Articles liés à Mertz selected operatic fantasies of (torosian) guitar...
Synopsis
Media Type : BookLevel : IntermediateMusical Genre : ClassicNumber of pages : 56This collection is drawn from the Portefeuille für Guitarre-Spieler series and is intended for intermediate to advanced guitarists.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
- ÉditeurMel Bay Publications,U.S.
- Date d'édition2013
- ISBN 10 0786656840
- ISBN 13 9780786656844
- ReliureBroché
- Nombre de pages52
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Selected Operatic Fantasies of Mertz
Edité par
Mel Bay Pub., Inc., 2003
ISBN 10 : 0786656840
ISBN 13 : 9780786656844
Ancien ou d'occasion
Couverture souple
Vendeur : SecondSale, Montgomery, IL, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Etat : Acceptable. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. N° de réf. du vendeur 00056654757
Quantité disponible : 1 disponible(s)
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Selected Operatic Fantasies of Mertz
Edité par
Brand: Mel Bay Pub., Inc., 2003
ISBN 10 : 0786656840
ISBN 13 : 9780786656844
Neuf
Softcover
Vendeur : Ergodebooks, Houston, TX, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Softcover. Etat : New. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists. The works in this collection: Fantasy on themes from Don Giovanni, Op. 28 Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart's sublime use of the mandolin in Don Juans' aria Deh, vieni alla finestra. Mertz himself took note of Mozart's 'mandolin serenade' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a 'musical panorama' of 136 short pieces. Martha, Op. 16 Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates 'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie. The Prophet, Op. 21 Giacomo Meyerbeer was the leading composer of French grand opera during Mertz's professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz's Op. 21 was published shortly thereafter. Nabucco, Op. 62 and Rigoletto, Op. 63 Giuseppe Verdi's first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone. N° de réf. du vendeur DADAX0786656840
Quantité disponible : 1 disponible(s)
Image d'archives
Selected Operatic Fantasies of Mertz
Edité par
Mel Bay Pub., Inc., 2003
ISBN 10 : 0786656840
ISBN 13 : 9780786656844
Ancien ou d'occasion
Softcover
Vendeur : 369 Bookstore _[~ 369 Pyramid Inc ~]_, Dover, DE, Etats-Unis
Évaluation du vendeur 4 sur 5 étoiles
Softcover. Etat : Good. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists. The works in this collection: Fantasy on themes from Don Giovanni, Op. 28 Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart\'s sublime use of the mandolin in Don Juans\' aria Deh, vieni alla finestra. Mertz himself took note of Mozart\'s \'mandolin serenade\' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a \'musical panorama\' of 136 short pieces. Martha, Op. 16 Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates \'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie. The Prophet, Op. 21 Giacomo Meyerbeer was the leading composer of French grand opera during Mertz\'s professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz\'s Op. 21 was published shortly thereafter. Nabucco, Op. 62 and Rigoletto, Op. 63 Giuseppe Verdi\'s first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone. N° de réf. du vendeur AMPLE0786656840
Quantité disponible : 1 disponible(s)