in the mail, marking them with Post-its, ordering sheets covered with dragons for Akash’s room.

“Perfect,” Adam said, when Ruma told him about her father’s visit. “He’ll be able to help you out while I’m gone.” But Ruma disagreed. It was her mother who would have been the helpful one, taking over the kitchen, singing songs to Akash and teaching him Bengali nursery rhymes, throwing loads of laundry into the machine. Ruma had never spent a week alone with her father. When her parents visited her in Brooklyn, after Akash was born, her father claimed an armchair in the living room, quietly combing through the Times, occasionally tucking a finger under the baby’s chin but behaving as if he were waiting for the time to pass.

Her father lived alone now, made his own meals. She could not picture his surroundings when they spoke on the phone. He’d moved into a one-bedroom condominium in a part of Pennsylvania Ruma did not know well. He had pared down his possessions and sold the house where Ruma and her younger brother Romi had spent their childhood, informing them only after he and the buyer went into contract. It hadn’t made a difference to Romi, who’d been living in New Zealand for the past two years, working on the crew of a German documentary filmmaker. Ruma knew that the house, with the rooms her mother had decorated and the bed in which she liked to sit up doing crossword puzzles and the stove on which she’d cooked, was too big for her father now. Still, the news had been shocking, wiping out her mother’s presence just as the surgeon had.

She knew her father did not need taking care of, and yet this very fact caused her to feel guilty; in India, there would have been no question of his not moving in with her. Her father had never mentioned the possibility, and after her mother’s death it hadn’t been feasible; their old apartment was too small. But in Seattle there were rooms to spare, rooms that stood empty and without purpose.

Ruma feared that her father would become a responsibility, an added demand, continuously present in a way she was no longer used to. It would mean an end to the family she’d created on her own: herself and Adam and Akash, and the second child that would come in January, conceived just before the move. She couldn’t imagine tending to her father as her mother had, serving the meals her mother used to prepare. Still, not offering him a place in her home made her feel worse. It was a dilemma Adam didn’t understand. Whenever she brought up the issue, he pointed out the obvious, that she already had a small child to care for, another on the way. He reminded her that her father was in good health for his age, content where he was. But he didn’t object to the idea of her father living with them. His willingness was meant kindly, generously, an example of why she loved Adam, and yet it worried her. Did it not make a difference to him? She knew he was trying to help, but at the same time she sensed that his patience was wearing thin. By allowing her to leave her job, splurging on a beautiful house, agreeing to having a second baby, Adam was doing everything in his power to make Ruma happy. But nothing was making her happy; recently, in the course of conversation, he’d pointed that out, too.
How freeing it was, these days, to travel alone, with only a single suitcase to check. He had never visited the Pacific Northwest, never appreciated the staggering breadth of his adopted land. He had flown across America only once before, the time his wife booked tickets to Calcutta on Royal Thai Airlines, via Los Angeles, rather than traveling east as they normally did. That journey was endless, four seats, he still remembered, among the smokers at the very back of the plane. None of them had the energy to visit any sights in Bangkok during their layover, sleeping instead in the hotel provided by the airline. His wife, who had been most excited to see the Floating Market, slept even through dinner, for he remembered a meal in the hotel with only Romi and Ruma, in a solarium overlooking a garden, tasting the spiciest food he’d ever had in his life as mosquitoes swarmed angrily behind his children’s faces. No matter how they went, those trips to India were always epic, and he still recalled the anxiety they provoked in him, having to pack so much luggag...

Revue de presse :

“The kind of writer who makes you want to grab the next person you see and say, ‘Read this!’” – Amy Tan

“Wonderfully distinctive . . . a writer of uncommon poise.” – The New York Times

“Lahiri’s enormous gifts as a storyteller are on full display in this collection: the gorgeous, effortless prose; the characters haunted by regret, isolation, loss, and tragedies big and small; and most of all, a quiet, emerging sense of humanity.” – Khaled Hosseini, author of A Thousand Splendid Suns and The Kite Runner

"Jhumpa Lahiri's new collection of stories overflows with insights about the secrets we can hide. While these stories examine the crossing and commingling of Indian and Western cultures, the feelings of pride, love, and loneliness ring true in any society. They are jewels." – Rosemary Pugliese, Quail Ridge Books, Raleigh, NC

“Lahiri extends her mastery of the short-story in a collection that has a novel’s thematic cohesion, narrative momentum and depth of character. . . . Some of her most compelling fiction to date. An eye for detail, ear for dialogue and command of family dynamics distinguish this uncommonly rich collection.” – Kirkus Reviews

“Stunning . . . The gulf that separates expatriate Bengali parents from their American–raised children — and that separates the children from India — remains Lahiri’s subject for this follow-up to Interpreter of Maladies and The Namesake. . . . Lahiri’s stories of exile, identity, disappointment and maturation evince a spare and subtle mastery that has few contemporary equals.” – Publishers Weekly

“Pulitzer Prize—winning Lahiri returns with her highly anticipated second collection exploring the inevitable tension brought on by family life. . . . [Lahiri’s] ability to flesh out completely even minor characters in every story . . . is what will keep readers invested in the work until its heartbreaking conclusion.” – Library Journal

“The tight arc of a story is perfect for Lahiri’s keen sense of life’s abrupt and powerful changes, and her avid eye for telling details. This collection’s five powerful stories and haunting triptych of tales about the fates of two Bengali families in America map the perplexing hidden forces that pull families asunder and undermine marriages. . . . Lahiri’s emotionally and culturally astute short stories (ideal for people with limited time for pleasure reading and a hunger for serious literature) are surprising, aesthetically marvelous, and shaped by a sure and provocative sense of inevitability.” – Booklist

“Ferociously good . . . acutely observed . . . In exquisitely attuned prose, Lahiri notes the clash between generations . . . She is emotionally precise about her characters and the way the world appears to them . . . These are unforgettable people, their stories unforgettably well told.” – O, The Oprah Magazine

“A great book . . . to move you. Whether American or Bengali by birth, Lahiri’s protagonists valiantly walk a tightrope between personal choice and family expectation. Faltering or triumphant, each tugs at the heart.” – Good Housekeeping

“[Lahiri] explores with her modulated prose a full range of relationships among her subjects. So thoroughly and judiciously does she use detail that she easily presents entire lives with each story. These are tales of careful observation and adjustment.” – The Atlantic

“Dazzling . . . [Lahiri’s] comparisons with literary masters such as Alice Munro are well-earned. In these eight exquisitely detailed stories, Lahiri is less interested in painful family conflicts than in the private moments of sadness that come in their aftermath.” – More

“Lahiri’s finely drawn prose makes [Unaccustomed Earth] feel less like reading and more like peering into the most raw, intimate moments of people’s lives.” – Marie Claire

“Lahiri delves into the souls of indelible characters struggling with displacement, guilt, and fear as they try to find a balance between the solace and suffocation of tradition and the terror and excitement of the future into which they’re being thrust. . . . [Unaccustomed Earth] further establishes her as an important American writer.” – Bookforum

“Brilliant . . . Vividly imagined . . . In Unaccustomed Earth, Lahiri’s preternaturally mature voice has grown even more confident. . . . Her sharp and sympathetic observations are deeply considered, using memory, dialogue, and visual detail to capture family dynamics . . . Masterful.” – India Currents
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“Once you’ve started, you have to struggle not to set aside every other obligation and distraction until you’ve reached the end. . . . Lahiri’s prose is effortlessly articulate. Her stories move from one carefully wrought scene to another, often turning on a motif that appears earlier in the story.” – National Post

“[T]he emotional impact Lahiri achieves is not only underpinned by her mastery of detail, it’s inseparable from it. . . . [W]e are left in rapt anticipation of just where this great writer might go next.” – The Gazette

“A strain of the mythic that totally engages . . . Lahiri is note-perfect.” – Toronto Star
From the Hardcover edition.

À propos de cette édition

• Éditeur: Bloomsbury Publishing PLC
• Date d'édition: 2008
• ISBN 10: 0747590001
• ISBN 13: 9780747590002
• Reliure: Relié
• Numéro d'édition: 1
• Nombre de pages: 352