Revue de presse :
...well done...Stockhausen has been such an extraordinary figure within the musical world of the last 50 years-variously a musical scientist, a psychic astronaut, and a neo-Wagnerian megalomaniac-that we need to know much, much more. Musical Times A composer of avant-garde electronic and instrumental music, Karlheinz Stockhausen is one of the most elusive and enigmatic musical thinkers of his generation. Organized chronologically, this volume catalogs Stockhausen's complete output and identifies the sources of his inspiration. Each composition is fully documented with information on publisher, catalog number, instrumentation, duration, and authorized compact disc recording. Reference and Research Book News In the past, one could argue that books written by devoted disciples (such as Maconie) would find their strongest audience primarily in other true believers. The present volume, however, can be read with pleasure for its insightful comments on a host of topics-philosophy, poetry, German responses to Nazism, and the music of Boulez, Berio, Cage, Reich, Riley, et al. Stockhausen himself is omnipresent, of course, and the text is peppered with quotations from the composer's writings. As always, these can be brilliant, perceptive, arrogant, silly, mystical, infuriating, or incomprehensible. But the context of such comments can now be seen in sharper focus. A fascinating book containing many gems. Highly recommended. Upper-division undergraduates and above. CHOICE ...Maconie often does say shrewd and penetrating things. He has a nice way with metaphor...There are many good things in this book... BBC Music Magazine We might be forgiven for assuming that it is a third edition of the 1976 original. But this is not the case. 'Other Planets' is, in most essential respects, new. It is also remarkably fresh and comprehensive...Crucially, for anyone disposed to assume that Stockhausen has for a quarter of a century been a shadow, if not a parody, of his former self, Maconie should make you think again...Maconie's criticism is especially potent for being so precise in matters of technical chapter and verse, the reactionsof a musician who has as good an idea as anyone of the composer's working methods...Another strength is that, although the narrative is chronological, Maconie takes considerable pains to trace connections and associations, musical and cultural, in wayswhich...overall, bring a plausible coherence to what might otherwise have been a disjointed narrative. Stockhausen is represented as the product of a time when radio, cinema, and surrealism were dominant cultural influences, and this core characterizationleads to many striking and illuminating analogies...Above all, Maconie wishes to characterize Stockhausen not simply as a composer, but as a teacher, after the holistic, utopian ethos of Friedrich Froebel. The book ends with a tour de force in the form Tempo Stockhausen's chief chronicler... -- Alex Ross The Rest Is Noise We might be forgiven for assuming that it is a third edition of the 1976 original. But this is not the case. 'Other Planets' is, in most essential respects, new. It is also remarkably fresh and comprehensive...Crucially, for anyone disposed to assume that Stockhausen has for a quarter of a century been a shadow, if not a parody, of his former self, Maconie should make you think again...Maconie's criticism is especially potent for being so precise in matters of technical chapter and verse, the reactions of a musician who has as good an idea as anyone of the composer's working methods...Another strength is that, although the narrative is chronological, Maconie takes considerable pains to trace connections and associations, musical and cultural, in ways which...overall, bring a plausible coherence to what might otherwise have been a disjointed narrative. --Alex Ross The Rest Is Noise
Présentation de l'éditeur :
Here is a catalogue raisonee of Stockhausen's complete output, involving no technical analyses, but rather an examination of the music's aesthetic, practical, and intellectual assumptions. The book contains plentiful citations from the history of radio, film, and sound recording, and from contemporary science and technology. Laid out in strict chronological order, it contains unusually ample commentary on the composer's sources of inspiration, including discussions of the composers Hermann Schroeder, Olivier Messiaen, Pierre Schaeffer, Herbert Eimert, John Cage, the information scientist Werner Meyer-Eppler, and structural anthropologist Claude Levi-Strauss. Each of Stockhausen's compositions is treated on its own terms, and also as a piece in a larger puzzle, embracing surrealist art and literature as well as music. Every piece of music is fully documented within the text with full information of the publisher, catalogue number, instrumentation, duration, and composer-authorized compact disc.
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