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Ackroyd, Peter The Lambs Of London ISBN 13 : 9780753173190

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9780753173190: The Lambs Of London
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Chapter One

‘I loathe the stench of horses.’ Mary Lamb walked over to the window, and touched very lightly the faded lace fringe of her dress. It was a dress of the former period that she wore unembarrassed, as if it were of no consequence how she chose to cover herself. ‘The city is a great jakes.’ There was no one in the drawing-room with her, so she put her face upwards, towards the sun. Her skin was marked by the scars of smallpox, suffered by her six years before; so she held her face to the light, and imagined it to be the pitted moon.

‘I have found it, dear. It was hiding in All’s Well.’ Charles Lamb rushed into the room with a thin green volume in his hand.

She turned round, smiling. She did not resist her brother’s enthusiasm; it cleared her head of the moon. ‘And is it?’

‘Is it what, dear?’

‘All’s well that ends well?’

‘I very much hope so.’ The top buttons of his linen shirt were undone, and his stock only loosely knotted. ‘May I read it to you?’ He dropped into an armchair, and swiftly crossed his legs. It was a rapid and economical movement, to which his sister had become accustomed. He held out the volume at arm’s length, and recited a passage. ‘ “They say miracles are past; and we have our philosophical persons to make things supernatural and causeless seem modern and familiar. Hence is it that we make trifles of terrors, ensconcing ourselves into seeming knowledge when we should submit ourselves to an unknown fear.” Lafew to Parolles. That is exactly the thought of Hobbes.’

Mary generally read what her brother read, but she did so more slowly. She was more thoroughly absorbed; she would sit by the window, where the light had touched her a few moments before, and contemplate the sensations that her reading had aroused in her. She felt then, as she had told her brother, part of the world’s spirit. She read so that she might keep up these conversations with Charles which had become the great solace of her life. They talked on those evenings when he returned, sober, from the East India House. They confided in each other, seeing the same soul shining in each other’s face.

‘What was that phrase, “seeming knowledge”? You enunciate so well, Charles. I would be glad to have your gift.’ She admired her brother precisely to the extent that she did not admire herself.

‘Words, words, words.’

‘But would that apply to the people whom we know?’ she asked him.

‘Would what, dear?’

‘Seeming knowledge and unknown fear?’

‘Elaborate.’

‘I seem to know Pa, but should I submit to an unknown fear concerning him?’

Their parents, on this Sunday morning, were returning from the Dissenters’ chapel on the corner of Lincoln’s Inn Lane and Spanish Street. They were only a hundred yards from the house, and Mary watched as her mother and father crossed slowly from lane to lane. Mr Lamb was in the first stages of senile decay, but Mrs Lamb held him upright with her powerful right arm.

‘And then there is Selwyn Onions,’ Mary added. He was one of Charles’s clerkly colleagues in Leadenhall Street. ‘I seem to know his pranks and jokes, but should I submit to an unknown fear concerning his malevolent spirit?’

‘Onions? He is a good enough fellow.’

‘I dare say.’

‘You look too deep, dear.’

It was a day in late autumn, and the brickwork of the houses opposite was stained red with the declining sun. The street itself was littered with orange peel, scraps of newspaper and fallen leaves. An old woman, draped in a voluminous shawl, was clutching the pump on the corner.
‘What is “too deep?”’ She was surprised by her brother’s flippancy. It was insensitive, and she relied upon his sensitivity to give meaning to her life.

‘There are some subjects, Mary, which have no depth. Onions is one of them.’ He was annoyed by his disloyalty towards his friend, and quickly changed the subject. ‘Why is Sunday so horrid? It is my day of rest, but it is so dry and desolate. It presses the life out of me. There is nowhere to think.’ He jumped up from the chair, and stood next to his sister in the bay of the window. ‘It only comes alive by twilight. But by then it is too late. Now I will go to my room and study Sterne.’

She was accustomed to this. ‘Being left by Charles’ was, as she put it to herself, a ‘compound verb’ signifying a coherent and complete sensation of loss, disappointment and anticipation. She did not feel abandoned, precisely. She was hardly ever alone in the house. And here they were. She heard her mother’s key in the lock, and instinctively she held herself more upright; it was as if she were warding off danger. Mr Lamb was wiping his boots on the straw mat by the door while Mrs Lamb was asking their maid-servant, Tizzy, to clear up the leaves. Mary knew that Charles would be sinking deeper into his chair, shutting out the noises of the house with Sterne. She turned back to the window, as her parents entered the room, and prepared herself to become a daughter again.

‘Sit with your poor father, Mary, while I prepare an eggnog. He may have caught cold.’ He shook his head and laughed. ‘What are you saying, Mr Lamb?’ He looked down at her feet. ‘You are quite right. I still have on my pattens. You miss nothing, I am sure.’

‘Take them off,’ he said. And then he laughed again.

Mary Lamb had watched her father’s slow decline with interest. He had been a man of business, quick and efficient in all the dealings of the world. He had marshalled his affairs as if he were engaged in warfare with some invisible enemy and, when he returned each evening to the house in Laystall Street, he had an air of triumph. Then, one evening, he came home wide-eyed with terror. ‘I don’t know where I have been,’ was all he said. Quietly he began to slip away. He had been Mary’s father, then he became her friend and, finally, her child.

Charles Lamb seemed to pay no attention to his father’s condition; he avoided him, whenever possible, and made no comment on his increasing incapacity. Whenever Mary raised the subject of ‘Pa’, he listened to her patiently but offered no comment. He could not speak of it.

Mr Lamb was rubbing his hands eagerly, in anticipation of the egg-nog.

When her mother had left the room, Mary sat down beside him on the faded green divan. ‘Did you sing at the service, Pa?’

‘The minister was mistaken.’

‘On what matter?’

‘There are no rabbits in Worcestershire.’

‘Are there not?’
‘No, nor muffins neither.’

Mrs Lamb professed to believe that there was some wisdom in her husband’s ramblings, but Mary knew that there was none. Yet he interested her more now than he had ever done; she was intrigued by the strange and random phrases that issued from him. It was as if language was talking to itself.

‘Are you cold, Pa?’

‘Just an error in the accounts.’

‘Do you suppose?’

‘A red letter day.’

Mrs Lamb returned with the egg-nog in a bowl. ‘Mary dear, you are keeping your father from the fire.’ She was perpetually watchful, as if something in the world was forever trying to elude her. ‘Where is your brother?’

‘Reading.’

‘That is a surprise. Drink it carefully, Mr Lamb. Mary, help your father.’

Mary did not like her mother very much. She was a prying and inquisitive woman, or so Mary thought; her mother’s watchfulness seemed to her to be a form of hostility. It never occurred to Mary that it was a form of fear.

‘Don’t slurp, Mr Lamb. Your linen will be soiled.’

Mary gently took the bowl from him, and began to feed him with the porcelain spoon. She spent her life performing such tasks. Tizzy was too frail to deal with all the household cleaning and cooking, so Mary took on the most onerous duties. They could have afforded a young servant, at no more than ten shillings per week, but Mrs Lamb objected in principle to the introduction of another person who might shatter the carefully preserved composition, and the calm, of the Lamb family.

Mary accepted her role willingly enough. Charles went to the office, and she ‘saw to’ the house. That was how it would always be. After her sickness, in any case, she had become more subdued. The scars upon her face had made her an object of pity or distaste – or so she thought – and she had no wish to show herself.

She could hear Charles pacing the floor, in the room above. She had become accustomed to his footsteps and knew that he was preparing to write; he was placing his thoughts in order before he began. He was treading upon a narrow strip of carpet at the foot of his bed, and after three or four more ‘turns’ he would sit at his desk and begin. He had been introduced to the editor of Westminster Words, Matthew Law, who had been charmed by the young man’s discourse on the acting style at the Old Drury Lane; he had commissioned from him an essay on the subject, and Charles had completed it only three days later. He had ended with a flourish, on the acting of Munden, when he had said that ‘A tub of butter, contemplated by him, amounts to a Platonic idea. He understands a leg of mutton in its quiddity. He stands wondering, amid the common-place materials of life, like primeval man with the sun and stars about him.’ This was considered to be a ‘mighty flare’, accor...
Présentation de l'éditeur :
At the centre of this intriguing, irresistible novel are the young Lambs: Charles, constrained by the tedium of his work as a clerk at the East India Company, taking refuge in a drink or three too many while spreading his wings as a young writer, and his clever, adoring sister Mary, confined by domesticity, an ailing, dotty father and a maddening mother- Into their lives comes William Ireland, an ambitious 17-year-old antiquarian and bookseller, anxious not only to impress his demanding showman of a father, but to make his mark on the literary world. When Ireland turns up a document in the handwriting of Shakespeare himself, he takes Mary into his confidence - but soon scholars and actors alike are beating a path to the little bookshop in Holborn Passage. Touching and tragic, ingenious, funny and vividly alive, this is Ackroyd at the top of his form in a masterly retelling of a nineteenth-century drama which keeps the reader guessing right to the end.

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  • ÉditeurISIS Large Print Books
  • Date d'édition2005
  • ISBN 10 0753173190
  • ISBN 13 9780753173190
  • ReliureRelié
  • Nombre de pages248
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Ackroyd, Peter
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ISBN 10 : 0753173190 ISBN 13 : 9780753173190
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