Under the Dragon's Tail - Couverture souple

Jennings, Maureen

Couverture souple

ISBN 10 : 077109597X ISBN 13 : 9780771095979

Editeur : McClelland & Stewart, 2012

Synopsis

Book by Jennings Maureen

A propos du livre

Extrait :

Chapter One

Sunshine was streaming through the kitchen window, making the flies sluggish as they crawled across the pine table. Irritably, Dolly Merishaw swatted a few of them, brushing the carcasses onto the floor. Even that slight effort caused a stabbing pain behind her eyes. She tried to wet her lips but her tongue was thick as cloth. She picked up the beer jug from the sideboard, but there were only dregs left and a bluebottle had drowned itself in the bottom.

She knew the two boys were out scavenging along the Don River and that Lily was delivering laundry to her customers on Gerrard Street, but she resented the fact they ­weren’t here to look after her, to bring her a pot of tea the way she liked.

“Useless slags,” she said out loud.

Not that she ever uttered a word of appreciation when her daughter waited on her. In Dolly’s opinion, Lily had forfeited the right to thanks.

She pushed up the window sash and stuck her head out. The air was warm and soft, the sun caressing. Early July was the best time of the summer, before the August heat roasted the city like a cut of beef.

Even for Dolly, the sight of the trees dappling the street was appealing, and she leaned her arms on the windowsill for a moment. Two women bicyclists rode by, both of them sitting straight and rigid at the high handle­bars. One was wearing knickerbockers and leggings, and Dolly noticed a passerby turn and glare. Many people were offended by these new bicycling outfits, Rational Dress, as they were called, but Dolly approved. She was happy to see women upset male tempers.

She retreated back to the kitchen, wondering if she was well enough to go out. She decided she was. She fancied some calf’s liver for her breakfast, and Cosgrove’s, the butcher, ­wasn’t too far. And she could go to the Dominion Brewery on Queen Street. They sold stale beer at a cheap price.

Her felt slippers loose on her feet, she shuffled off to the parlour to get dressed. Ever since they had moved to Toronto, Dolly had been essentially living in this one room, as she was usually too full to climb the stairs to her bedroom. She slept on a Turkish couch, and Lily brought her meals on a tray. It was not uncommon for Dolly to throw the food at her daughter if she was displeased and Lily screamed back, raw, wordless cries. In the kitchen the boys listened, ears pricked, wary as fox kits.

It took Dolly almost an hour to make the journey, but when she returned to the house, neither her daughter nor her foster sons had returned.

“Where is the slut?”

She poured herself some of the flat, bitter ale and took a long swallow. Her parched throat was eased at once. She put the package of meat on the table and opened it up, smoothing out the newspaper that the butcher had used to wrap the liver. Her glance was idle at first, but suddenly she paused, bent closer, and squinted at a photograph on the inside page.

“My, my, look who it ­isn’t.”

A smear of blood partly obscured the picture but the caption confirmed her. She plopped the liver on the table and carefully tore the piece out of the newspaper. She read the notice again. What luck. Good for her, but bad for the other one. Clutching the strip of paper, she trotted off to the parlour, moving with more vigour than she had in a long time.

The room was hot and buzzed with flies feeding off the remains of last night’s stew. The curtains were still closed but she ­didn’t open them. She could see well enough and she wanted privacy. Beneath the window was her prized desk. She went over to it, pulling out a leather thong that hung around her neck. The key was never anywhere else, and it was warm and greasy from nestling between her breasts. She unlocked the desk, rolled back the top, and sat down. There ­wasn’t much inside. A blotter, a tarnished silver inkwell and steel pen, a jar of her special herbs, the tin where she kept her money. Usually she enjoyed counting the coins and the bills, but today she shoved the tin aside and pulled open the drawer at the back of the desk. Reverently, she took out a vellum autograph album. One of her clients had left it behind years ago, and Dolly had appropriated it for use as her record book. The cover was soft and supple, royal blue with the word Friends embossed in gold letters. The paper was thick and creamy. She placed the piece of newspaper on the blotter, wiped her fingers on her skirt, and opened the album.

It ­didn’t take her long to find the entry she wanted. In the eight years that had passed since then, her business had lessened considerably, and over the last three years there were no birth entries at all. Carefully, she tore out one of the unused pages and placed it on the blotter. She picked up the pen. The nib was crusty with dried ink but usable, and the inkwell ­hadn’t dried out. She stroked, “Dear —” Bugger! There was a blob of ink on the paper. Perhaps she’d better practise first.

“I’m sure you remember the occasion of our first meeting.”

The only way a person would forget that was if they was dead and she knew that ­wasn’t the case.

“I have had some family troubles which has forced me into changing my name for reasons of privacy as I am sure you of all people can understand.”

Even writing that down made Dolly flush with anger. She’d been ruined through no fault of her own.

“I did as good by you as I could. Times are hard, my business has fallen off. A small gratuity would be kindly received. Or else . . .”

Biographie de l'auteur :

MAUREEN JENNINGS's first novel in the Detective Murdoch series, Except the Dying, was published to rave reviews and shortlisted for both the Arthur Ellis and the Anthony first novel awards. The influential Drood Review picked Poor Tom Is Cold as one of its favourite mysteries of 2001. Let Loose the Dogs was shortlisted for the 2004 Anthony Award for best historical mystery. Night's Child was shortlisted for the Arthur Ellis Award, the Bruce Alexander Historical Mystery Award, the Barry Award, and the Macavity Historical Mystery Award. And A Journeyman to Grief was nominated for the Arthur Ellis Award. Three of the Detective Murdoch novels have been adapted for television, and a Granada International television series, The Murdoch Mysteries, based on the characters from the novels, is entering its third season on CityTV and UKTV.

À propos de cette édition

• Éditeur: McClelland & Stewart
• Date d'édition: 2012
• ISBN 10: 077109597X
• ISBN 13: 9780771095979
• Reliure: Paperback
• Nombre de pages: 314